• 발명특허
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• 제22권3호통권252호
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• pp.40-45
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• 1997

• 발명특허
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• 제22권1호통권250호
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• pp.40-47
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• 1997

• 한국융합학회논문지
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• 제8권4호
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• pp.159-165
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• 2017

본 연구의 목적은 1930 40년대의 한국영상자료에 대한 분석을 통하여 당시의 도시풍경을 고찰하는 것이다. 이는 시각 매체인 영화가 당대의 도시 경관과 인간 행위를 필연적으로 반영한다는 점을 전제로 진행되었다. 분석을 위해 1934년부터 1944년까지에 해당하는 8편의 조선 영상작품들이 선정되었으며, 영화 속에서 도시의 풍경은 크게 2가지의 특징으로 나타났다. 첫째, 근대적 건축물과 속도감의 교통수단으로 이루어진 거리 경관이 의도적으로 비추어졌는데, 이는 근대화의 빠른 물결 속에 놓인 경성을 시각적으로 표현한 것이다. 둘째, 도시의 아파트, 양옥, 백화점, 카페, 호텔 등 서구적인 분위기의 건축 공간들이 조명되었는데, 이는 소수 상류층의 생활상과 새로운 서구문화를 간접적으로나마 경험하고자 했던 대중들의 호기심을 충족시키기 위한 영화적 해결책이었다.

• 과학과기술
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• 제11권4호통권107호
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• pp.19-24
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• 1978

1930년대는 우리민족의 암흑기였다. 일본제국주의가 대륙침공의 발판을 이 땅에 굳히기 시작하면서 우리의 인적 물적자원을 마음대로 수탈해 가던 이 어렵고 우울한 시절에 범민족적인 과학의 대중화운동이 요원의 불길처럼 자주적으로 번져나갔다는 사실은 과학사의 테두리를 넘어서 우리의 민족사에도 길이 남을 사건이라고 아니할 수 없다. 불행히도 이 운동은 일제의 탄압으로 수삼년의 짧은 수명으로 그쳐버렸으나. 근 반세기가 지난 오늘날 ,앞서간 분들의 발자취를 더듬어 보는 것도 전혀 뜻 없는 일은 아닐 것이다. 과학의 달을 맞아 40여년전 「과학데이」 행사를 포함한 당시의 과학대중화 운동의 일면을 고찰해 본다.

• 디자인학연구
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• 제11권1호
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• pp.119-130
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• 1998

스웨덴의 현대 디자인은 열강의 틈바구니에서 민족적 정체성을 확립하고 복지사회 모델을 확립하려는 노력의 일환으로서 발전하였다. 따라서 그러한 사회적·사상적 기반을 충분히 이해하지 않은 채 표면에 드러난 형태만으로 스웨덴 디자인을 이해하고자 할 경우에는 피상적 서술에 그치기 쉽고, 그들이 왜 세계 디자인의 중요한 하나의 흐름이 되는지 이해하지 못하게 된다. 1930년대부터 1970년대까지 40여 년간은 전통적인 농업 국가였던 스웨덴이 당시 집권당이었던 사회민주당의 사회개혁 정책을 통해 근대화에 성공하고 문화적으로도 그 역량을 전세계에 떨쳤던 시기였다. 본 연구에서는 이러한 발전과정이 스웨덴 현대 디자인 형성에 미친 영향을 살펴보고자 한다. 또한 수 공예 전통을 효율적으로 대량생산 체제에 부합시킴으로써 민족적 주체성을 확립하려 했던 당시의 스웨덴 지식인들과 디자인 계의 동향을 함께 분석함으로써 근대화 과정에서 스웨덴 디자인이 지향했던 바를 종합적으로 파악하고자 했다. 비교적 모범적으로 근대화에 성공하고 독특한 디자인 스타일을 만들어낸 나라로 평가되고 있는 스웨덴의 사례는 우리에게 시사하는 바가 적지 않을 것이다.

• 건축역사연구
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• 제23권6호
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• pp.39-46
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• 2014

In this study, we evaluated the chemical and physical properties of structural steel, which is the most basic material for steel structures and reinforcement concrete structures in modern period. We theorized the technical data for the research of technical history of modern heritage structures by analyzing the product system and its quality control of structural steel used in modern historical heritages. The results of this study are as follow; first, the rounded bars were used in most of modern heritage structures. But in the case of Waegwan railroad bridge, the deformed bars were used in spit of not using in Japan after the great earthquake of Kantou. Second, the structural steel was good in terms of quality control, but It has brittle properties because it was not manufactured by heat treatment process.

