• Journal of the Korea Computer Graphics Society
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• v.14 no.2
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• pp.19-25
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• 2008

We synthesize a texture with different structures at different scales. Our technique is based on deterministic parallel synthesis allowing real-time processing on a GPU. A new coordinate transformation operator is used to construct a synthesized coordinate map based on different exemplars at different scales. The runtime overhead is minimal because this operator can be precalculated as a small lookup table. Our technique is effective for upsampling texture-rich images, because the result preserves texture detail well. In addition, a user can design a texture by coloring a low-resolution control image. This design tool can also be used for the interactive synthesis of terrain in the style of a particular exemplar, using the familiar 'raise and lower' airbrush to specify elevation.

• Proceedings of the Korean Society of Computer Information Conference
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• 2023.07a
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• pp.575-576
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• 2023

본 논문에서는 텍스처 합성할 때 방향을 고려하여 합성의 품질의 개선시킬 수 있는 방법을 제안한다. 또한 고정된 회전 각도가 아닌, 다양한 각도를 자동으로 샘플링하여 효율적으로 예제 이미지를 생성할 수 있도록 하였고, 이를 통해 합성 경계간의 차이를 자연스럽게 완화시킬 수 있는 결과를 실험을 통해 보여준다.

• Proceedings of the Korean Information Science Society Conference
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• 2006.10b
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• pp.459-463
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• 2006

사회가 개인화하고 사용자의 요구가 다양해짐에 따라, 사용자의 감성을 기반으로 하여 서비스를 제공하는 많은 연구와 응용 어플리케이션을 개발되고 있다. 그 중, 시각적인 정보에 대한 인간의 감성은 디자인, 패션, 상품개발과 같은 여러 분야에서 그 중요성이 부각되어 다각적인 측면으로 많은 연구가 진행되고 있다. 그러나, 그러한 연구들이 아직 괄목할 만한 성과를 내지 못하고 있다. 더욱이, 시각 정보로부터 유용한 요소를 추출하고, 감성을 예측하는 자동화된 시스템이 매우 미흡한 실정이다. 그러므로, 본 연구는 칼라와 텍스처를 자동으로 추출하고 그와 관련된 특정 감성에 대해 효율적으로 예측 가능한 직물감성 예측 신경망 시스템을 개발하였다. 또한 칼라와 텍스처와 같은 시각정보와 감성과의 관계를 규명하고자 각 시각 특징을 입력 값으로 하고, 감성 값을 출력 값으로 하는 신경망을 개발하였고 실험을 통해 각 감성에 따라 칼라와 텍스처 요소가 다르게 영향을 미친다는 사실을 증명할 수 있었다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2024.01a
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• pp.399-401
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• 2024

본 논문에서는 텍스처 합성 기술을 활용하여 가상의 거품 패턴 텍스처를 생성하기 위한 합성 데이터 구축 방법을 소개한다. 물리 기반 유체 시뮬레이션에서 거품 표현은 2차 효과(Secondary effects)로 분류되며, 그만큼 계산량이 큰 작업이다. 게임 업계에서는 저사양 디바이스에서도 실시간으로 게임이 실행되어야 하므로 상대적으로 계산량이 큰 물리 기반 시뮬레이션을 통해 거품을 표현하기 어렵다. 대부분 사용자가 임의로 그린 거품 패턴을 화면에 매핑하여 적은 계산량을 통해 거품을 표현하지만, 시뮬레이션을 통해 만들어진 데이터가 아니기 때문에 품질을 보장하기 어렵다. 본 논문에서는 물리 기반 시뮬레이션을 통해 만들어진 거품 패턴을 텍스처 합성 기술을 통해 재생산(Reproduction)함으로써 수작업으로 그린 거품 패턴에서는 표현하기 어려운 고품질 거품 패턴 텍스처를 만들어 낸다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2024.01a
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• pp.415-418
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• 2024

본 논문에서는 텍스처 합성을 할 때 CNN을 사용하여 효율성을 높이고 방향을 고려하여 동적인 결과로 품질을 개선시킬 수 있는 방법을 제안한다. 자유로운 회전 각도로 방향성을 고려하여 동적인 결과물을 생성할 수 있도록 하였으며, 기존 접근법인 사각형 형태의 마스크 블록이 아닌 다양한 회전 각도를 고려하여 학습을 했기 때문에 텍스처 합성 과정에서 방향성 특징을 좀 더 잘 표현할 수 있다.

• Journal of the Korea Computer Graphics Society
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• v.14 no.1
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• pp.17-25
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• 2008

We proposed the method for photomosaic generation using a programmable GPU. We design vertices to generate a photomosaic through a graphics pipeline and suggest a texture representation of an image database whice is used for tile. Both the source image and the tiles are stored to texture, which are matched by a vertex shader and drawn by a fragment shader. This is much faster than several techniques which achieve the best match for each tile.

