• 한국정보통신학회논문지
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• 제7권6호
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• pp.1318-1324
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• 2003

기존의 ART1 알고리즘은 입력 패턴과 저장 패턴간의 유사성 검증 방법의 문제점과 경계 변수에 따라 클러스터의 수와 인식률이 좌우되는 문제점이 있다. 본 논문에서는 기존의 ART1 알고리즘을 개선하기 위하여 입력 패턴과 저장 패턴간의 Exclusive NOR의 놈 (norm) 비율을 사용하는 유사성 측정 방법과 퍼지 접속 연산자를 이용하여 유사성에 따라 경계변수를 동적으로 조정하는 방법을 적용한 개선된 ART1을 제안한다. 제안된 방법에서는 1의 개수 비율이 아니라 같은 값을 가진 노드의 비율을 사용하여 유사성을 측정하고 경계 변수는 Yager의 합 접속 연산자를 사용하여 동적으로 조정한다. 제안된 방법의 성능을 확인하기 위하여 26개의 영문 패턴 분류 문제와 잡음이 있는 패턴 인식 문제를 대상으로 실험한 결과, 제안된 방법이 기존의 ART1 알고리즘 보다 경계 변수의 설정에 따라 민감하게 반응하지 않았고 인식률에서도 개선된 것을 확인하였다.

• International Journal of Internet, Broadcasting and Communication
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• 제16권1호
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• pp.80-85
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• 2024

The concept of single-modal digital art originated in the 20th century and has evolved through three key stages. Over time, digital art has transformed into multi-modal interaction, representing a new era in art forms. Based on multi-modal theory, this paper aims to explore the characteristics of interactive digital art in innovative art forms and its impact on user experience. Through an analysis of practical application of multi-modal interactive digital art, this study summarises the impact of creative models of digital art on the physical and mental aspects of user experience. In creating audio-visual-based art, multi-modal digital art should seamlessly incorporate sensory elements and leverage computer image processing technology. Focusing on user perception, emotional expression, and cultural communication, it strives to establish an immersive environment with user experience at its core. Future research, particularly with emerging technologies like Artificial Intelligence(AR) and Virtual Reality(VR), should not merely prioritize technology but aim for meaningful interaction. Through multi-modal interaction, digital art is poised to continually innovate, offering new possibilities and expanding the realm of interactive digital art.

• 문화기술의 융합
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• 제6권1호
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• pp.395-401
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• 2020

사운드아트는 태생적으로 이종적(heterogeneous)이고 탈경계적인 특성을 지닌 예술 활동을 통해 진화했다. 창의적으로 인정받는 예술가들이 마음껏 활동할 수 있는 비옥한 토양이 형성되기 어려운 비주류 예술분야임에도 오늘날 국내 사운드아트 분야의 성장과 확장은 계속 진행되고 있다. 그리고 앞으로는 미술계와 음악계 사이의 진영논쟁을 넘어 탈제도권적인 작품들과 활동들까지도 폭넓게 수용하면서 다양한 비평을 열 수 있는 시대가 올 것이다. 본 논문은 사운드아트의 역사사적 특이점과 발자취를 간단히 살펴서 향후 사운드아트를 위해 개선된 토론장을 만들어가는 데 참고자료로 도움이 되게 하고자 한다.

• 한국멀티미디어학회:학술대회논문집
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• 한국멀티미디어학회 2003년도 춘계학술발표대회논문집
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• pp.193-197
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• 2003

기존의 ART1 알고리즘은 입력 패턴과 저장 패턴간의 유사성 검증 방법의 문제점과 경계 변수에 따라 클러스터의 수와 인식률이 좌우되는 문제점이 있다. 본 논문에서는 기존의 ART1 알고리즘을 개선하기 위하여 입력 패턴과 저장 패턴간의 Exclusive NOR의 놈(norm) 비율을 사용하는 유사성 측정 방법과 퍼지 접속 연산자를 이용하여 유사성에 따라 경계변수를 동적으로 조정하는 방법을 적용한 개선된 ART1을 제안한다. 제안된 방법에서는 1의 개수 비율이 아니라 같은 값을 가진 노드의 비율을 사용하여 유사성을 측정하고 경계 변수는 Yager의 합 접속 연산자를 사용하여 동적으로 조정한다. 제안된 방법의 성능을 확인하기 위하여 26개의 영문 패턴 분류 문제와 잡음이 있는 패턴 인식 문제를 대상으로 실험한 결과, 제안된 방법이 기존의 ART1 알고리즘 보다 경계 변수의 설정에 따라 민감하게 반응하지 않았고 인식률에서도 개선된 것을 확인하였다.

• Acta Via Serica
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• 제2권1호
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• pp.49-64
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• 2017

During the seventeenth century, Amsterdam experienced unprecedented growth and affluence, and the city developed into the world's staple market playing an indispensable role in Silk Road trade. This era, which coincides with post-reformation Dutch society, also allowed artists to produce art works depicting objects from everyday life, moving away from the earlier religious subject matter. This paper intends to look into seventeenth century Dutch paintings from their social setting, especially focusing on the influence of the Silk Road in the art making process. The paper also looks into the Chinese side of Silk Road interaction and discusses how Chinese porcelain reflects cultural influence from the Dutch. The paper incorporates Silk Road as a methodology to discuss art works departing from earlier practices in art history. This approach allows us to understand art as a product of multi-disciplinary, multi-cultural experience. The methodology invites more discussion on numerous art forms which emerged along the Silk Road trading route to expand and explore the history of East-West cultural exchange.

