• 제목/요약/키워드: 3량가

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조선시대 3량가 주택의 툇마루 도입과 상춘헌고택의 변화 - 양동마을 두곡고택과의 비교연구를 중심으로 - (The Introduction of the Toi-Maru of 3-Dori type House in the Joseon Dynasty and the Change of the Sang-chun-heon Historic House - Focused on the Comparative Study of the Yang-dong village's Du-gok Historic House)

  • 배창현
    • 건축역사연구
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    • 제32권3호
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    • pp.31-38
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    • 2023
  • Most of the changes found on the toi-maru of the Sang-chun-heon Historic House indicate that the upper structure of the toi-maru of the late Joseon Dynasty houses where toi-bo was installed was not completed in an instant. Toi-maru with stud is especially typical in 3-Dori type Structure, and can be found in many historic houses in Yang-dong Village, where the many 3-Dori type Structure is located. This type can be interpreted as the intermediate type that began at the eaves was settled as a toi-maru with a separate toi-bo. It seems that the toi-maru in front of the on-dol room at the time of the construction of the Sang-chun-heon historic house would not have been the same as it is now. The members dividing the on-dol room, the walls, and the various incomplete appearances seen in the window composition can be construed as traces of the change. The fact that all three types of houses that occurred during the spread of toi-maru after the mid-Joseon Dynasty can be examined can be added to the existing evaluation of cultural property houses in Yang-dong Village.

조선시대 측4량가 건축의 구조와 특징 (A study on the Structure and Design Concept of Asymmetrical Building with 4 Purlins in the Joseon Dynasty)

  • 김버들;이종서
    • 건축역사연구
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    • 제28권6호
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    • pp.7-18
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    • 2019
  • This study is to find out the design concept of asymmetrical building with 4 purlins mainly in Sungkyunkwan(Confucian Shrines), Changgyeonggung palace and Changdeokgung palace The results are as follows: First, asymmetrical building with 4 purlins has the same height pillars, which was useful to control the side lenght and put a higher pillar without limit. Second, the side length of the asymmetrical building with 4 purlins is between 12 to 14 Ja[尺]. It's relatively longer than the minimum length(12 Ja) of 5 purlins architecture seen in later Joseon dynasty. Third, asymmetrical building with 4 purlins was not an anomalous structure when compared to 3 purlins and 5 purlins. It was actually a traditional style, unlike the current architectural recognition nowadays, which mainly focused on the balanced roof structure. These examples show that the architectures in Early Joseon dynasty were planned and constructed first according to the plane division that fit in a specific use or space.

조선 중기 툇마루의 도입과 상부가구의 구조적 대응 (Research on Introduction of Toi-Maru in Mid-Joseon Period and Structural Adjustment of Frame Work in Roof Structure)

  • 배창현;전봉희
    • 대한건축학회논문집:계획계
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    • 제35권11호
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    • pp.117-128
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    • 2019
  • The necessity of the Toi-Maru has increased greatly in order to enter to the building or to move conveniently in the building after the mid-Joseon period, when the combination of On-dol Ma-ru began to be universally used. According to this process, the 3-Dori type upper structure is thought to have undergone the typological changed by securing a more stable space of Toi-Maru In cases where a relatively large girder was used, it is often the case that the space is divided using a pillar to place a Toi-Maru on the front. However, it is difficult to find a case where the width of the Toi-Maru exceeds 1meter due to its structural limit. The type that made additional Toi-girder to overcome the spatial constraint of this structure and replaced the method of former typology after Mid-Jpseon period. In case of 5-Dori type, Toi-Maru installed in between high post and Toi post in early period. In these type, the width of Toi-Maru was subordinated by the location of milled Dori of roof structure and sometimes it became too excessive. 5-Dori type with Pyon-ju occurred to overcome these restriction between the width of Toi-Maru and the location of milled Dori of roof structure. Not a few remains of Mid-Jpseon period keeping the evidences of changing process of roof structure provoked by Toi-Maru installation. The consistent process of Toi-Maru installation and structural adjustment will be focused to consider the attempt to spatial requirement and architectural reaction in Mid-Joseon perid.

삼주기연소 14$\times$14 PWR 핵연료의 핫셀 파괴시험 (Destructive Examination of 3 Cycle Burned 14$\times$14 PWR Fuel)

  • 이기순;유길성;이영길;민덕기;서항석
    • Nuclear Engineering and Technology
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    • 제21권4호
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    • pp.332-340
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    • 1989
  • 핵연료의 로내 연소거동 분석평가 연구의 일환으로 가압경수로에서 3주기동안 연소한 14$\times$14 사용후 핵연료를 핫셀에서 파괴시험하여 다음과 같은 결과를 얻었다. 1) 고연소 부위의 연료중심에서도 핵연료의 결정립성장은 일어나지 않았다. 2) 연소도 증가에 따라 밀도감소가 일어나 36,000 MWD/MTU 연소도에서는 연료의 밀도가 94.4% TD까지 감소하였다. 3) 피복관의 평균 산화층두께는 연료봉의 중간 및 하부부위에서는 10$\mu$m이하였으나 상부부 위 에서는 급격하게 20$\mu$m이 상으로 증가되었다. 4) 피복관의 수소화물 생성량은 피복관의 산화물 생성량가 연동되어 연료봉 하부보다는 상부에서는 생성량이 많았다.