• Journal of the Korea Fashion and Costume Design Association
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• v.9 no.1
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• pp.1-11
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• 2007

This study suggests the new technique to express the texture that copes with the demands of the times by trying to apply the new Nuno-felt technique, to the silk, the representative material for emotion, in order to provide the basic data for the development of highly value added and competitive materials in the domestic and international markets as well as to meet the demand of consumers in the high emotion age pursuing the idiosyncrasy and qualify enhancement. Nuno-felt is the felting technique that places the wool of desired thickness on the thin fabric using wools and various kinds of fabric materials and rubs them. The samples are 3 kinds of silk including plain Chiffon with different touch, Pongee and Organza and Merino Wool, the best quality wool of wools. As a result, beyond the simple surface effect from the silk showing the superior drape feature with one color and soft wool, the Nuno-felt technique created the feminine as well as masculine, classic and modem image. Furthermore, the harmony of opacity and transparency produced the new dynamic and dimensional texture with the combination of different emotions through the visual emotion of different grey colors and rough, crude and soft touch. This study suggested the possibility that the Nuno-felt technique could create the new emotional materials for the modem sense by combining the materials with different features from the wools unlike the traditional simple felt technique.

• Proceedings of the Korean Society of Computer Information Conference
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• 2024.01a
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• pp.403-406
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• 2024

본 논문에서는 비눗방울에 나타나는 반사와 굴절 효과를 상용 게임엔진인 유니티 쉐이더(Unity shader)를 사용하여 구현하고 다양한 배경에서 합성할 수 있는 효율적인 프레임워크를 제안한다. 본 논문에서 제안하는 방법은 계산량이 큰 유체 시뮬레이션을 이용하지 않고, 스넬(Snell)의 법칙을 이용하여 박막 내부의 굴절 벡터를 계산하고, 막 표면의 표현을 위해 다양한 텍스처(Texture)를 적용하였으며, vertex의 조정을 통해 비눗방울 자체의 움직임을 나타낼 수 있다. 결과적으로 실시간으로 높은 품질의 비눗방울을 표현할 수 있기 때문에 게임뿐만 아니라 가상현실 및 다양한 실시간 애플리케이션에 활용될 수 있다.

• Journal of the Korean Society of Clothing and Textiles
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• v.32 no.12
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• pp.1837-1847
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• 2008

The goal of this study is to express the image of chameleons-that change their colors by light, temperature and its mood-into the sexy styles of corresponding coquettish temperamental people in Wearable Art. The method used in this study was experimenting various production mediums, including creating the textured stretch fabric, in the process of expressing the conceptual characteristics of the chameleon in Wearable Art. The concept of the work was a concoction of 'tempting', 'splendid', 'brilliant', 'fascinating', etc. that highlighted the real disposition of the chameleon. The futuristic preference of the researcher was also implicated. "Comfortable" and "enjoyable" concepts via motions were improved with the its completeness. The point of the design and production is to express symbolically the chameleon in real life, analyzing its sleek body lines, conditional colors changing, outer skins and the cubic textures. The coquettish temperamental image, the conceptual image of the chameleon, was also expressed by implication into the whole work. The entire line of this work is body-conscious silhouette. It was symbolically selected to image the outline of the chameleon that has the slim and sleek body. The exposed back is intended to express symbolically the projected back bones of the chameleon. The hood of gentle triangle line expresses the smooth-lined head part. The irregular hemlines represent the elongated chameleon's tale. The chameleon with its colors of vivid tones is characterized the colors changing by its conditions. This point was importantly treated in the working process by trying the effects that the colors are seen slightly different according to the light and angles. The material was given the effect that its surface colors are seen different in lights and angles because of the wrinkles protruded lumpy-bumpy. The various stones of red and blue tones are very similar to the skin tones of the real chameleon, and their gradation makes the effect that the colors are visibly changed with each move. The textures of the chameleon were produced via the wrinkle effect of smoke-shape, which is the result of using the elastic threads on the basic mediums stitched with 50/50 chiffon and polyester along with velvet dot patterns. The stretching fabric by the impact of the elastic threads is as much suitable for making the body-conscious line. The stones are composed of acrylic cabochon and gemstone. They are symbolically expressed the lumpy and bumpy back skin of the chameleon and produced the effect of the colors visibly different. The primary technique used in this dress is the draping utilizing the biased grains. The front body piece is connected to the hood and joined to the back piece without any seam. For the irregular hemline flares, leaving the several rectangular pieces with bias grains, they were connected by interlocking. What defines the clothes is the person in action. Therefore, what decides the completeness of clothes might be its comfortable and enjoyable feeling by living and acting people. The chameleon dress could also reach its goal of comforting and pleasing Wearable Art in the process of studying the techniques and effects that visibly differentiate the colors. It is considered as a main point of the Wearable Art, which is a comfortable enjoyable clothing tempered with the artistic beauty.

• Journal of Fashion Business
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• v.9 no.1
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• pp.1-20
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• 2005

This study is purposed to provide new idea for developing high value added fashion goods by studying relief effects of fashion design. Based on prior researches, various ways to give relief effects were searched and then modern fashion design cases were looked for which were referred to fashion-related magazines and collection-related internet sites since the late 1990s. The ways for relief effects are weaving, industrial finishing, sewing technique. Weaving techniques are about fancy yarns, variation of weaving structure, pile weave. Industrial finishing techniques which can make relief effects are embossing, heat-setting, shearing, pliss, burn out, flocking. Sewing techniques are quilting, pleats, embroidery, slash, attachment in accordance with the way to produce relief effects. The forms of relief effects are tactile pattern that cannot be seen in the distance, subtle relief pattern which is more three-dimensional than tactile pattern, rhythmical relief pattern, sculptural pattern, and deep-volumed pattern. The present research can provide practical data for design by studying techniques of relief effects and collecting and arranging design cases that have been sporadically carried out. The study on relief and unique surface effects can be a way to effectively stimulate and express emotions of modern people with various taste and individuality.