• Architectural research
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• 제13권1호
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• pp.3-9
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• 2011

To design and construct a museum of art involves the interest of artists, architects, curatorship, management, and local government. More than this direct relationship, museum obliges the public a mission of delivering genuine public experience through art and architecture. However, most of Modern and contemporary architecture has not delivered genuine public experience of integrated art and architecture. Conceptual message of art and perceptual architectural exhibition space has not been integrated easily. Picture frame canvas initiated this schism and institutionalized museum management hampered the creativity of artists. This schism was overcome through artists' questioning of museum culture and creative works that embrace work and its environment. In contemporary culture, installation art and media art necessitates a new museum format which needs not only exhibition, but laboratory and interface space with viewers. This paper will regroup the existing museum according to its use and strategy, and reinterpret progressive museums that fosters young artists, and more than this, will introduce successfully established museums for new forms of art, which are equipped with versatile exhibition spaces, innovative interface between works and viewers, and own laboratory that can produce works of art. These examples will envision a creative method of art and architecture production that can achieve genuine public experience.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2001년도 Bulletin of The 5th Asian Design Conference International Symposium on Design Science
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• pp.1.1-1
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• 2001

• 한국정보통신학회논문지
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• 제9권4호
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• pp.883-889
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• 2005

다층 구조 신경망에서 널리 사용되는 오류 역전파 알고리즘은 초기 가중치와 불충분한 은닉층의 노드 수로 인하여 지역 최소화에 빠질 가능성이 있다. 따라서 본 논문에서는 오류 역전파 알고리즘에서 은닉층의 노드 수를 설정하는 문제와 ART-1에서 경계 변수의 설정에 따라 인식률이 저하되는 문제점을 개선하기 위하여 ART-1과 퍼지 단층 지도 학습 알고리즘을 결합한 ATR-1 기반 퍼지 다층 지도 학습 알고리즘을 제안 한다. 자가 생성을 이용한 제안된 퍼지 지도 학습 알고리즘은 입력층에서 은닉층으로 노드를 생성시키는 방식은 ART-1을 적용하였고, 가중치 조정은 특정 패턴에 대한 저장 패턴을 수정하도록 하는 winner-take-all 방식을 적용하였다. 제안된 학습 방법의 성능을 평가하기 위하여 주민등록증 영상을 대상으로 실험한 결과, 기존의 오류 역전파 알고즘보다 연결 가중치들이 지역 최소화에 위치할 가능성이 줄었고 학습 속도 및 정체 현상도 개선되었다.

• 한국의상디자인학회지
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• 제24권1호
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• pp.1-14
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• 2022

In the past 10 years, the luxury goods market growth has significantly outpaced other consumer goods categories. Its market value exceeded US $1.2 trillion globally in 2018. In response to this significant consumer demand, the product portfolio of luxury brands has been modified, as several products that previously were exclusive have now released lower-priced versions. This phenomenon is called new luxury. These new luxury products, however, have caused the democratization of the luxury that threatens the exclusivity of luxury brands. In this circumstance, luxury consumers are becoming disillusioned with the vulgarization of luxury goods and prefer exclusive luxury experiences. In order to keep pace with the changes in the luxury consumer needs and promote the brand image with a creative and luxurious connotation, luxury brands are increasingly associating with contemporary art through diverse channels. However, there is a lack of theoretical research investigating the main points to be considered when applying contemporary art to luxury brands and attempting effective brand communication. Therefore, this study aims to provide insights into the key issues for luxury brands when applying contemporary art for effective brand communication. An in-depth case study with the luxury fashion brand, Louis Vuitton, was carried out to better understand contemporary art applications and obtain analytical insights. Through the research, key insights were identified as follows: 1) setting a clear objective for art application based on an in-depth understanding for both the art and the luxury brand, 2) sending harmonized and coherent messages from all perspectives by using a variety of different communication channels, 3) providing a meaningful customer experience by considering the characteristics of contemporary art.

• 한국의류학회지
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• 제20권1호
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• pp.197-206
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• 1996

We can see the relationship between Fashion creation and Art through the characteristic of clothings at Fashion Collections such as the round, abstractive motive, optical effect, symetric line, etc. This relationship between Fashion creation and Art brings the affective image and the aesthetic shock to open the door to imagination. Art-related people such as artist, fashion designer share the creativeness, new vision and artistic fever. We can see the link and co- work between art and fashion creation all over the 20th centary. Specially it reached its peak in 1960s when Paco Rabanne, Andra Curreges, Pierre Cardin and Yves Saint-Laurent introduced their works. This study includes not only the influence of the art but also the relationship between the art and fashion creation to analyze the way and the reason of the influence of the art in terms of the form, technique, material and process. Doing this, 1 try to ask and answer the question "through what form and at what situation fashion creation can be considered as an art." The study reaches the conclusion that fashion designer is the creator, technician and transferer if the the art.e the art.