• Title/Summary/Keyword: 후드 복식

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The Aesthetics of Hooded Garments after the Mid-20th Century (20세기 중반 이후 후드 복식에 나타난 복식미)

  • Choi, Sun-Young;Kim, Min-Ja
    • Journal of the Korean Society of Costume
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    • v.62 no.3
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    • pp.1-16
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    • 2012
  • The purpose of this dissertation is to examine the various types of hooded garments that have been worn after the $20^{th}$ century, and to analyze the aesthetic values of them. The study examined various types of hooded garments with diverse significances based on literature and case studies on the history of garments, news paper articles and the Internet. Since the $20^{th}$ century, there has been a variety of hooded garments, such as monk dresses, hoodies, anoraks, duffle coats, some protective clothing, and designers' hooded clothes. Through this research, the study found that the aesthetics of hooded garments after the mid-20th century were as follows: physical protection, anonymity, psychological refuge, fashionability and high-functionality.

A Study on the Restoration of Frenchhood (프렌치 후드 제작에 관한 고찰 I)

  • 김경희;문윤경
    • The Research Journal of the Costume Culture
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    • v.11 no.2
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    • pp.243-252
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    • 2003
  • The study was designed to review the changes in designs and the manufacturing methods of french hood, one of the headdresses which play an important role in showing the appearance of costume, to understand design expression techniques through manufacturing of the head dress of the western costumes, and to provide materials to exert creativity for new designs. Based on literature review and portrait study, 1 manufactured a frenchhood. I set the study cope as from the late 15 century when frenchhood was used for the first time, to the mid 16 century. For the frenchhood selected, 1 examined the hair style, the characteristics of the french hood, and the pattern first, and proceeded to manufacturing. 1 used velvet and silk for the textile as explained in the literature. And, 1 purchased such similar ornaments as shown in the pictures, making the color so similar to the original to the most. Dimensions in manufacturing were those In the literature, since the study is focusing on the reproduction of the features of the portraits. Dimensions of detailed decoration were measured using the ratio of the headdress in the portraits.

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