• The Journal of the Acoustical Society of Korea
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• v.24 no.2
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• pp.111-116
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• 2005

This study deals with a subjective assessment to investigate the preferred acoustic conditions and determine the important acoustical parameters in concert halls. A subjective test was carried out using dummy head recorded sounds made in actual halls in Australia (referred to as Hall A and Hall B) to evaluate the acoustic performance of two halls. The results of subjective tests were then correlated with measured acoustical parameters to investigate the significant determinants for the preference judgements. The listeners show a stronger Preference for seats in the Hall B than those in the Hall A. The low preferences for seats in the Hall A are in agreement with live performance ratings assessed by musicians. It is found that the sound level is the most significant acoustical parameter for evaluating the overall acoustic preference in the two halls.

• Proceedings of the Acoustical Society of Korea Conference
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• 1992.06a
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• pp.185-188
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• 1992

본 고에서는 홀의 음향측정에서 지금까지 주로 사용되고 있는 물리변수들을 추출하여 물리실험을 행한 후 이 결과치와 심리실험 결과를 상호분석하여 어떠한 홀에 대한 최종적인 판단은 무대의 연주자나 청중에 의하여 판단되어지고 있는 것을 감안하여 주관적 반응과 상관이 높은 물리량을 얻고자함에 있다.

• Proceedings of the Acoustical Society of Korea Conference
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• spring
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• pp.229-232
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• 2002

콘서트 홀과 같은 대형 공간의 경우와는 달리, 자동차 내의 작은 공간에서는 저주파의 음향 공진으로 인하여 상대적으로 높은 크로스오버 주파수까지 재생된 사운드가 컬러링 된다. 이러한 크로스오버 주파수는 Schroeder의 'large room limit'로 결정되며, 이것은 작은 공간과 대형 공간을 구분하게 되는 기준이 된다. 이러한 컬러링을 보상하기 위해, 먼저 대역 제한된 사인 스윕 신호를 이용하여 특정 차량의 저주파 응답 범위를 크로스오버 주파수까지 측정하였다. 본 논문에서는 이렇게 측정한 저주파 응답을 이퀄라이징하는 방법에 대하여 논의한다.

• The Journal of the Acoustical Society of Korea
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• v.38 no.5
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• pp.558-567
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• 2019

When used for broadcasting, multipurpose halls need to accommodate various types of programs such as speeches, Korean traditional music, musicals, pop music, and concerts. Therefore, multipurpose halls must meet a wide range of electric and architectural acoustic demands. However, there are few ways to alter acoustic environments for multipurpose halls, given these different demands. The current study investigates the effects of banners on acoustic environments in the presence of an acoustic shell or electric acoustic system. The results indicate that the installation of a 15% banner of wall area could vary the range of reverberation time ($T_{30}$) by 0.12 s, EDT (Early Decay Time) by 0.15 s, clarity of music ($C_{80}$) by 0.76 dB, and clarity of speech ($D_{50}$) by 6.43 % under different measurement circumstances. A computer simulation that enlarges the banner size to 40 % of the wall area varies the reverberation time from 0.11 s to 0.55 s depending on the room environment.

• Proceedings of the Acoustical Society of Korea Conference
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• 1998.06c
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• pp.265-268
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• 1998

본 논문에서는 1채널(mono)이나 2채널(stereo)의 오디오 입력을 5채널(center, left, right, left side, right side)로 출력시키는 음장 시스템을 설계하고 그 성능을 분석하였다. 가정의 리스닝 룸 같이 작은 공간에서 콘서트 홀 같은 커다란 공간의 음장을 재현하기 위한 멀티 채널 음장 시스템은 지연기, 초기 반사음처리기, 잔향기를 이용해 설계하였다. 초기 반사음 처리기의 지연과 이득은 실제 공간에서 측정한 암펄스 응답을 이용하여 결정하였으며, 구현된 초기 반사음을 전방 30$^{\circ}$방향에서 재생함으로써 확장감을 증가시킬 수 있도록 하였다. 잔향기는 자연스러운 주파수 및 감쇠 특성을 갖도록 설계되었으며, 후방 60$^{\circ}$방향에서 재생되는 잔향의 상관 계수를 작게 함으로써 청취시 공간감을 느끼게 하였다. 설계된 음장 시스템은 무향실 데이터를 입력으로 시뮬레이션되었고, 그 결과로 얻어진 5개의 PCM 출력은 멀티 트랙 재생 장치에 의해 일반 리스닝 룸에서 재생된다.

• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.307-310
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• 2001

콘서트 홀 등의 음향 측정을 측정하는 데 있어 다채널 마이크로폰을 이용하여 그 공간의 반사음 패턴을 파악하는 기술이 널리 이용되고 있다. 이 기법은 그 공간 특유의 반사음의 입사 시간과 방향을 측정할 수 있을 뿐만 아니라, 충격응답(Impulse response)의 측정을 기반으로 하므로 기존에 사용되고 있는 모든 모노성의 음향 특성의 측정에도 이용할 수 있다. 그러나 LEF나 IACC등의 다차원의 음향 특성의 측정을 위해서는 양지향성 마이크로폰이나 더미헤드 등을 이용한 측정을 별도로 수행하고 있다. 본 연구에서는 다채널 마이크로폰으로 구한 방향성 충격응답으로부터 각각의 반사음들의 특성을 구하고 그 결과에 양지향성 마이크로폰의 지향특성을 적용하여 LEF를 얻어내도록 하였다. 제안하는 기법의 유효성을 검증하기 위하여 기존의 무지향성 및 양지향성 마이크로폰을 이용하여 구한 결과와 비교, 분석하였다

• The Journal of the Acoustical Society of Korea
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• v.36 no.5
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• pp.321-328
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• 2017

The purpose of this study is to derive the preference factors of stage acoustics for duet performers through the measurement of the stage acoustics in a concert hall and the performance evaluation on the stage. 15 pairs (total 30 players) of the performers participated in the experiment, and the preference of selected 5 locations were evaluated. As a result, the preference in the center of stage was the highest, and CS (Clarity at stage) and $ST_{Late}$ were the most significant factors for the preference.

• Proceeding of Spring/Autumn Annual Conference of KHA
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• 2004.11a
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• pp.349-354
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• 2004

In accordance with recent culture-advancement and national improvement in conscious level, the desire for cultural life is on increasing, so that it is also increasing tendency toward the planning and construction of large performance hall for the local residents, conducted by the provincial self-governing body. For the sake of a satisfiable acoustic efficiency at the said large performance hall, although it is designed and constructed with application of various methods of simulation from the planning stage, there could be appeared an error of the said simulation and defect occurred in the construction, and due to such reason, a situation unable to fulfill a satisfiable Acoustic efficiency to be generated thereat after opening of the hall. Accordingly, it is able to judge on the part which necessitates for betterment, also the region where acoustically weak, through measurement and evaluation on the acoustic efficiency in the completed performance all, and by its correction as well as supplement thereon based on the afore-mentioned, a performance hall equipped with the supreme acoustic condition could be established.

• The Journal of the Acoustical Society of Korea
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• v.37 no.5
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• pp.349-355
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• 2018

A large number of parameters have been defined in order to describe and to evaluate the acoustical propeTies in rooms. Reverberation time is an impoTant characteristic of conceT halls, theaters and studios, etc. Over the years, a number of different methods for measuring the reverberation time have been developed, the most common being: the interrupted noise method, the integrated impulse response method, and the method of recording the room response to an impulsive source. However, the reverberation time can be changed by the measurement method, sound source and microphone. Therefore, it is difficult to accurately measure the reverberation time in a room. In this paper, it will be analyzed the interpretation method of the reverberation time and discussed the limitations.

• Journal of the Computational Structural Engineering Institute of Korea
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• v.30 no.6
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• pp.469-477
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• 2017

In this paper, the floor vibration of an example concert hall building was measured and floor safety criteria were analytically checked through comparison between experimental and analytical results. The floor bottom plate model was constructed considering the composite effect and the analytical model was modified to have the natural frequency identical to the measured one. Also, time history analysis was conducted using the dynamic loads induced by human rhythmic movement during a musical performance, and the analytically calculated floor accelerations were similar to the measured one. Based on this model, the floor vibration level due to the group activities of about 400 persons, maximum available persons for the concert hall, was estimated. It was confirmed that the human induced dynamic loads applied to the column and beam would be much lower than the design strength. In addition, the horizontal acceleration level is just 2% of the design seismic load, so the concert hall is safe in both vertical and horizontal excitations by human rhythmic movements.