• 건축역사연구
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• 제16권1호
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• pp.9-28
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• 2007

We investigated the changes in the species of the woods used for Korean ancient and historic architectures, which include prehistoric excavated relics and existing wooden buildings in South Korea. The species data were collected from various sources such as excavation and repair reports, journal papers, and a few unpublished documents. We divided the building Periods as Paleolithic, Neolitic, Bronze Ages, Iron Age/Three Kingdoms, Koryo, Joseon (early, middle, late) and modem periods. In prehistoric periods, hardwoods were major species. Oak (Quercus spp.) woods dominated (94 percent in average); the others (5%) were Juglans mandshurica, Platycarya strobilacea, Castanea crenata, and few softwoods(1%). During Iron Age and Three Kingdom periods, oaks remained as a major species (57%) and others Platycarya strobilacea(21%), Castanea crenata(13%), and Pinus spp. (6%). The oak woods decreased in Koryo period and they occupied only 1.1%. Instead of oaks, pine (Pinus spp., 71%) and Zelkova serrata (22%) dominated in Koryo. In early and middle Joseon periods, pine woods (73%) remain as a major species and the others were oaks (14%) and Zelkova serrata (9%). As late Joseon came, the pine woods occupied more than 88%. In the late 19th and early 20th centuries, a few boreal species such as larch (Larix spp.) and spruce (Picea spp.), which grow in cold area, were found. We believe they were transported from northern Korea. The existing buildings in Korea are mainly from Joseon period and a few from late Koryo periods. During these periods, pine woods were used for most buildings. For such reason, pine woods were known as 'representative materials for historic buildings'. but earlier times, broad-leaved trees, i.e., oak and Zelkova woods were major materials. The changes in building materials resulted from both climate and human impacts. The dry climate and disturbed forests induce more pines in the mountains. We also compared the wood qualities of the species and found that Zelkova woods were superior ones and deserved more planting for future demands in the repair for historic buildings.

• 한국전통조경학회지
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• 제29권3호
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• pp.1-11
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• 2011

전라북도 남원시에 위치한 광한루원은 조선시대 관아건축물인 광한루를 중심으로 주변에 조성된 정원과 함께 조선시대 대표적인 관아정원의 모습을 보여주는 장소이다. 그러나 광한루원은 현재 조선시대 관아정원으로서의 특성과 이미지보다는 지역문화인 춘향전의 배경 장소로서의 인식이 높은데, 이는 춘향전의 한문본인 "광한루기"에 광한루가 춘향전의 배경장소로서 나타났기 때문이며, 1930년대 이후 춘향사당의 건립과 춘향제가 열리면서, 조선시대 관아건축물로서의 인식보다는 일제강점기 시절 민족의식 고취와 춘향의 절개를 추모하는 장소로서 활용되었기 때문이다. 관아건축물로서의 인식보다는 춘향전의 배경장소로서의 인식이 높아지며 관아정원으로서 보전, 관리되기 보다는 춘향전의 배경장소로서 민가주택정원이나 지역문화 행사장으로서 관리되면서 무분별한 수목의 식재와 구조물 조성, 공간구성에 의해 관아정원으로서의 특성을 찾아보기 힘들게 되었다. 따라서 광한루원을 조선시대 관아정원으로서 보전, 관리해 가기 위해서는, 현재 광한루원에 조성된 수목, 구조물, 공간구성 등을 조사하고, 이를 문헌분석을 통해 파악된 광한루원의 원형과 비교, 분석하여, 광한루를 중심으로 조성된 관아정원 지역과 춘향전의 배경장소를 구분하여 정비, 관리하여야 할 것이다. 이를 통해 광한루원은 관아정원으로서의 정체성을 확보할 수 있을 것이며, 전통공간인 광한루를 중심으로 펼쳐진 춘향전은 전통의 맥을 잇는 지역문화로서 자리 잡을 수 있을 것이다.

• 대한건축학회논문집:계획계
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• 제34권8호
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• pp.59-67
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• 2018

In a state where ancient buildings was left a lot in the case of Korea, many parts do not remain the documentation, and there is a Kiwarisho lot in Japan, however, the present methods and tree split does not exist in the Korea. However, it is impossible to make a perfect building without splitting exact member when making a building. Thus will not be revealed simply by presumption that there is a similar way to wood comparatively far in Korea. Without a comparison of building dimensions and Korea calculation dimensions Kiwarisho In the first study about the proportionality of Korea, I do not know until now, other studies of the following documents which house a high approximation ratio and member size of Korea consider reason to have is impossible. View compared with respect to the axis of the building in the early stages of research first. In the case of Japan and Korea to form a tree frames in basic form that form the building, the shaft portion is easy to understand and easy compared in common is at most the shaft portion.

• 건축역사연구
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• 제7권1호
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• pp.49-66
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• 1998

The purpose of this study is to connect the technics and form from ancient to Korea Dynast But in these period there is no buildings remains but paintings, fine arts, and stupas. In the historical materials there are many architectural form and signature revealings, so as a result these analysis, 1)The building showed in paintings of Silla, and Korea Dynasty reflect the architectural style their own Dynasty. 2)In detail, the architecture of Silla and Korea Dynasy was connected with Chinese architectur Liao, Song. But from the 8Century Koreans were succeeded the one of Silla Dynasty and had originility in architectural style. 3)The architectursl style in Silla and Korea Dynasty were very various and very rich content. And we must more serious study of historical materials so that we improve the ancient a middle age of architcture in Korea.

