• Journal of the Korean Geographical Society
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• v.34 no.4
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• pp.395-418
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• 1999

문화지리학도는 종교를 인간의 가치관과 풍속을 형성하는 가장 중요한 인자의 하나로 평가하는 바, 이는 문화지역 설정의 기준이 된다. 이 논문은 18세기 말부터 19세기 말까지 충청도 서부해안 내포지방에서의 가톨릭교 확산에 대하여 고찰한 글이다. 농민.행상.상인.선부 등 주로 평민층으로 구성된 가톨릭 공동체는 조정의 가혹한 박해에도 불구하고 가톨릭교 확산에서 중요한 역할을 감당해 왔다.

• Korean Architects
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• s.647
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• pp.96-101
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• 2023

• The Magazine of the IEIE
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• v.21 no.4
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• pp.55-63
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• 1994

자동차는 20세기 공업제품의 총아로 일상생활에 필수품이 되었으며 앞으로도 계속 그 위치를 지켜 나갈 것이다. 자동차의 역사는 19세기 말엽에 마차에 내연기관이 말을 대체하는 것으로 그 막을 열었고, 20세기 말엽에 전기전자제어 제품과의 통합으로 또 다른 자동차 세대의 막을 열고 있다. 본문은 자동차 메카트로닉스를 소개하고 그에 관한 21세기의 연구과제를 제시하겠다.

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2014.03a
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• pp.39-40
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• 2014

• 건강소식
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• v.35 no.3
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• pp.4-7
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• 2011

향기로 치료할 수 있는 향기요법, 일명 아로마테라피. 웰빙이 화두가 되면서 새롭게 떠오른 건강법으로 인식되지만, 향기요법의 역사는 고대 이집트까지 올라간다. 19세기 말, 과학이 발달하면서 합성화학물질에 밀리다가 화학물질의 부작용이 새로운 문제가 되면서 20세기 말부터 다시 떠오르고 있는 건강법이다. 각종 향기가 건강에 미치는 영향은 다르다. 향기를 통해 질병을 잡고 향기로 건강한 생활을 하는 방법을 알아본다. 또한, 향기요법의 활용도를 알아본다.

• Journal of Korean Classical Literature and Education
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• no.32
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• pp.287-326
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• 2016

This study describes the acceptance of Hae-Dong-Yu-Yo(海東遺謠), which is a book the 19th century to 20th century, into the genre of poetry. In chapter 2, I searched for lists, constructions and arrangement of poems in Hae-Dong-Yu-Yo(海東遺謠). The book has not only 39 poems (gasa) in Korean, but also more than 20 poems (hansi) in Chinese. I also found two new poems by the editor of the book. This shows that the receiver fully accepts the poetry and that he has equal consideration for Korean songs as well as hansi ones. In chapter 3, I focused on the red and blue points inside letters. When we read only the red and blue points within the poetry, I realized that Hae-Dong-Yu-Yo(海東遺謠) created these for poetry's literary value, not for music or songs. This reveals how the editor of Hae-Dong-Yu-Yo(海東遺謠) received the older famous poems as his own. This shows us the degree of acceptance of Korean classical poetry and songs, and therefore leads us to believe that this can be of use to present learners as well.

• Journal of Conservation Science
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• v.35 no.2
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• pp.169-176
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• 2019

The material composition of 19 ornaments used for women's hats in the late $19^{th}$ century to $20^{th}$ century, which are kept at National Folk Museum of Korea, was analyzed using SEM-EDS. Sixteen ornaments were composed of $Na_2O$ and PbO, which form adifferent lead glass from those that have been excavated or handed down since ancient times in Korea. The chemical composition analysis has confirmed that two ornaments belong to the mixed alkali glass, while one belongs to the potash glass IIItype. This lead glass is similar in composition to the Japanese craft lead glass that was imported to Joseon during the Japanese colonial era. It is estimated that the lead glass ornaments used in women's hats in the late $19^{th}$ century to $20^{th}$ century were made from raw materials imported from Japan or made from lead glass used for crafts in Japan. This shows that jewelry such as jade and amber, which have been traditionally used in the modern and present ages, have been replaced by craft lead glass imported from Japan.

• Communications of Mathematical Education
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• v.23 no.4
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• pp.1093-1130
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• 2009

The purpose of this study is to examine obstacles to progress for 20th century Korean mathematics. In 1945, shortly after Korea was liberated from Japan, there were no Korean mathematics Ph.D. holders, less than ten bachelor degree holders, and only one person with a master's degree in mathematics. We investigate the reasons for this. Korea has to overcome such an unforgiving condition and rebuild quality education programs in higher mathematics over the last several decades. These debilitating circumstances in higher mathematics were considerable obstacles in developing a higher level of mathematical research for the mainstream of 20th century world mathematics. We study policy and curriculums of Korean school mathematics in the late 19th and early 20th century, with some educational and socio-political background.

• Journal of the Korean Geographical Society
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• v.13
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• pp.20-27
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• 1976

원래 촌락과 도시를 포함하는 취락지리학이 인문지리학에서 분화하여 체계화한 것은 19세기 말에서 20세기 초에 걸쳐서이고, 이어서 도시지리학의 발전에 따라서 자연히 취락지리학은 촌락만을 중요대상으로 삼게 되었다. 그래서 해방 30년간에 있어서 우리나라 학계에 있어서도 전반에서는 촌락.도시를 포함하는, 취락지리학 후반 즉 1960년대이후 도시발전기를 맞이하여 도시연구가 활발해짐에 따라서 도시지리학이 분화발달하게 되어, 각 대학의 지리학과에서도 도시지리학강좌가 취락지리학에서 분리신설하게 되었다.

• Archives of design research
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• v.12 no.3
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• pp.83-91
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• 1999

In the late 19th century, the desire for pursuing new arts and aesthetics was evolveld and developed in various aspects in europe, and it appealed the characteristics of renovating society such as the arts and crafts movement in England. Vienna was developed in the center of the European empire under these environments, and provided the background as the main center for young artists. Vienna Art Nouveau blossomed under the mind of art pioneers that is "all arts are equal" and the Viennese political, economic, and cultural environments. They tried to show people new aesthetics under the mass-production by accepting machine. The goal of this study is to search the Secessions's role and the environment that make the base of modern aesthetics and differentiate from other Art Nouveau movements in Europe and to verify the meaning and value of that.