• 한국실내디자인학회논문집
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• 제19권4호
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• pp.11-21
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• 2010

The purpose of this study is to examine the design characteristic of the facade of the main adminstration building in university. The main administration building which is a basic of educational facilities has various administration setups, such as the register's office, the student affairs section, the planing department, the general affair's office and so on. This building performs academic, administration, facilities management, and admissions service. Also, the building has an ideological, historical, and symbolic image, having an organic relationships with the other educational facilities. This study choose one hundred seven universities, except universities that does not provide information easily and the second campus which does not have the main administration building, as the subjects of the study. The analysis is derived from the design elements applied to facade design of the main administration building and this is divided into design principles(balance symmetry, contrast, rhythm), the formal composition(geometrical, linear), and the style of architecture(classical architecture and modern architecture). The results of the research are summarized as follows: The design characteristic of the facade of the main adminstration building in university has chronologically changed. First of all, in the 1940's, symmetry emphasized on the center of building, superimposition, division, pediment, and arch were marked. Then, superimposition was prominent in the 1950's and symmetry emphasized on the center of building was shown in the 1960s again. Flat roof was in the 1970's, 1990s and 2000's. Finally, pediment was dominant in the 1980's. The design elements of the main administration building can be samples of chronological styles of architecture. Facade design, with proper design of the past and recent times, includes the meaning that achieve the great purpose of the university by emphasizing visual images.

• 한국실내디자인학회논문집
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• 제14권2호
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• pp.63-71
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• 2005

The dome structure has been treated in two layers among the techniques that have formed the space in Baroque architecture and the light used to be manipulated to create the openness of space and the fantasy of atmosphere. Such an expression technique has influenced on the expression of space in the architecture of New York Five in the 1960s to 1970s and the concept of multiple space embellished with various layers has appeared in the architectural concept of New York Five; meanwhile, the common meaning with the technique of double layers and the ways of phenomenal expressions that have recognized the existence of space in the Baroque period has been achieved through the light, immaterial organism. It means that the existing concept of light limited simply to the plane elements of brightness and darkness has been treated as a formative element that has defined and adjusted the visual expansion and reduction of the space Itself and special existence and has been used as an element of the media of spatial structure. In addition, these elements have been treated as another solution for the emotional aspects of space. Therefore, this study compares the plastic and formative meaning of the Baroque architecture with that of New York Five in terms of the relation between space and light and examines them; in doing so, it will give a clue to understand various and new space expression techniques to many architects and space designers who have led modern architecture.

• 한국농촌건축학회논문집
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• 제10권4호
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• pp.33-40
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• 2008

This paper aims to clarify the spatial form and functional transition of Korean traditional shop house in Maehwa marketplace, Uljin. The general form of Korean traditional shop house of Maehwa marketplace was the timbered house of the tin roof built in the 1960s. As the scale of a building being comparatively small-scale, building area is $60m^2$ and the yard was mainly made behind the building. When the spatial form of Korean traditional shop house is considered, the composition of 4 by 2 is most. And in the front of a building, the shop is located, and when the back of a building prepares a residence, integration of a sales function and a habitation function is seen. The shop of Korean traditional shop house is converted into living space by change of the function, and the position is the middle of a front of building. This is considered as what inherited the Korean lifestyle. And the last, Although it is not different from the appearance of the shop house of other areas, since there are few grades of the change in comparison, the extension situation of Korean traditional shop house is recognized as an example important for future research.

• 한국디지털건축인테리어학회논문집
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• 제11권3호
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• pp.89-97
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• 2011

Accelerating economic growth since the 1960s, penetration rate of the House of Commons has been increased. However, design competition has been imposed for improve of the qualitative level in modern because it was quantitative increasing. Even though its design quality is improved by introducing design competition, distorting the design is increased for the purpose of election. For that reason, errors of information and design changes are increased. So BIM(Building Information Modeling) is adopted to solve the problems. In this study, BIM process on the basis of the existing design process was to clean up and LoI(Level Of Information) based on the level of information was newly defined. Working-level of the design competition is plan-basic design. LOI level is LOI1-LOI2 in plan and Lol3-LOI4 in basic design. At each step of the operation was to clean up the level of detail and content. Also exchange of data in each area and feedback about content are to clean up.

