• Title/Summary/Keyword: 형명(形名)

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A Study on the Identification of Electrical Eire -Focused on Distance Analysis of Electrical Wires by Overcurrent- (전기화재의 감식에 관한 연구 -과전류 사고시 전선의 이격거리 분석을 통하여-)

  • 이상호;김준식;오홍석
    • Fire Science and Engineering
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    • v.18 no.2
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    • pp.7-11
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    • 2004
  • In this paper, we have simulated the force between the two electrical wires using the finite element method(FEM) according to the value of current and distance when overcurrent flows in the vinyl-insulated vinyl-cabtyre cord(flat-type, 600 V, VCTFK, $2C{\times}1.25mm^2$). And we will present the basic data for the identification of electrical fire by experiment for maximum distance between the two wires according to current and time using large current supply device(Model : EHT_EFAD, Korea) in case of overcurrent.

A Study on the Electrical fire Analysis in Overcurrent of Low Voltage Wiring (저압 배선선로의 과전류 사고시 전기화재분석에 관한 연구)

  • Lee, Sang-Ho;Oh, Hong-Seok
    • Journal of the Korean Institute of Illuminating and Electrical Installation Engineers
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    • v.18 no.3
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    • pp.142-148
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    • 2004
  • Recently, with the growth of software for electromagnetic-thermal analysis, it has been studied that the precise analysis and investigation for cause of the electrical fire using computer simulation is on the basis of theroy for electromagnetic-thermal analysis. But it is very lacking for the precise analysis and investigation of cause for the electrical fire. In this paper, we have simulated the temperature distribution of wire to current and the force between the two conductors according to the current and the distance of the vinyl flat-type electrical wire(600 V, VFF, $2C{\times}$1.25mm^2) using the finite element method(Flux2D) in a overcurrent. And we will present the cause analysis method of electrical fire by experiment for distance between the two conductors according to current and time using large current supply device(Model: EHT_EFAD, Korea) in a overcurrent.

The Study of Military train through Soupjun in Early Joseon Dynasty (조선전기 습진(習陣)과 군사훈련)

  • Kwak, Nak-hyun
    • (The)Study of the Eastern Classic
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    • no.35
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    • pp.359-385
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    • 2009
  • The study aims to investige how Soupjin, military training has been changed in early Joseon Dynasty. The conclusions are following these. First, Jin means military marching or attacking the enemy and Jinbeop means how to make Jin or traning but now Jinbeop indicates textbook of Jinbeop rather than practing it. Second, publishing Owijinbeop is completed as a result of continuous series of Jinbeop textbook and Owi systems are built up by military construction reorganization. Third, the total number of articles is 268 from Taejo to Seonjo in early Joseon Dynasty. They are divided into different parts according to kings. Forth, Taejo, Taejong, Munjong, Sejo, Yejong and Jungjong are the kings who take the lead of Jinbeop training directly. Among them Munjong and Sejo are highly considered that they edited and revised Sinjinbeop and tried to unify military organization. Besides Jungjong discussed Jinbeop textbooks which are published by prior kings and even make them be practiced. But after Imjinwaeran, Seonjo accepted the book Gihyosinseo by Cheokgyegwang in China and transformed our Jinbeop for protecting the country. Firth, We found that Hyangmyung and Jintoigyjak had been focused from Sejo to Jungjong. Because in this period Joseon had to find the way to protect the country from north Yeojin, But after Imjinwaeran Seonjo introduced Cheokgyegwang's Jeolgangjinbeop in China because of Japanese attacks.

A historical study of the Large Banner, a symbol of the military dignity of the Late Joseon Dynasty (조선 후기 무위(武威)의 상징 대기치(大旗幟) 고증)

  • JAE, Songhee;KIM, Youngsun
    • Korean Journal of Heritage: History & Science
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    • v.54 no.4
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    • pp.152-173
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    • 2021
  • The Large Banner was introduced during the Japanese Invasions of Korea with a new military system. It was a flag that controlled the movement of soldiers in military training. In addition, it was used in other ways, such as a symbol when receiving a king in a military camp, a flag raised on the front of a royal procession, at the reception and dispatch of envoys, and at a local official's procession. The Large Banner was recognized as a symbol of military dignity and training rites. The Large Banner was analyzed in the present study in the context of two different types of decorations. Type I includes chungdogi, gakgi and moongi. Type II includes grand, medium, and small obangi, geumgogi and pyomigi. Each type is decorated differently for each purpose. The size of the flag is estimated to be a square of over 4 ja long in length. Flame edges were attached to one side and run up and down The Large Banner used the Five Direction Colors based on the traditional principles of Yin-Yang and Five Elements. The pattern of the Large Banner is largely distinguished by four. The pattern of large obangi consists of divine beasts symbolizing the Five Directions and a Taoism amulet letter. The pattern of medium obangi features spiritual generals that escort the Five Directions. The pattern of small obangi has the Eight Trigrams. The pattern of moongi consists of a tiger with wings that keeps a tight watch on the army's doors. As for historical sources of coloring for Large Banner production, the color-written copy named Gije, from the collection of the Osaka Prefect Library, was confirmed as the style of the Yongho Camp in the mid to late 18th century, and it was also used for this essay and visualization work. We used Cloud-patterned Satin Damask as the background material for Large Banner production, to reveal the dignity of the military. The size of the 4 ja flag was determined to be 170 cm long and 145 cm wide, and the 5 ja flag was 200 cm long and 175 cm wide. The conversion formula used for this work was Youngjochuck (1 ja =30cm). In addition, the order of hierarchy in the Flag of the King was discovered within all flags of the late Joseon Dynasty. In the above historical study, the two types of Large Banner were visualized. The visualization considered the size of the flag, the decoration of the flagpole, and the patterns described in this essay to restore them to their original shape laid out the 18th century relics on the background. By presenting color, size, material patterns, and auxiliary items together, it was possible not only to produce 3D content, but also to produce real products.