• (The)Study of the Eastern Classic
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• no.69
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• pp.373-400
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• 2017

The objective of this study is to compare the modern transformation of a folk tale in each country. A folk tale is a story about a man who obtained an ability to see the original look of humans with tiger's eyebrows successfully found a new wife suitable for him by using them. In Korea, China, Japan, and India, folk tales similar to have been transmitted. 'Tiger's Eyebrows' is differently shown in each country like 'Wolf's Eyebrows' in Japan, 'Tiger's Whisker' in China, and 'Vulture's Feather' in India. This paper looked for works that modernly transformed this folk tale in each country. In the results, there were diverse works in each country such as fairy tale book, musical, short story, and game in Korea, full-length novel in China, and fairy tale, animation, and cartoon in Japan. Meanwhile, in India, there was only a mention of the folk tale in a collection of papers. Among them, there were works showing the significance of modern transformation in the aspect of genre or contents like a short story of Korea, a full-length novel of China, and a cartoon of Japan. The Korean novel shows that human is a being with the animal's instinct while human tries to ignore it. On the other hand, the Chinese novel shows that humans are not much different from animals especially in case when facing pains or death. The Japanese cartoon shows that it is meaningless to feel shame as human in the world which is filled with monsters or animals. In India, there were no works modernly transformed because Indian folk tales might be stories based on the mythic belief rather than fun.

• Proceedings of the Plant Resources Society of Korea Conference
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• 2020.12a
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• pp.49-49
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• 2020

본 연구는 호랑버들과 갯버들 교잡종의 잎 형태적 특성을 국내 자생종인 호랑버들, 갯버들과 비교하였다. 호랑버들 35개체, 갯버들 35개체, 교잡종 100개체에서 잎을 채취하여 잎의 길이와 너비, 엽저와 엽두 각도, 잎자루 길이와 너비, 탁엽의 길이와 너비, 잎 두께 등 총 17개의 잎 형태적 특성을 분석한 결과, 엽두 각도와 탁엽의 길이를 제외한 15개의 특성에서 세 분류군이 유의한 차이를 나타내었다. 교잡종의 잎 길이와 너비의 비는 갯버들, 교잡종, 호랑버들 순으로 크게 나타나 교잡종의 잎의 형태는 피침형인 갯버들과 타원형인 호랑버들 사이 중간 형태로 나타났다. 교잡종의 잎의 너비, 엽저 각도, 잎자루의 길이와 너비, 탁엽의 길이와 너비는 호랑버들과 갯버들의 중간 형태를 나타내었으며, 탁엽의 거치 개수는 교잡종이 호랑버들과 갯버들보다 많은 특성이 나타났다. 잎 뒷면 단위면적당 털의 개수 또한 교잡종이 호랑버들과 갯버들보다 많은 특성을 나타냈다. 세 분류군 간 잎 형태적 차이를 구명하기 위해 유의한 차이를 보인 15개의 변수를 이용하여 주성분분석을 실시한 결과 고유값이 1 이상인 제 1, 2, 3, 4주성분이 전체 분산의 68.2%를 설명하였다. 제 1주성분은 잎의 너비, 잎의 1/3 아랫부분 너비, 잎의 1/3 윗부분 너비, 잎자루의 길이, 잎의 길이로 잎의 크기와 관련이 있는 특성들이 높은 상관관계를 나타내었고, 제 2주성분은 엽맥의 수, 잎자루의 너비와 높은 상관관계를 나타내었다. 제 3주성분은 탁엽의 거치 개수, 탁엽의 너비로 탁엽의 특성과 관련이 있는 특성들이 높은 상관관계를 나타내었으며, 제 4주성분은 잎의 두께와 높은 상관관계를 나타내었다. 주성분분석 결과 호랑버들과 갯버들 교잡종의 잎 특성은 호랑버들보다 갯버들과 가까운 것으로 나타났다. 잎의 형태적 특성으로 세 분류군을 구별하기 위해 정량형질을 이용한 판별분석 결과 교잡종 중 대부분(93.3%)이 호랑버들, 갯버들과 구별되었다. 일부 교잡종 개체(6.7%)가 갯버들로 오분류되었지만, 잎의 정성적 특성인 잎의 거치와 측맥의 특성을 고려한 결과 모든 개체가 교잡종으로 구분되었다. 따라서 호랑버들과 갯버들의 교잡종은 잎의 형태적 특성이 부모종인 호랑버들, 갯버들과 다른 독특한 형태를 가진 것으로 나타났다.

