• Title/Summary/Keyword: 한국 고활자

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A Study on the Names of Korean Old Movable Types (한국 고활자명에 대한 연구 - 임진왜란 이후의 목활자를 중심으로 (II) -)

  • 윤상기
    • Journal of Korean Library and Information Science Society
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    • v.33 no.3
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    • pp.61-85
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    • 2002
  • This study is to examine the several basic wooden movable types molded in after the Japanese Invasion of Korea in 1592. The description begins with summarizing each basic history of movable types. The parts that have not been clearly defined are relatively dealt with in detail. Subsequently the existing movable types are examined as many as possible and arranged one by one. And through analyzing the elements used in these movable type names, it is examined which elements were preferred by the existing movable type names. This preference could be helpful for naming the newly found types or renaming the existing types. Next each standard name of movable types has been selected in total 10 movable types with applying writer's own selection standard. Those are as follows: 'Moongyepak mokwhalja(文繼朴木活字)', 'Naju mokwhalja(羅州木活字)', 'Chunki kyosoekwan pilseocheja(前期校書館筆書體字)', Injosillokja(仁祖實錄字)', 'Hyojongsilokja(孝宗實錄字)', 'Huki kyosoekwan pilseocheja(後期校書館業書體字)', 'Koansanggam seomyeong daeja(觀象監 書名大字)', 'Kyeongsejeongeumja(經書正音字)', 'Panghongmujeongwon daeja(倣洪武正韻大字)', 'Seomgaemuninlok daeja(剡溪門人錄大宇)'.

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포장과 법률 - 식품등의 표시기준 일부개정고시

  • (사)한국포장협회
    • The monthly packaging world
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    • s.265
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    • pp.95-97
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    • 2015
  • 식품의약품안전처는 식품표시에 대한 국민의 요구에 부합할 수 있도록 원재료명을 제품명으로 사용한 경우 활자크기 확대, 식품 알레르기 표시대상 확대 및 표시방법 개선을 통하여 소비자에게 정확한 식품 표시 정보를 전달하고, 식품 산업계 발전을 도모하기 위해 식품등의 표시기준을 일부개정, 고시했다. 본 고에서는 주요 내용과 함께 신구조문을 비교해 살펴본다.

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레이저로 본 경영학 고찰

  • 이종명
    • Laser Solutions
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    • v.7 no.1
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    • pp.17-28
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    • 2004
  • 1960년 인류 최초의 레이저 빔 발진이 성공한 이후, 불과 40년 만에 레이저는 우리 생활의 일부분으로 여겨질 만큼, 그 활용이 광범위하게 이루어지고 있다. CD 플레이어에서 반도체 레이저는 데이터를 읽어 음악을 만들어 내며, 놀이 공원에서는 환상적인 영상 쇼를 연출하며, 인터넷으로 세계를 잇는 광케이블에도 레이저가 정보를 전달하고 있다. 또한 레이저는 프린터로 활자를 인쇄하고, 물품의 바코드를 인식하며, 양복을 재단하며, 강판을 자유자재로 절단, 용접하기도 하며, 얼굴의 점과 여드름 제거 및 라식 수술도 널리 행하여지고 있다(중략)

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An Effective Representation of Combination Rule for the Hangul Typeface Design (한글의 조합 규칙 표현 방법에 관한 연구)

  • Lee, Byeong-Guk;Park, Yun-Beom;Lee, Wan-Gyu
    • The Transactions of the Korea Information Processing Society
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    • v.3 no.6
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    • pp.1580-1587
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    • 1996
  • The Hangul font design by using Hangul automata is more economical than other system in terms of the time to generate whole Hangul font set. In order to obtain good quality of Hangul font by this system, it is known that more Hangul jamo font primitives rules. In this paper, we present an effective combing rules in order to generate Hangul font set and to provide an integrated capabilities in Hangul font design environment.

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Digitization of Old Korean Texts with Obsolete Korean Characters and Suggestion for Improvement of Information Sharing (옛한글 문서의 전자문서화와 정보공유 방법 제안)

  • Kim, Ha Young;Yoo, Woo Sik
    • Journal of Conservation Science
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    • v.37 no.3
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    • pp.255-269
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    • 2021
  • A vast amount of materials-such as prints, woodblock prints, manuscripts, old novels, and letters-written in old Korean and using old grammar and/or obsolete characters, are collected in many institutions, including the Jangseogak at the Academy of Korean Studies. Digitization of these texts has required a prolonged manual inputting process. Individual researchers, who majored in old Korean, have read and typed the characters into electronic documents, which depends upon individual skill, effort, and approach, and is particularly limiting because none can be significantly increased. To date, only a small proportion of the old Korean document collections, currently kept in storage, have been digitized and made available to the public. Even the electronic formats of the texts prove difficult to displaying correctly, due to the incompatibility between the old Korean characters and the character set on today's electronic devices. To improve the techniques and efficiency of digitizing old Korean texts, it is necessary to develop optical character recognition (OCR), which will analyze images of old Korean documents, as well as input, display, and storage methods.

A historical study on the flexibility square-format typeface and the prospects - Focused on the three-pairs fonts of hangeul - (탈네모글꼴에 관한 역사적 연구와 전망 - 세벌식 한글 글꼴을 중심으로 -)

  • Yu, Jeong-Mi
    • Archives of design research
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    • v.19 no.2 s.64
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    • pp.241-250
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    • 2006
  • Hangeul as the Korean unique characters were invented according to some character-making principles and based on scholars' exhaustive researches. While most of the characters in the world evolved naturally, Hangeul was invented based on a precise linguistic analysis of the time, and therefore, it is most scientific and reasonable among various characters throughout the world. Nevertheless, Hangeul typeface designs do not seem to inherit the ideology of scientific and reasonable Hangeul correctly. For the square forms have been used intact due to the influences from the Chinese characters which prevailed during the time. If a single set of square characters should be designed, as much as 11,172 fonts should be designed, which suggests that advantages of Mangeul may not well be used fully; Hangeul was invented to visualize every sound with the combinations of 28 vowels and consonants. Problems of such square fonts began to be identified since 1900's when typewriters were introduced first from the West. Since a typewriter is designed with 28 characters laid out on its keyboard by using such combinations, the letters may be easily combined on it. The so-called the flexibility square-format typeface was born as such. Specially, the three-pairs fonts of these can be combined up to 67 letters including vowels and consonants. The three-pairs fonts system can help to solve the problems arising form the conventional square fonts and inherit the original ideology of Hangeul invention. This study aims to review the history of the three-pairs fonts designs facilitated by mechanic encoding of Hangeul and thereupon, suggest some desirable directions for future Hangeul fonts. Since the flexibility square-format typeface is expected to evolve more and more owing to development of the digital technology, they would serve our age of information in terms of both functions and convenience. Just as Hunminjongum tried to be literally independent from the Chinese characters, so the flexibility square-format typeface designs would serve to recover identity of our Hangeul font designs.

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