• 건축역사연구
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• 제15권3호
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• pp.99-118
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• 2006

We have focused on the building appearance according to the change of conservation policy and urban fabric in Bukchon, Seoul. The Urban Hanok, urban traditional housing type, had been evolved in modern contort from 1920's to 1960's, that is to say, many buildings(Urban Hanok) in Bukchon area has built up with a lot and road at the same time. But the change of conservation policy has an effect on the urban fabric and building(wooden structure, RC and brick building). Thus many types of building in Bukchon has undergone a various change. The purpose of this paper is to define a change factor of Bukchon buildings. Thus we need to pay attention to policy and urban fabric. We reached the result as follows. First, the change of architecture regulations according to the several policies(an aesthetic area, an altitude area for sky line restriction and so on) brought into building deformation and eventually the historic scenery of Bukchon has been spoiled. Second, the change of policy had an effect on the change of roads and lots. Buildings on a widen road and a united lot was built newly. But new buildings built up with a concrete or brick structure was not in harmony with the historic scenery of Bukchon area. Third, a development method of a large lot with lack prudence(disregarded a scale and size of lot) did damage to Urban hanok and urban fabric. With the understanding on the relationship of buildings, a urban fabric and a policy in Bukchon, we can define the identity and correspond with the urgent request for a the conservation of historic urban scenery In addition we can suggest the policy and the design guidelines for the reservation and rehabilitation for Bukchon, Seoul.

• 한국전통조경학회지
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• 제39권4호
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• pp.24-37
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• 2021

본 연구는 대한제국과 그 전후의 시기를 중심으로 창덕궁 부용정과 주합루 권역의 원형 경관을 새롭게 조명하고, 향후 복원정비에 유용한 연구성과를 도출하기 위해 수행되었다. 연구 결과는 다음과 같이 요약할 수 있다. 첫째, 부용지 인공섬의 석축은 본래 정연하게 가공된 석재를 활용해 바른층쌓기로 조성되어 있었다. 하지만 1960~1970년대의 정비공사 과정에서 부용지 인공섬은 자연석과 가공석이 혼합된 형태로 변형되었다. 부용지 인공섬의 상부에 설치된 난간은 유사사례를 찾아보기 어려운 독특한 시설로 대한제국기에도 실존했지만, 일제강점기에 완전히 멸실되었다. 둘째, 오늘날 어수문 좌우에 남아 있는 취병은 2008년 조릿대를 기반으로 재현된 결과물이다. 어수문 취병의 식물 소재를 주목으로 보는 시각도 존재하지만, 구체적인 수종은 여전히 밝혀지지 않은 상태이다. 관련 자료와 정황을 다각적으로 고려하면 적어도 근대기의 어수문 취병은 동관왕묘와 경복궁 건청궁처럼 '향나무'로 제작되어 있었을 가능성이 높다. 셋째, 주합루 후원은 석계 형태의 구조물 위에 수목이 밀생하지 않은 공간이었다. 주합루 후원의 석계는 비교적 개방된 형태로 관리되면서 주변 건축물을 왕래할 수 있는 공간으로도 기능하였다. 하지만 1980년대 후반에 대규모 식재공사가 이루어지면서 주합루 후원은 화계와 같은 형태로 정비되었고, 다수의 화관목이 식재되어 폐쇄적인 공간으로 변모하였다. 넷째, 규장각과 개유와처럼 서고(書庫) 기능을 가졌던 영화당 남행각은 1900년대 후반 무렵에 멸실되어 본래 모습을 파악하기 어려운 건축물이었다. 본 연구에서는 근대기 사진과 스케치 자료를 토대로 영화당 남행각의 배치축을 확증하고, 형태와 의장적 특징을 확인하였다. 또한 기초자료 구축 차원에서 「동궐도」와 「동궐도형」을 참고한 추정복원도를 제시하였다.

• 한국전통조경학회지
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• 제31권2호
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• pp.82-91
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• 2013

본 연구는 서울시 성북구 성북동을 대상으로 근대 이후 문화재와 주변 경관 변화과정 및 원인을 사회 문화적인 측면에서 설명하고자 하였다. 이를 위해 1962년부터 2010년까지 사용한 폐쇄지적도를 이용하여 필지를 분석하고, 문헌자료를 참고하여 연구하였다. 시대별 변화과정 확인이 가능한 성락원, 마포최사영고택, 서울선잠단지, 서울한양도성을 위주로 변화과정을 추적하였으며, 문화재의 소경관(素景觀)을 검토하고 필지 변화와 함께 경관변천을 분석하였다. 성락원은 1954년에 송석정과 연못이 조성된 모습을 소경관이라 볼 수 있으며, 마포최사영고택은 2003년 이후 성북동으로 이전 복원한 것, 서울선잠단지는 1960년대 개발로 현재의 터만 남게 된 모습을, 서울한양도성은 숙종30년에 석성으로 개축한 것을 각 문화재의 소경관으로 정의하였다. 성락원은 제도적 요인에 의해 변화가 생겼고, 마포최사영고택과 주변 경관은 사회경제적 요인에 의해 변화가 생겼으며, 서울 선잠단지와 그 주변은 사회경제적 제도적 요인에 의해, 서울한양도성과 그 주변은 기술적 제도적 요인에 의해 변화가 생겼다고 볼 수 있다. 이처럼 성북동의 문화재와 그 주변경관은 대체로 제도적 요인과 사회경제적 요인에 의해 변화가 생기는 것을 알 수 있었다. 근대 이후 서울의 도시계획이 성북동에도 영향을 미쳤으리라 예상되며, 자본주의 경제체제 확립이 그 배경이 된 것이라 판단된다. 따라서 문화자원으로서의 잠재적 가치를 인식한 바람직한 경관변화가 이루어지길 기대한다.

