• Cartoon and Animation Studies
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• s.5
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• pp.531-534
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• 2001

창의적인 표현 이전에 무엇을 인식(認識)해야 하는가! 쉽게 생각하는 캐릭터모델링과 셋업(STE-UP) 과정이 몇 가지 옵션(Option)에 의하여 생성되는 것은 아니다. 애니메이션 제작에 따른 캐릭터 설정 배경, 인체구조와 모델링과의 관계, 인체구조와 애니메이션의 연관성 등에 대한 인식의 이해를 통해야 한다. 이러한 인식 속에서 3D 캐릭터애니메이션셋업(SET-UP)을 위한 기초인식과 기술을 통하여 원칙적인 이해에 근거하여 효율적, 효과적인 3D애니메이션 제작을 하기 위한 몇 가지 제안(提案)을 한다.

• The Journal of the Korea Contents Association
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• v.7 no.4
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• pp.133-140
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• 2007

The current 3D CG animation pipe line, which is the production system, does not have an effective solution that all animation departments are able to start their jobs independently against other animation departments. It is generally acknowledged that we could not do animating task before the modeling and set-up task. This kind of process has caused loss of labour. We could expect lasting problems which is stopping marking animating process before the previous process done again in case of requiring editing the jobs which are modeling and set-up. We could solve these "bottleneck" situation with "master character" defined as standard, so that animate and retake the job independently against other departments. These new process could accelerate the animation pipe line system.

• Journal of Software Assessment and Valuation
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• v.17 no.2
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• pp.101-107
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• 2021

Animation production is collaborated by many experts and gives many ideas for new and interesting video production. Interesting video production is a problem directly related to the success of the project, so it can be said that it is better to create an environment that is not burdened with technical aspects in expressing ideas. In the actual keyframe animation production environment, ideas are frequently modified to obtain better results, and techniques that are re-used so that the animation key pose data developed at the early stage of the possible stage can be rewritten without abandoning it, and functions that can temporarily change the center of gravity contribute to the productivity of animation work and greatly help the creator to improve the creative atmosphere. This study analyzes action animations implemented in computer animation software to examine the factors that hinder actual productivity, and derives the technical concepts that can contribute to the improvement of animation production productivity and the necessity of developing related tools.