• 복식
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• 제58권4호
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• pp.155-170
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• 2008

Club culture is the global trend for youth in 21st century. Club is the space that is created with close relationship among music, dance and fashion. It is also experimental cultural art space with endlessly transforming style. Furthermore it is a space for independent minor culture which represents speciality than generality of cultural appetite and style of club. Cultural communities formed around club and their parties have placed as a strong subculture trend based on youth age group. What they are creating as a subculture could be our tomorrow's main trend and clubbers also could be our major power sources for future. Therefore it is necessary to pay attention to club culture. The purposes of this research are to identify the concept of clubber, to analyzes their basic club culture characteristics and elements, and to find out unique fashion styles of Korean clubber in comparison with the origin. To study club fashion style's origin and background, this study searched a theoretical flow from 1930's to 1990's. Then, Korean clubber's style is derived by comparing background and origin of Korean club culture with those of abroad. To analyze in various point of view, theoretical backgrounds about social, cultural, dresses, and design were considered. Since research target is a visual image, street fashion is analyzed on through, music channels and magazines from 1930's to present as well as designer's art photographies. Internet sites', cub culture association's and sound association's photos were also extracted. as a visual evidences to offer actual evidences. Geological targets are selected among Korean club culture's origin such as Hong-Ik University area, Shin-chon, Chungdam-dong and Apgujung-dong areas. The results of this study are as follows. Firstly, clubber's fashion style influenced magnificently on major fashion design instead of being just youngster's resistance toward control group and it is contributing to our fashion culture to enrich it. Secondly, fashion styles of korean clubbers are based on those of western sub-culture, but with a unique localized history.

• Animal Systematics, Evolution and Diversity
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• 제2권2호
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• pp.13-26
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• 1986

다음과 같은 7종 응애과 (Family Tetranychidae ) 응애에 대하여 형태학적 특징, 표피의 주름, 핵형들을 비교함으로써 분류학적 검토를 실시하였다. 본 연구에 사용된 재료는 1985년 10월부터 1986년 6월 사이에 전북 전주에서 채집되고 사육된 것들이었다. Subfamily Bryobiinae 클러버등에 아과 :Bryobia praetiosa 클로버응애, Petrobia lantens 밀응애(신칭): Subfamily Tetranychinae 응애 아과, Panonychus citri 귤응애, P. ulmi 사과응애, Tetranychus vienensis 나무응애, T. urticae 점박이 응애. T.kanzawai 차응애(신칭), 그 중 밀응애와 차응애는 한국 미기록종이다.미기록종이다.

• 복식
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• 제55권2호
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• pp.143-152
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• 2005

Stepping in the 1990s, we has lived under the time of co-existence of diverse culture as well as faced the diffusion of pop-culture. The border between subculture style and hi-fashion has been blurred since beginning of 1990s. By this reason, recognizing the power of influence and importance of subculture style, we will try to provide the comprehensive vision reflecting the cultural background to analyze the subculture style. We will conclude this article with discussing the club-culture which is settle as one type of culture. Enjoying the club-culture, clubber tries to escape from the structural estrangement putting by the magical and symbolic meaning through creating their own style, and endowing their life the meaning. They make liquid club wear targeting at general young culture, pop culture, and subculture as well as hippies, Mods, funk. The Club wear around University sort out Hiphop Style, Casual Style, Mix and Match style. As at the club the hiphop music was played, the hiphop style dress becomes the club ware. Especially, training style clothes which is easy to dance has become the everyday dress, not just restricted in the indoor dress.

• 복식문화연구
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• 제18권4호
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• pp.626-639
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• 2010

The club culture is not something unified. Rather, it is a group of subcultures which share intertwined areas. And it keeps its own dress code, dance style, music genre along with series of authoritarian and unlawful rituals. For young adults, a club is a new cultural space to enjoy in reasonable price and they can express themselves without thinking much about others. A club creates its unique mass culture by producing continuously changing and experimental fashion styles. As the club culture’s influence becomes powerful, the club market was established and experimental fashion styles are wide spread among general public, young adults who try to express their unique characters and even fashion-leading industry. The study results are as follows. First, dance club and its derivative, rave is symbolic axles and the center of social activity. They are also defined as culture which is related to specific space that continues to present and change sound and style. Second, the definition of clubber in a dictionary is club member or a person who is united with others. Third, based upon clubbers' fashion styles in Hongdae and Kang-nam areas, there are 5 different images including sexy casual, lingerie, dynamic, chic style and feminine style. Fourth, based upon case study above, to take unique life style of fashionista that leads fashion with trendy fashion style into account, we suggested five designs which are unique, sensitive and trendy. Fifth, through analyzing clubber generation and design factors of clubbers' fashion style combined with various trend, unique brand was developed to meet the demands of clubbers who want differentiated images and leading styles.

• 한국초지조사료학회지
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• 제12권3호
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• pp.153-160
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• 1992

본 시험은 고령지 두과목초의 적응성을 구명하기 위하여 표고가 다른 3개지역(600,800,1000m a.s.l)에서 주구를 파종시기(추파.추파), 세구를 혼파조명(알팔파-화본과, 레드크로바-화본과, 화이트크로바-화본과)으로 두고 분할구 배치 3반복으로 수행하였다. 1.600m에서 두과목초의 적응성을 보면 알팔파, 레드클러버 및 화이트클로버 공히 추파를 했을 때 연차간 악화없이 약 30%를 유지하여 적응성이 매우 양호하였다.2. 800m에서는 화치트클로버를 춘파하므로써 연차간에 심한 감소없이 최종 예취시 약 14.0%를 점유하고 있었으며 또한 10a당 건물수량이 가장 많았다. 3. 1000m에서도 800m와 비슷한 경향으로 화이트클로버를 춘파했을 경우 어느정도 적응이 가능하였다. 4. 표고별 두과목초의 비솔 및 수량이 표고가 증가 할수록 현저하게 감소하였으며 알팔파는 800m 이상에서는 생육이 거의 불가능하였다.