• 한국산학기술학회논문지
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• 제21권7호
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• pp.224-232
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• 2020

본 연구는 대전광역시 건축자산 기초조사를 통하여 대전광역시 건축자산 현황을 파악하고, 건축자산의 지역분포, 형성시기, 자산가치 등 특성을 분석하여, 도시발전 및 지역 정체성을 밝혀내는데 목적이 있다. 연구결과 다음과 같은 결론을 얻을 수 있었다. 첫째, 대전광역시 건축자산의 유형별 구성은 건축물이 86.5%, 공간환경 7.4%, 기반시설 6.1%의 구성비를 지니고 있으며, 공간적으로 구도심지(동구, 중구)에 75.0%가 분포하고 있다. 둘째, 대전광역시 건축자산의 시기별 구성은 1960~1980년대가 52.7%, 한국전쟁 이전이 25.0%의 분포를 보이고 있다. 셋째, 대전광역시 건축자산의 물리적 특성은 단층, 주택 및 종교시설, 한식목조의 전통기와, 그리고 시멘트 몰탈 및 목재 마감 재료가 대표성을 지니고 있다. 대전광역시 건축자산은 한국전쟁 이후 대전역 주변의 도시재건 및 부흥, 그리고 1930년대 충남도청의 이전 이후 구시가지의 관사, 은행 및 관공서 분포 등, 한국전쟁 후 부흥 및 근대도시 대전의 성장과 관련성을 지니고 있다. 특히 이사동 재실 관련 한옥 및 소제동 철도관사는 대전의 지역성 및 근현대사를 반영하고 있다.

• 건축역사연구
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• 제14권4호
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• pp.87-100
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• 2005

We have focused on the roof construction method of Urban Hanok in Bukchon, Seoul. The Urban Hanok, urban traditional housing type, had been evolved In modern context from 1930's to 1960's. We have confused Urban Hanok with traditional Hanok, because they have similar figures. But Urban Hanok have the characteristics as a result of the roof construction method. The purpose of this paper is to define Urban Hanok more concretely, thus we payed attention to the roof structure, specially to the comer that each roof structure meets. So we got some characteristics of the roof construction method of Urban Hanok in Bukchon. First, the roof construction methods of the roof are transformed at the corner parts, where three purlin structure and five purlin structure meet. The collision of the different roof structure has made a lot of types. Second, the roof slope of Urban Hanok is more gentle than traditional Hanok, that is caused by ornamental double eaves and awnings. Finally these characteristics are results of the compact lot size in urban neighborhood. The construction method is a inclusive word that contain materials, composition, ornament and social common sense. With the understanding on the roof construction method of Urban Hanok, we can define the identity and the value of Urban Hanok, And we can suggest the policy and the design guidelines for the reservation and rehabilitation for Urban Hanok of Bukchon, Seoul.

• 한국조경학회지
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• 제26권2호
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• pp.1-14
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• 1998

The purpose of this study is to find out how the urban landscape of Korea, especially Seoul, changed during the last half century since 1945. The modernization of Korea, which had begun in 1960's after the chaotic period caused by Korean War, influenced the rapid growth of cities and the radical changes of its structures. But the Western-minded planning theories based on rationalism and positivism was directly applied in developing our traditional cities and consequently the modern urban landscape including urban pattern, architectural style, and commercial and residential landscape revealed disharmony, discrepancy and inconsistency in skylines, streetscape and so on. The findings are summarized as follows. 1. Because the urban structure and pattern changed in undesirable manner in terms of land use and traffic circulation, cities as a whole resulted in exclusive and heterogeneous landscape, and citizens lost their identity and felt alienated. 2. Because the architectural forms of important and monumental buildings which influenced the character of streetscape were not so successful in inventing contemporary Korean Style in true sense, we still have difficulty in creating the urban landscape of originality and legibility. 3. Because from the beginning of this era almost all highrise buildings were designed by modernism-oriented western architects, the commercial landscape of central cities did not evoke a sense of place, and after the introduction of postmodernism this tendency is ore striking even in everyday ordinary streetscape. 4. The newly formed residential landscape which was mainly composed of highly dense and highrise apartment, not only evolved very overwhelming and ugly visual impact but also exposed many social problems in living condition, neighboring and face-to-face contact. In conclusion, in ordr to define the 'Koreanness' of our urban landscape, we have to struggle to combine traditional architectural heritage and native townscape with Western shape, thought and theory, no matter how difficult it may be.