• Journal of Korea Entertainment Industry Association
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• v.13 no.4
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• pp.27-37
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• 2019

This study empirically identified and sought implications for the degree of desire by film crews to participate in overseas production and the factors affecting them, based on the recognition that the active participation of skilled film crews in overseas production and joint ventures can be an alternative to the poor treatment of domestic film industry sites and the reduction of job losses due to problems with career barriers. In order for respondents to verify research questions, binomial logistic and marginal effects analysis using SPSS and STATA, the data obtained by surveying 402 film crews operating in various areas. The notable findings are as follow: First, about 65%(263 people) of the respondents expressed their desire to participate in overseas activity, indicating that a considerable number of film crews are looking forward to opportunities with overseas productions. Second, major factors that have a positive effect on film crews' need to participate in overseas activities have been found to be professionality, artistic identity, Korean Wave persistence, and career barriers. In other words, the higher the professionality, the more clearly the identity of the artist, the more positive expectations of the possibility of the Korean Wave continuing, and the more serious the problem of career disability, the clearer was the desire to participate in overseas production and joint-work activities.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2013.06a
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• pp.359-362
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• 2013

방송유통이 중요하고 방송시장의 과제이다. 드라마외에도 다큐멘터리가 꾸준히 수출이 증가되는 추세이다. 콘텐츠 부가가치 창출과 고용확산을 위해 방송사와 제작사는 국내외 유통에 눈을 돌려야 하는 게 맞다. 여기서 흔한 질문 하나. "독립제작사가 어렵다고 하는 데, 수출 유통을 하면 쉽게 부가수익을 창출하지 않을까? 왜 안하지?" 그건 배고픈데 빵이 없으면 쿠키를 대신 먹으면 되지 않을 까하는 질문과 같다. 저작권을 방송사와 소유하는 것도 중요하고, 그 보다 사전기획과 제작을 해서, 수입이 생길때까지 회사가 '버텨내야 한다'. 유통한다고 수익이 바로 입금되는 것은 아니다. 한국의 방송콘텐츠 기획은 훌륭하다. 인구 5천만명의 나라에서, 한국어를 쓰는 나라가 많지 않음에도 우리 모국어로 많은 나라에서 보고있다는 것은 대단한 것이다. 또한 세계 거리에 싸이와 소녀시대가 울려퍼지는 것은 대단하다. 그것은 미디어를 염두 해둔 한글창제자부터, 대중산업을 이끄는 모든 한국 제작자들은 훌륭하다. 지금은 방송사와 제작사가 해외진출에 눈을 돌리고 있으며, 많은 성과를 내고 있다. 향 후 방송콘텐츠산업의 부가가치 향상과 발전을 위해서 좀더 많은 작품이 해외에 나가야 한다. 그렇게 하기위해서 해외에 더욱 적극적으로 진출을 모색하기 앞서, 글로벌 기획을 할 때 염두하여야 할 점을 정리해보겠다.

• Cartoon and Animation Studies
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• s.36
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• pp.121-145
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• 2014

Operating under the principle of user-benefit maximization and democratic user-control, cooperatives are being spot-lighted as a business model satisfying the various social, financial needs. In Korea, the Law of Cooperative was enacted as of December 2012, which has enabled the establishment of cooperatives in variety of industry fields. This study is to discuss the expected effect and validity of marketing cooperative as a solution for insufficient sales revenue in international distribution of Korean animation. The interviews with Korean animation studios found out the key problems of overseas distribution, which are; 1) lack of marketing expertise and weak organization, 2) lack of ancillary rights exploitation due to the deals based upon all rights package with the broadcasters who are not interested in ancillary business, 3) lack of localized marketing support in each territory. The solution for these problems takes large and long-term marketing investment and it is far beyond the capabilities of small Korean animation studios. Marketing cooperative can provide services not available otherwise such as in-depth market research which will help the improvement of international marketing expertise. Also. as the cooperative carries enough volume of animation catalogue, it can increase negotiation power satisfying the various needs of buyers. Also, it can provide the precise marketing support for each territory by integrating every process of value chain, from TV broadcasting, merchandising, and digital media platform. Above all, a clear benefit of marketing cooperative is that, because of its user-benefit and user-control principle, the principal-agent problem can be minimized while it maximizes the profit for member studios.

