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Roles of Wind Stress Variations in the Western North Pacific on the Decadal Change of ENSO (ENSO 십년 변동에 미치는 북서태평양 지역에서의 바람 응력 변동의 역할)

Lee, Yoon-Kyoung;Moon, Byung-Kwon;Kwon, Min-Ho;Jhun, Jong-Ghap
- Journal of the Korean earth science society
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- v.27 no.6
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- pp.687-694
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- 2006
This paper investigated the effects of wind stress forcing in the western North Pacific on ENSO decadal change before and after the late 1970s. The SVD analysis of SODA data shows that a positive wind stress curl is dominant in the western North Pacific at the ENSO mature phase, which leads to the ENSO phase change by discharge/recharge heat contents in the equatorial Pacific. Before the late 1970s, the wind stress curl in the western North Pacific was strong. This strong wind forcing that is associated with the fast discharge of heat contents in the equator led to the short period and the weak intensity of ENSO occurred during the 1960-1970. On the other hand, after the late 1970s the relatively weak wind stress curl was accompanied with the long period and the strong intensity of ENSO. The simple coupled model experiments also confirm that the amplitude and dominant period of ENSO decrease when the wind stress curl in the western North Pacific projects more strongly into the ocean at the TNSO mature phase. Our results support that the changes in the behavior of ENSO after the late 1970s are associated with the wind stress variation in the western North Pacific.
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A Study on the Social Image and Make-up Characteristics of Korean Women in 1970s (1970년대 한국여성의 사회적 이미지와 메이크업 특성 연구)

Kim, Young-Hui;Park, Hye-Won
- Journal of Fashion Business
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- v.12 no.4
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- pp.99-113
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- 2008
The purpose of this study is to compare the social image and the external image of a Korean woman in 1970s and find out that the make-up can provide an important clue to examine the image of a woman in a given period. The research scope covered 10 top news of the daily newspapers and articles of women's magazines. A focus was made to an analysis on words and photos from them. The relationship of each image scale was examined by comparing the linguistic image scale and the visual image scale. The results were as follows : First, a frugal and tidy image. It was the look of our tidy, simple, traditional and classic woman. Second, an image of a cute and pure lady of refined manners. In 1970s, women were supposed to be 'a loving wife', a cultured female image with a faithful role of a 'wise mother' and a lady of refined manners as the best value. Third, a frivolous and decadent image. Double-faced image of a woman which included the women, who had to live as the lady of refined manners during the daytime and seductive woman during the night. Fourth, an image of a contemporary working woman. It was the image as a chic, confident and dignified working woman requested by the society of the times. Namely, it can be understood that women had a make-up of a soft and gorgeous tone as an expression of a will to keep a confident and female aspect in the course of working in the society by the women experiencing 1970s, the turbulent period. Consequently, it is possible to understand that the make-up was utilized as a means to express an ideal beauty of the time pursuant to the historical background or feature.
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Discourse Analysis of the 1970s Myungrang Manwha (1970년대 한국 명랑만화의 담론분석)

Kim, Dae-Keun
- Cartoon and Animation Studies
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- s.43
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- pp.255-284
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- 2016
This article aims at a discourse analysis on the selected 1970s Myungrang Manwhas, in the cases of Ggubungi, Doggaebi Gamtu, Yochul Balmyungwang. For the analysis, the history, pre-censorship, and distribution structure of Myungrang Manwha are referenced, as well as the considerable changes and developments on the definition of 'myungrang' since the 1920s. In employing Foucauldian discourse analysis to the texts, the selected Myungrang Manwhas are analyzed as discursive formation, which emerged within the social relations of the era; the characters' dialogues are analyzed as statement. The analysis examines the discourses that the texts disseminated, and the social context of the utterance. It is demonstrated that the Myungrang Manwhas are forms of representation, which implies 'the contested acquisition on capital and power', 'the emphasis on nationalist aspects', and 'the interpellation and discipline of subject active' of the time. Moreover, it is revealed that the forms of control, such as pre-censorship, were the articulation of the will to power, which drove the discoursive formation to function as an apparatus that meticulously constituted the ruling ideology. In conclusion, the Myungrang Manwhas are rather texts that encompasses political and social context of the era than a mere comic relief.
https://doi.org/10.7230/KOSCAS.2016.43.255 인용 PDF KSCI