• 대한가정학회지
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• 제40권5호
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• pp.63-78
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• 2002

The movie costumes may serve to change individuals'ego identity, shift a gender identity to another one and make multiple and plural gender identities shared. The unique identities shown in movies can influence the audience to the extent that they will imitate characters's costumes or appearance in their real life, replacing their inner, unrealizable and private fantasy with real one. The purpose of this study is to review the movies produced in 1930's and thereafter by categorizing the socio-cultural gender concepts into masculinity and feminity. Masculinity and Feminity are not attributions fixed by some physical characteristics, but it tends to be changed or expended by some social factors over time. In short, it may be a flexible, plural, individual and self-introspecive attribute. Movies present diverse types of masculinity and feminity, and in particular, the movie costumes specify them. In other words, the costumes may be model means expressing the masculinity and feminity, and the gender identities shown in the movies tend to be imitated, re-created or assumed by the audience. All in all, the movie costumes serve to take on the confrontation of masculinity and feminity between inner, unrealizable and private fantasy and external reality and thereby, expand it from internal to external issue and thus, change or reform masculinity and feminity.

• 건축역사연구
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• 제6권2호
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• pp.23-40
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• 1997

The purpose of this thesis is a searching out the characteristics of Japanese dwellings implanted into Korea in the time of the rule of Japanese imperialism and its influences on Korean modern dwellings especially in the time of 1930's. At the early stage of the colonial time($1905{\sim}1919$), the central corridor type Japanese dwellings were implanted into Korea for the Japanese official residences. The central corridor type Japanese dwelling was an urban modern dwelling compromised between Japanese style and western style and distinguished by an outer-court type plan, Japanese entrance hall, central corridor and western style reception room. After the 1920's the central corridor type Japanese dwellings have spreaded itself and became a prototype of a modern dwelling in Korea. The characteristics of the central corridor type Japanese dwellings have influenced on the Korean high class dwellings and Korean architects' proposals for modern dwelling in the time of 1930's. By the implantation and spread of the central corridor type Japanese dwellings, Korean modern dwellings at the same time have affected and undergone transformation. The aspects of transformation were ; The outbreaking of the Japanese style entrance and central corridor, the transformation of MaDang from the inner court with a function of circulation into the outer court garden with plants and the transformation of Korean dwellings from the rural inner court type into the urban outer court type. The central corridor type Japanese dwellings implanted into Korea in the time of the rule of Japanese imperialism makes function as a precedent of a modern urban dwelling to Korean and makes Korean dwellings transform from the rural inner court type into the urban outer court type.

• 대한가정학회지
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• 제40권6호
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• pp.21-37
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• 2002

The third sex implying a mismatch between sex and gender has been regarded as an extreme socio-cultural violation. In its earlier version, such a violation was expressed by cross-dressing; Women's cross-dressing was thought to invoke eroticism, while men's cross-dressing was considered comic or delinquent. However, as feminism developed more with the homosexual identity expressed openly, the third sex began to be visual. Thus, in 1990's, some homosexual monies began to develop to be pluralized enough to suggest the third sex and thereby, change the negative sex into a positive one. In this study, such a pluralization is discussed in terms of invisibility, dichotomy and androgyny. The cross-dressing movies show females in male attire or males in female attire to reflect the third sex. The cross-dressing may be divided into men's playful cross-dressing, women's political cross-dressing and homosexuals'cross-dressing or 'drag'. Gender identity is not an attribute fixed by some physical characteristics, but it tends to be changed or expanded by some social factors over time. In short, it may be a flexible, plural, individual and self-introspective attribute. Movies present diverse types of gender identities, and in particular, the movie costumes specify them. In other words, the costumes may be model means expressing the gender identities, and the gender identities shown in the movies tend to be imitated, re-created or assumed by the audience.

• 가족자원경영과 정책
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• 제10권1호
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• pp.17-32
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• 2006

This essay has attempted to document the actual behavior patterns and the social networks related to the child delivery in the pre-industrial Korean society. We interviewed 30 women who had given birth to their first child during the 1930s and the 1940s in order to accumulate data related to son-prayer rites, prenatal care and food avoidance, sacred-string culture, and other incantation rituals. The characteristics of the social relationships with the person who had assisted the delivery and the recovery were also analyzed in terms of kinship networks. The results are as follows. First, there was a big gap between knowledge and the actual practices in birth rituals and customs. We assume that this is due to the adverse social-economic conditions at that time which may have restricted the actual performances of these customs. Second, there were almost no differences of the performance of these' birth customs between the urban areas and the rural areas. Third, the people who assisted the delivery were women who were mostly from the husband's family. Help from the wife's family were quite exceptional. Finally, it has been found out that only about half of the women who were interviewed performed the well-known custom of three-week after-birth confinement.