• Venture DIGEST
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• s.129
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• pp.22-23
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• 2009

가필드, 파이스토리 등 3D 애니메이션영화를 자체 제작하여 수출하고 있는 회사, 국내에서 보다 해외에서 더 유명한 회사. 국내에서 유일하게 3D장편 애니메이션을 제작할 수 있는 능력을 갖춘 회사. 바로 디지아트가 가지고 있는 타이틀이다. 실제로 전 세계적으로 장편 3D 애니메이션을 제작할 수 있는 곳은 열 손가락 안에 꼽힐 정도로 높은 기술력을 요구한다. 디지아트는 100% 자체 기술로 픽사, 디즈니 등 세계적인 회사와 공동으로 작업하면서 실력을 인정받았다. 불모지나 다름없는 애니메이션 시장에 새지평을 열어가고 있는 디지아트를 찾았다.

• Proceedings of the Korea Contents Association Conference
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• 2003.05a
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• pp.323-326
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• 2003

There are marv problems in conventional database Construction of foreign scientific journal from material aquisition to DB loading. This paper's purpose is to design database construction model which utilizes available information resources scattered several locations and uses agents technology to gather essential metadata efficiently. This paper describes component informations of foreign scientific database and related available resources. And it describes a process of DB construction that include metadata gathering method, automatic metadata classification method, and metadata quality monitoring method.

• The Journal of the Korea Contents Association
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• v.17 no.10
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• pp.686-695
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• 2017

Advancement in media technology has brought about changes to the scene of ethnic minority media. As now platforms started to convey information about mother country as well as new nation. This study examines the actual status of Korean minority broadcasting companies and promoting its competitiveness through interviews and survey of media companies. The result shows that Korean ethnic broadcasting market is facing severe competition and decrease in profit by entering Korean terrestrial TV companies. Therefore, supports of Korean government is essential for promoting competitiveness of Korean minority media companies. Through voces of Korean minority media companies, we will search for find out solutions : support of production cost, supply of Korean programs, and training programs for promoting the capability of production staffs.

• The Journal of the Korea Contents Association
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• v.8 no.2
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• pp.100-115
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• 2008

This case study states the suitability of using the program, Flash, when producing television series animations. It states the conveniences for the users of Flash when used as an animating tool, the advantages Flash has due to compatibility with other programs, the reduction of production costs, and more. The purpose of this case study is to introduce new overseas Flash animation production techniques for easier production, technically and financially. The outcome of the analysis states the importance of training animators that are able to make high quality television series animations using the new overseas flash animation techniques.

• Proceedings of the Korea Contents Association Conference
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• 2012.05a
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• pp.205-206
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• 2012

해마다 우리나라 해외번역 작품이 증가하고 있다. "한국문학번역원"에서는 해외출간 사업을 지원하여 해외에 한국 책이 출판되고 있다. 이로 인해 한국 문화 알리기와 교육 사업콘텐츠가 활발해 지고 있다. 또한 국내 해외 인력 및 관광수요가 점점 증가 할 것으로 보인다. "구글맵"(goolegmap)의 "북매핑"(Bookmapping)은 책과 그 내용의 이야기를 지리적 위치를 표시하고 있다. 인문학적 기반의 위축된 출판분야뿐만 아니라 교육분야, 관광분야에 활용될 수 있을 것으로 보인다.

• Cartoon and Animation Studies
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• s.13
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• pp.163-179
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• 2008

It is no longer an issue that there is a big audience for Korean movies. More than 120 Korean movies are made each year. Many win prizes at film festivals around the world. But the number of animation movies made in Korea is decreasing even though the government tried to revitalize the animation industry in the mid-1990s. The problem is that all Korean animation movies were box-office failures, even though "Mary's Story" and "Oseam" were awarded prizes in world-famous animation festivals. Korean animation movies also face hurdles because of different cultural tastes of Korean audiences and problems with distribution. But there is a tremendous amount of potential and possibilities for Korean animation movies to be box-office blockbusters and artistic successes. There are ways to develop and revitalize the Korean animation industry and make it of the most important businesses and cultural influences in Korean society.

• Nuclear industry
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• v.36 no.1
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• pp.77-79
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• 2016