• The Korean Publising Journal, Monthly
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• s.299
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• pp.4-5
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• 2001

• The Korean Publising Journal, Monthly
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• s.322
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• pp.31-33
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• 2002

• The Korean Publising Journal, Monthly
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• s.281
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• pp.6-7
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• 2000

• The Korean Publising Journal, Monthly
• /
• s.287
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• pp.4-5
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• 2000

• The Korean Publising Journal, Monthly
• /
• s.265
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• pp.6-7
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• 1999

• The Korean Publising Journal, Monthly
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• s.286
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• pp.6-7
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• 2000

• The Korean Publising Journal, Monthly
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• s.339
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• pp.78-81
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• 2004

• The Korean Publising Journal, Monthly
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• s.292
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• pp.10-11
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• 2000

• Journal of the Korea Academia-Industrial cooperation Society
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• v.19 no.3
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• pp.46-51
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• 2018

This study is one of a series of studies exploring the locality of Jeju architecture, in which we focused on the works of domestic architects, rather than those of famous foreign architects, as well as on the locality of the phenomenological aspect rather than the conceptual one, so as to reveal the locality in the present situation. It was revealed that the architects had the following viewpoints with regard to the local characteristics of Jeju: first, the hermeneutic aspect of the locality is the architectural application of the traditional Jeju architecture; second, the phenomenal aspect of the locality involves respect for the landscape and natural scenery of Jeju. There are two main ways in which architects can realize the locality that they envisage. The hermeneutic representation of Jeju would be as a locality consisting of traditional houses. The architects mainly wanted to implement the elements of the private houses through the space layout. The phenomenal representation of the locality would require them to respect the landscape and scenery of Jeju and to implement them in its architecture. This was the case if the landscape or landscape elements were directly borrowed from the buildings, or if the buildings respect the scenery or landscape of Jeju.

• Journal of the Korea Convergence Society
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• v.8 no.4
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• pp.159-165
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• 2017

The purpose of this study is to analyze the 'Scenery of the Modern City' revealed by Korean films of 1930 40s. It is assumed that films always reflect the cityscape and human activities of those days. For the analysis, a pool of 8 Korean films from 1934 till 1944 was constructed. In these films, the sceneries of the city were represented as the following: 1) The cityscape including modern buildings and speedy transportation was intentionally represented to express visually the city of Gyeongseong under the wave of modernization. 2) The western-style architectural spaces, such as apartment, mansion, department store, cafe, and hotel, were emphasized to reflect the curiosity and longing of the general public for western culture and lifestyle.