• The Journal of the Korea Contents Association
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• v.20 no.10
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• pp.100-108
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• 2020

20th century music has been recognized as disconnected. Some criticized that it is not music. This controversy has been continued over decades in music history. This study applied Darwin's evolutionary theory to John Cage's 4'33", the most popular music in 20th century and tried to prove musical continuity embedded in it. 4'33" has always been a subject of controversy because it has no sound. However, the study found out that 4'33" has the common musical factor, the rest. 4'33" can be interpreted as the variation of the rest in evolutionary view. The rest has undergone a variety of variations in form and meaning since the beginning of the musical notation and was suitable for a new musical environment changed in 20th century. In the evolutionary view, 4'33" is evolved music, not disconnected.

• Proceedings of the Korea Contents Association Conference
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• 2016.05a
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• pp.85-86
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• 2016

19세기에서 20세기 초 조선에서 일제강점기로의 전환기적 시기의 한반도 내 명승지의 인식에 대한 변화양상을 고찰한 결과, 조선후기에 유행한 "청구남승도(靑邱覽勝圖)"에 작성된 명승지 내용과 1915년에 발간된 "조선명승시선(朝鮮名勝詩選)"의 주요변화는 자연유형의 명산, 폭포, 대(臺) 등 전통경관은 계승되면서도 근대공원, 기차역, 해수욕장 등의 근대 관광지가 새로 출현하였다.

• Proceedings of the KAIS Fall Conference
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• 2010.05b
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• pp.673-676
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• 2010

빅스 바이더벡이라는 트럼펫 연주자는 일반적으로 백인재즈라는 새로운 길을 개척한 인물로 거론된다. 그러나 이 연구에서는 일반론적인 관점에서 벗어나 1920년대 초 흑인 재즈라는 테두리 안에서의 빅스 바이더벡의 독창성이 20세기 초 영문학에서의 새로운 사조였던 ‘의식의 흐름' 이라는 표현법과 그 유사성이 깊은 것으로 본다. 음악과 문학과의 그 흐름상의 유사성을 직접적으로 영향을 서로 어떻게 받았는지를 증명할 수 는 없지만, 표현방법 면에서 볼 때 두 다른 예술 분야에서의 유사성은 충분히 흥미로운 것이다. 특히 미국의 한 재즈연주자의 연주가 같은 시대 영국의 문학에서의 새로운 시도와 그 흐름을 같이 한다면, 현재 우리에게도 다른 분야의 흐름과 음악의 흐름상 연관성에 대한 연구도 보다 폭넓게 이루어 져야 할 것이다.

• Proceedings of the Korea Fashion and Costume Design Association Conference
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• 2004.06a
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• pp.49-52
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• 2004

20세기초의 패션지에는 폴 푸아레(Paul Poiret, 1880-1944)가 머릿속의 디자인을 조르주 르파프(Georges Lepape)나 폴 이리브(Paul Iribe; 1883-1935)와 같은 실력있는 아티스트들에게 그리게 한 패션 플레이트가 첨부되었다. 그것은 디자이너의 환상이 아티스트의 환상으로 연동해간 결과, 이중의 꿈을 꾼 패션화로서 나타나게 되었다. 이 시대의 패션은 꿈을 실현하는 아트였다.(중략)

• Proceedings of KHEA Conference
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• 2000.10a
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• pp.108-109
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• 2000

• Korean Architects
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• no.3 s.359
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• pp.62-67
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• 1999

• Sijohaknonchong
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• v.26
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• pp.125-149
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• 2007

Until the late 19th century, $\ulcorner$Gagogwonryu(歌曲源流)$\lrcorner$ was a collection of songs which had powerful influence on Gagog tradition. However, its role on Gagog(歌曲) tradition since then is less well known. Generally, it is presumed that Gagog tradition might disappeared by giving way to modern song genre. So this article question that $\ulcorner$Gagogwonryu$\lrcorner$ became extinct rapidly between the late 19th century and early 20th century, and follow $\ulcorner$Gagogwonryu$\lrcorner$ tradition of early 20th century. Gagog instruction for beginner had a clue to answer this question. This instruction was written by Ha Son-il(河順一) who was a teacher and singer in a private music institute. named 'ChoyangGurakbu(調陽俱樂部). Accordingly, this article has processed two phases in order to find out this question. First of all, this article analyzed Gagog instruction that Ha soon-il edited. As a result, it found out that Gagog instruction included the whole $\ulcorner$Gagogwonryu$\lrcorner$'s contents in the 19th century and was transmitted actively until the early 20th century. Second, this article found out $\ulcorner$Gagogwonryu$\lrcorner$ tradition of the early 20th century by analyzing character of ChoyangGurakbu. And also this article discovered ChoyangGurakbu had been managed by an vigorous aid association. Gagog instruction for beginner written by Ha Son-il had spreaded from strength to strength in the early 20th century.

• Korean Architects
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• s.647
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• pp.96-101
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• 2023

• 중국학논총
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• no.63
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• pp.275-297
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• 2019

作者在本文中着重阐述了20世纪初梁启超关于地理--文明知识体系的近代建构与中华民族主义之间的关系. 通过种种辨析, 本文主要论证了以下两点 : 一是梁启超对欧洲地理条件及工商文明的向往与近代民族主义有关 ; 二是他对于亚洲和中国的地理条件及古代文明的赞叹, "大一统"政治意识形态的强调, 淮水, 汉水地区革命传统的关注等均以中华民族主义为依据. 根据这些分析, 在结论部分, 作者对中华民族主义和梁启超的地理-文明知识体系提出了以下批评 : 中国在近现代历史上自然需要民族主义, 但中华民族主义本身是一种霸权主义, 若中国知识分子以此作为精神武器, 只希望中国重新称霸天下, 不知反思传统中华文明中哪些是真正合理的部分；梁启超关于地理-文明知识体系的近代建构也以这一中华民族主义作为依据, 只是一味地赞美欧洲近代工商文明, 一点也没能批评它.

• Journal of the Korean Home Economics Association
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• v.39 no.4
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• pp.1-18
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• 2001

Korea huts been dramatically changed during the last century in many aspect of society, with the introduction of western culture in the beginning of 20th century. This study aims at understanding the changes in our traditional culture shown by costume as well as examining the aspects of the changes of traditional clothing according to age, by comparing the differences of our traditional dress Hanbok between ear1y and the late of the 20th century. Analysis of photographs showing Hanbok of both ages was used. 155 photographs of people wearing traditional Hanbok in the beginning of the 20th century were collected from the photo collection books portraying various living conditions of common people at that time. 748 Photographs of Hanbok worm today were obtained by taking pictures of various occasions like wedding ceremonies in 5 big cities during 1997. The process of analysis consists of 3 stages: setting standards, sorting, and grouping by positioning. The results showed that traditional Hanbok room in the early 20th century has maintained its basic silhouette and design during the century, but the methods of color coordination, ornamentation, construction have underdone many changes in detail. Consequently, traditional frame exits, but actually there are many variations of tradition produced by individual tastes and fashion trend. These changes show that continuing influx of the western culture which has made enormous social changes in Korea had an influence even on Hanbok.