• Journal of the Institute of Electronics Engineers of Korea CI
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• v.47 no.4
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• pp.25-33
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• 2010

In this paper, we propose a simple and efficient algorithm for head pose estimation using a single camera. First, four subimages are obtained from the camera image for face feature extraction. These subimages are used as feature templates. The templates are then tracked by Kalman filtering, and camera projective matrix is computed by the projective mapping between the templates and their coordinate in the 3D coordinate system. And the user's face pose is estimated from the projective mapping between the user's face and image plane. The accuracy and the robustness of our technique is verified on the experimental results of several real video sequences.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.17 no.7
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• pp.767-778
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• 1992

Is discussed. A method to extract feature points and to synthesize human facial images In 3-Dmodel-based ceding system, faciai feature points are extracted automatically using some image processing techniques and the known knowledge for human face. A wire frame model matched to human face Is transformed according to the motion of point using the extracted feature points. The synthesized Image Is produced by mapping the texture of initial front view Image onto the trarnsformed wire frame. Experinent results show that the synthesitzed image appears with little unnaturalness.

• Proceedings of the Korean Institute of Communication Sciences Conference
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• 1992.06a
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• pp.503-507
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• 1992

• Proceedings of the Korea Contents Association Conference
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• 2005.11a
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• pp.466-469
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• 2005

Recently, in computer graphics, researches on 3D animations have been very active. One of the important research areas in 3D animation is animation of human being. Implicit surface model is convient for modeling objects composed of complicated surface such as 3D characters and liquids. Moreover, it can represent various forms of surfaces using a relatively small amount of data. In this paper, we propose a method of facial model generation using Implicit Primitive.

• Journal of Korea Game Society
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• v.8 no.2
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• pp.47-55
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• 2008

This paper introduces that SSFE(Skeleton System for Facial Expression) to deform facial expressions by rigging of skeletons does same functions with 14 facial muscles based on anatomy. A three dimensional animation tool (MAYA 8.5) is utilized for making the SSFE that presents deformation of mesh models implementing facial expressions around eyes, nose and mouse. The SSFE has a good reusability within diverse human mesh models. The reusability of SSFE can be understood as OSMU(One Source Multi Use) of three dimensional animation production method. It can be a good alternative technique for reducing production budget of animations. It can also be used for three dimensional animation industries such as virtual reality and game.

• Journal of the Korean Institute of Intelligent Systems
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• v.19 no.1
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• pp.1-5
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• 2009

This paper suggests to apply mirror-reflected method based 2D emotion recognition database to 3D application. Also, it makes facial expression of fuzzy modeling using probability of emotion. Suggested facial expression function applies fuzzy theory to 3 basic movement for facial expressions. This method applies 3D application to feature vector for emotion recognition from 2D application using mirror-reflected multi-image. Thus, we can have model based on fuzzy nonlinear facial expression of a 2D model for a real model. We use average values about probability of 6 basic expressions such as happy, sad, disgust, angry, surprise and fear. Furthermore, dynimic facial expressions are made via fuzzy modelling. This paper compares and analyzes feature vectors of real model with 3D human-like avatar.

• Journal of Advanced Navigation Technology
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• v.13 no.1
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• pp.142-150
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• 2009

It is very important to generate a simplified model from a complex 3D character in computer game. We propose a new method of extracting feature lines from a 3D game character. Given an unstructured 3D character model containing texture information, we use model feature map (MFM), which is a 2D map that abstracts the variation of texture and curvature in the 3D character model. The MFM is created from both a texture map and a curvature map, which are produced separately by edge-detection to locate line features. The MFM can be edited interactively using standard image-processing tools. We demonstrate the technique on several data sets, including, but not limited to facial character.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.41 no.5
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• pp.63-69
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• 2004

This paper proposes a novel method for achieving pose-invariant face recognition using cylindrical model. On the assumption that a face is shaped like that of a cylinder, we estimate the object's pose and then extract the frontal face image via a pose transform with previously estimated pose angle. By employing the proposed pose transform technique we can increase the face recognition performance using the frontal face images. Through representative experiments, we achieved an increased recognition rate from 61.43% to 94.76% by the pose transform. Additionally, the recognition rate with the proposed method achieves as good as that of the more complicated 3D face model.

• Journal of KIISE:Software and Applications
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• v.31 no.7
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• pp.929-938
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• 2004

This paper proposes a pose-invariant face recognition method using cylindrical model and stereo camera. We divided this paper into two parts. One is single input image case, the other is stereo input image case. In single input image case, we normalized a face's yaw pose using cylindrical model, and in stereo input image case, we normalized a face's pitch pose using cylindrical model with previously estimated pitch pose angle by the stereo geometry. Also, since we have an advantage that we can utilize two images acquired at the same time, we can increase overall recognition performance by decision-level fusion. Through representative experiments, we achieved an increased recognition rate from 61.43% to 94.76% by the yaw pose transform, and the recognition rate with the proposed method achieves as good as that of the more complicated 3D face model. Also, by using stereo camera system we achieved an increased recognition rate 5.24% more for the case of upper face pose, and 3.34% more by decision-level fusion.

• The Journal of the Acoustical Society of Korea
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• v.17 no.8
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• pp.3-11
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• 1998

본 논문에서는 고품질의 얼굴 동영상과 운율이 첨가된 음성을 통합하여 자연스런 가상얼굴을 실시간으로 합성하는 방법을 제안한다. 이 방법에서는 한글 텍스트를 입력하여, 텍스트에 따라 입모양과 음성을 합성하고, 얼굴 동영상과 음성의 동기를 맞추고 있다. 먼저, 텍스트를 음운 변화한 후, 문장을 분석하고 자모음사이의 지속시간을 부여한다. 자모음과 지 속시간에 따라 입모양을 변화시켜 얼굴 동영상을 생성하고 있다. 이때, 텍스트에 부합한 입 모양 변화뿐만 아니라, 두부의 3차원 동작과 다양한 표정변화를 통하여 자연스런 가상얼굴 을 실시간으로 합성하고 있다. 한편, 음성합성에서는 문장분석 결과에 따라 강세구와 억양구 를 정하고 있다. 강세구와 억양구를 이용하여 생성된 운율모델이 고품질의 음성합성에 필요 한 지속시간, 억양 및 휴지기를 제어한다. 합성단위는 무제한 어휘가 가능한 반음절과 triphone(VCV)의 조합이며, 합성방식은 TD-PSOLA를 사용한다.