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전통목조건축물 지붕곡과 기울기에 관한 연구 - 사찰의 주불전을 중심으로 - (A Study on the roof curved ratio and slope of Korean Traditional Wooden Building - Focused on the Central Hall of Buddhist Temple -)

  • 고정주;이정수
    • 한국산학기술학회논문지
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    • 제15권6호
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    • pp.3894-3906
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    • 2014
  • 본 연구는 정밀실측이 이루어진 국가지정문화재 중 사찰의 주불전을 대상으로 맞배지붕 건물과 합각지붕 건물로 구분하여 지붕에서 나타나는 앙곡, 안허리곡, 용마루곡과 지붕기울기를 분석하였다. 그 결과 는 다음과 같다. 첫째, 맞배지붕 건물의 앙곡과 안허리곡은 건물규모(면적), 내부 고주 유무 등과 밀접한 상관관계가 있다. 또한 5량가 구조와 7량가 구조중에 규모가 큰 7량가 구조에서 더 크게 나타났다. 둘째, 맞배지붕 건물의 앙곡과 안허리곡은 서로 상관관계가 있는데 앙곡이 큰 건물에서 안허리곡도 크게 나타난 것으로 분석되었다. 지붕기울기는 변수요인(평면요소, 입면요소, 단면요소)과는 크게 연관성이 없으며, 앙곡, 안허리곡, 용마루곡 크기는 공포의 외1출목과 외2출목에서 비슷한 크기였으나, 외3출목에서는 상대적으로 크게 나타났다. 셋째, 합각지붕 건물의 앙곡과 안허리곡은 맞배지붕 건물과는 다르게 서로 상관관계 없었는데, 전면과 측면은 서로 상관관계를 가지며 전면의 곡이 크게 나타난 건물에서는 측면에서도 크게 나타났다. 넷째, 합각지붕 건물 내부에 고주가 있는 건물은 앙곡과 안허리곡이 크게 나타난 반면, 고주가 없는 건물에서는 작게 나타났으며, 용마루곡은 건물규모와 건물높이에 밀접한 연관성이 있어, 건물이 높거나 큰 건물에서 용마루곡이 크게 나타났다. 지붕기울기는 맞배지붕 건물에서와 같이 변수요인과는 상관관계가 거의 없었다.

학성이씨 파종가 울산 근재공고택의 건축적 특징에 관한 연구 -상부가구의 유형 분석과 처마 공간 구성을 중심으로- (A Study on the Architectural Characteristics of Ul-san Geun-jae-gong Historic House of Hak-seong Lee Family -Focused on the Typological Analysis of the Upper Structure and the Composition of the Eaves space)

  • 배창현
    • 건축역사연구
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    • 제32권5호
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    • pp.51-58
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    • 2023
  • This study was conducted to examine the architectural characteristics of Hak-seong Lee Family's Geun-jae-gong Historic House located in Seok-cheon-ri, Ung-chon-myeon, Ulju-gun, Ulsan. The house is said to have been rebuilt in the early 20th century after it was built in the 18th century, and now there are nine buildings left, including the An-chae, Sa-rang-chae, Sa-dang, storehouses and etc. This house is a large-scale house that is difficult to find similar cases in near region. The division of areas on each building is clear, and it is evaluated that it retains the typical characteristics of the head family in the late Joseon Dynasty in terms of its overall size and layout. In addition, the current wooden structure, which is said to have been rebuilt in the early 20th century, shows the composition method and space utilization method of the 3-Dori type upper structure, which have become more diverse since the late Joseon Dynasty. This has not been dealt with in the previous survey, and should be considered in detail through this paper.

조선시대 양동마을 3량 상부 가구의 유형적 특징과 변화 - 평면 구성 변화에 따른 상부 가구의 대응을 중심으로 - (The Typological Characteristic of 3-Dori Type Upper Structure and its Change in Yang-dong Village during the Joseon Dynasty - Focusing on the Response of the Upper Structure according to the Change of Plan Composition -)

  • 배창현
    • 건축역사연구
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    • 제33권2호
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    • pp.7-15
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    • 2024
  • The composition of the upper structure, which can be found in the 3-Dori type buildings in Yang-dong Village, varies significantly from time to time. The upper structure of the Gwan-ga-jeong, known as a house in the mid-Joseon Dynasty, consists of a basic 3-Dori type structure in which a beam is placed under 3-Dori and supported with two flat columns. On the other hand, the upper structure of I-hyang-jeong historic house, built in the 17th century, is different in that it has a stud between the two flat columns. The upper structure of Sa-ho-dang historic house, a 19th-century building is different from the upper structure of the buildings of the previous period in that three flat columns were used. As such, the difference in the composition method of the upper structure according to the construction period is closely related to the introduction of the Toi-maru, which is mainly explained by the boundary space. In addition, it can be expected that the introduction of the Toi-maru originated from the influence of the change in the plan. This study was conducted to examine the correlation between the plan and the composition of the boundary space through various typology of the 3-Dori upper structure distributed intensively in Yang-dong Village.