• 건축역사연구
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• 제30권1호
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• pp.33-42
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• 2021

This paper analysed the architectural images on Pleasant Gathering of Leeum, Samsung museum of art, which has been assumed as a work of the Koryo dynasty. Through the comparison between the unique wooden structure at roof edge on the building images and real architectures, it found the buildings on the painting were from China Fujian(福建), not from Korea. It also analysed the color painting on buildings, trees, themes from previous famous paintings and dresses to confirm these images were came from the early period of the Ming dynasty. It is a very unique painting containing various information on the Fujian ancient architecture, but its architecture drawing is not as skillful as typical ancient Chinese paintings.

• 중국학논총
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• 제55호
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• pp.133-153
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• 2017

Pavilions are aesthetic buildings harmonized with the surrounding landscape in ancient and modern time and space. They have unique open structures that were sited a short distance from a main residence. Pavilions were constructed for the purpose of resting and cultivating of minds through communion with nature. They were also established to use as places for building human network among men of letters. Pavilions are seen in China and Korea. They are called as 'Nujeong' in Korea. Nujeongs are not only for resting, but also for aesthetic thinking of ancient Korean writers. They are generally designed to provide visitors with a space where they can rest physically as well as spiritually and stimulate their own imaginations. Phrases that are widely used on the signboards of Nujeongs are Huehuejeong(休休亭), Manhuejeong(萬休亭), Sigyoungjeong(息影亭), Nongwoljeong(弄月亭), Gunzijeong(君子亭), Geoyeonjeong(居然亭).

• 건축역사연구
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• 제18권6호
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• pp.23-46
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• 2009

The history to have used lime in building construction was much long without distinction of the East or the West. The ancient nations of korean peninsula had used lime as construction material. The witness was discovered in the kings' tombs of fifth century. In the Joseon dynasty(15~19c), what applied several developed lime compounds to the kings' tombs have been recorded in 'Sanleong-Uigwe(山陵儀軌)' & 'Yeonggeon-Uigwe(營建儀軌)' of those days documents. Therefore, this paper is to examine the whole procedures from the product and provision of lime to its application through those days documents. Following conclusions have been reached through the study. Three lime compounds to be developed for the kings' tombs was extendedly applied to residential government buildings step by step within the current of time. These compounds to be used in the kings' tombs of the Joseon dynasty had been correlated to those of the ancient nations, which were nations of korean peninsula in narrow range, chinese and orient nations in broad range. These compounds have possibilities of development as the environmental-friendly building material. And these compounds should provide a standard specification for conservation & restoration of the traditional and cultural properties. I could confirm that the whole procedures had not been developed within limited space-time of the specified nation & period, but within interactions of the nations & periods. In the periods which disturb its interaction, the expansion of productivity in building construction was interfered.

• 건축역사연구
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• 제21권1호
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• pp.119-134
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• 2012

Balhae(698~926) was the ancient state which opened the Nambuk-guk period with the Unified Silla. But Balhae architecture began to included in the history of Korean architecture only about 15 years ago, such as the books written by Yun Jang-seop or Ju Nam-cheol. I discussed four issues related to Balhae architecture in this paper. First, I criticized the excavation report of 24 stones remains at Jiangdong in Duhua city, and I asserted the ondol site belonged to different period. Second, I also interpreted that the building found on the tombs no.13 and no.14, in the Longhai burial area in Helong city must be a wooden stupa. Third, Balhae played some important roles in the history of ondol. It developed Koguryeo ondol in terms of structure, gave an opportunity to the ruling class to adopt ondol for the first time, and passed the heating system down to the Jurchen, the ancestor of the modern Manchurian. Fourth, the Russian-Korean joint research team excavated seven building sites in Koksharovka 1 fortress from Russian territory these four years, and it is reasonable to assume the fortress was the center of Anbyeon-bu, one of 15 local government districts in Balhae. I guess this buildings were the royal shrine built by resisters after the fall of Balhae, and the vessel stands found there must be used for ancestral memorial ceremony inside them.

• 건축역사연구
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• 제16권4호
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• pp.95-110
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• 2007

In spite of the increasing significance on a scale of building measurement unit and its system having been used in many areas of architecture, only a few researchers carried out the studies on a specific period. It is even harder to find a research results dealt in view of architecture. This research gives a focus on different types of scales employed in the ancient buildings and their sites, based on the research results of unit scale or scales found in recent excavations. After the review of literature on the scales widely used in the ancient times and of the various types of scales excavated archeologically, a kind of scale unit system that had been widely and extensively employed throughout the period of 'Three Kingdoms' could be revealed. The scale system is possibly able to be applied to estimate the exact scale of buildings and their sites as well in that era. The research results show that the scale and its system employed in the East and West buildings and their sites of 'Kum-dang' in 'Mi-ruk Sa' temple are different from 'Kokuryo' scale that was believed in to be used in the temple. Contrary to the suggestion by excavation report on the type of scale employed in the buildings their sites, a scale of 29 centimeters, similar to that of Tang, was employed. It was also found that one module consists of three 'Chuk's of 88.8 centimeters. Based on this scale system, we could conclude that three modules of the buildings on the front and two and half modules of them on the sides were explained by this scale and its system.

• 국제초고층학회논문집
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• 제5권3호
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• pp.213-220
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• 2016

The "China Zun" tower in Beijing will rise to 528 meters in height and will be the tallest building in Beijing once built. Inspired by an ancient Chinese vessel, the "Zun", the plan dimensions reduce gradually from the bottom of the tower to the waist and then expand again as it rises to form an aesthetically beautiful and unique geometry. To satisfy the structural requirement for seismic and wind resistance, the structure is a dual system composed of a perimeter mega structure made of composite mega columns, mega braces, and belt trusses, and a reinforced-concrete core with steel plate-embedded walls. Advanced parametric design technology is applied to find the most efficient outer-perimeter structure system. The seismic design basically follows a mixed empirical and performance-based methodology that was verified by a shaking table test and other specimen lab tests. The tower is now half-way through its construction.