• Journal of the Korean Institute of Rural Architecture
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• v.4 no.2
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• pp.27-37
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• 2002

From the point of tectonic manner which is 'how to build a house' this study considers the characteristics of Kan in Hyangdan(香壇) at Yang-Dong Village. It was analysed with primary elements such as Kan, condition of a site, module, structural system, roofing system and their relationships in spatial and formal composition. Through the analysis, findings were achieved that characteristics of Kan to form a rectangle of 1 to root 2 proportion plan, enable irregularity in usage and regularity in compositional aspect and structural system to achieve intended roof design. In addition, Kan as a module is found to have a relative value that also regulates the whole in structural and aesthetical aspects.

• Journal of architectural history
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• v.15 no.4
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• pp.87-105
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• 2006

Dok-Rak-Dang and Hyang-Dan, upper class houses of Chosun Dynasty on the early and mid 16th century, are generally known as specific style houses among traditional residences in Korea. Architectural singularities of these two residences are summarized as double facades, uncertain circulation, self-secluding construction, dilemmatic structure, and rotative circulation that are far from architectonic principle of that time. Characters of Deconstructionist Art, deconstruction of binary oppositions, double session, displacement without reversal, and paradox, are very similar to those of two residences both as a material phenomenon and as a metaphysical idea. Thus, this paper attempt to analyze architectural singularities of Dok-Rak-Dang and Hyang-Dan with the perspective of Deconstructionist Art Theory.

• Journal of architectural history
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• v.8 no.3 s.20
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• pp.39-51
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• 1999

The purpose of this study is to establish the theory of the spatial composition that is 'The Structure of Relation' in Korean traditional houses. This study has been focused on the spatial composition of Hyangdan. The form composition is an element defining primitive functions and space and producing aesthetical effects, where 'quality as a substance' is not important but 'quality as a relation' is essential. Quality as a meaningful relationship comes from realization and regulation of visual attributes among form elements. Each form compositional element establishes the hierarchical structure logically with the entire order, In order for the quality of all form compositional elements to be clarified as a meaningful relationship logically, 'compositional concept' which combines a series of form elements into the grammatical dependence to a specific direction, has to be assumed. If the intrinsic relationship among a series of form compositional elements fails to confront with the 'contextual concept' which eventually indicates unique conditions for a place according to the refined compositional concept, the result of form composition never leads to a specific solution