• Korean Journal of Plant Taxonomy
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• v.32 no.3
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• pp.293-299
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• 2002

A new taxon of Ilex is described from Wando Island, Province Jeonnam, Korea. Ilex x wandoensis C. F. Miller & M. Kim hybrid nov. originates from the natural hybridization of the parent species, I. cornuta Thunb. and I. integra Thunb. Leaves of the new taxon have smooth, spinose margins, a condition that is intermediate between the twisted, spinose leaf margins of I. cornuta and the smooth, entire margins of I. integra. The new hybrid species shares several characters with its two parents, including evergreen leaves, dioecy, and red drupes.

• 가정의 벗
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• v.33 no.1 s.377
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• pp.23-23
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• 2000

• 보일러설비
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• s.44
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• pp.50-53
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• 1997

• Environmental engineer
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• s.93
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• pp.4-6
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• 1994

• Korean Architects
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• no.2 s.370
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• pp.80-81
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• 2000

• Korean Journal of Heritage: History & Science
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• v.56 no.2
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• pp.80-98
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• 2023

In the late Joseon Dynasty, when the bride would ride a palanquin when she went to live with her in-laws, it was a custom to cover the palanquin with tiger skin to ward off misfortunes that may come her way. The higher classes used tiger skin or leopard skin for this purpose, but the common people had to substitute this expensive item with a tiger pattern painted on a blanket. Such blankets were called hotanja, hogu, hoguyok and the like. The term "hotanja" is a pure Korean word. It is not known when the cover for the bridal palanquin was first used, but it was popular from the end of the 19^th century and then gradually disappeared. This is due to the introduction of new Western style weddings that eliminated the need for a bridal palanquin. The tiger print blanket was used not only to cover the bride's palanquin but also to cover a table or floor during the wedding ceremony. This study ran a material analysis on nine pieces of tiger print blankets. All of the blanket artifacts examined in this study had an outer cover and a lining made of fabric that used cotton thread for the warp and wool thread for the weft. Two kinds of wool were found in the weft thread in the outer covers: fat-tailed sheep hair from China and goat hair for carpets from the Hebei province, China. Records show that "blankets with painted tiger patterns" were imported from Russia, and the imported blankets were from Russia and China. The outer cover can be categorized into six types, and the lining into three types depending on the weave and direction of the thread twist. The hem facing can be divided into four types. The lining and outer cover use the full width of the fabric, which was woven in wide widths of 135 cm or wider. The tiger pattern on the blanket was made by stenciling. The stencil design of the body and tail of the tiger were placed on a red blanket to be painted in white, and then the background color of the tiger, which is yellow, would be painted over the white, and then black stripes would be added. The pattern of the tiger varies, which shows that the blankets were made by various craftspeople. The pattern of the tiger print blanket is usually of a tiger lying down, but there were tiger print blankets with a tiger standing up. The pattern of the tiger grew smaller over time, and flower patterns were added in the background. Decorative elements were gradually added to the tiger print blanket patterns, but its function as a palanquin cover became lost. By taking the features of tiger print blankets into consideration, it can be assumed that there are imported pieces among the remaining pieces, and were produced in various places because it was popular at that time.

• Sim-seong Yeon-gu
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• v.25 no.2
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• pp.123-162
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• 2010

The author tried to analyse a Korean fairy tale "the traveller and the fox". The essence of the story is as follows; A traveller who was wandering in mountains found a house with a light. There was a beautiful woman who was very kind to give food and shelter. But she was a fox that tried to kill him with a knife. He asked her to bring a basket of water and he broke the wall with it to run away. The fox chased and he fell down a cliff to ride on the back of a tiger. The tiger ran into a cave and give him to her babies as a prey. He killed them by throwing stones and climbed a tree out of the cave. There came foxes and the tiger and they killed each other. He came back to the village with the fur of the foxes and the tiger. The author tried to understand the contents of the story symbolically and interpret them from the perspective of analytical psychology. On conclusion, the traveller was on the individuation process and experienced the negative anima (the fox) and the negative mother archetype (the tiger) and its negative subsidiaries (the tiger's babies). He tried to be consciously alert and paid continuous attention so that he could get out of the status and get new insight. During this process, it was meaningful that he could actively get an appropriate aid of positive mother archetype and Self symbolized by the water and the tree respectively.

• Journal of the korean veterinary medical association
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• v.49 no.3
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• pp.150-151
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• 2013