• The Journal of the Convergence on Culture Technology
• /
• v.5 no.1
• /
• pp.275-280
• /
• 2019

Roger Deakens is one of the best director of photography in the world. He has been worked with Joel Coen & Ethan Coen since (1991). He was nominated for Academy award 13 times. At last, he won the 2018 Academy Award for Best Pictures of the Year. This article aim to look at his style of photography, which he has consistently pursued, and how he controls and implements light. Focusing on The Assassination of Jess James by the coward Robert Ford>,, .

• 건강소식
• /
• v.34 no.5
• /
• pp.7-9
• /
• 2010

삼성전자, 포스코, 한진중공업, 푸르지오, 힐스테이트, 니콘 등 시청자들의 눈과 귀를 사로잡는 CF. 하나하나가 작품인 이 CF는 손의정 촬영감독의 작품이다. 중앙대와 경원대에서 동영상 강의를 진행 중이기도 한 그는 몸과 마음의 건강을 균형 있게 두루 살필 줄 아는 사람이다. 어느 한쪽이 균형을 잃게 되면 건강 체계에 이상신호가 올 수 밖에 없다고 그는 말한다.

• Trans-
• /
• v.6
• /
• pp.79-95
• /
• 2019

The advent of the handheld camera has dramatically transformed film production and consumption in countless ways. French director and theorist, Alexandre Astruc focuses on the development of 16mm camera and foretell film will be used as a tool to realize the personal vision of the author like other art. As proof of his claim French New Wave and Cinéma vérité create the film with handheld camera on the real location to capture new reality. Their films are distinguished itself from other films made by conventional Hollywood studios. Similarly, John Cassavetes in the United States began to focus on the handheld camera. Since then the handheld camera has become one of the popular shooting methods. Especially, handheld camera are noted for their agile movement and mobility as a way to capture various realities. However, with the advances in technology, lighter cameras and higher resolution have changed in different ways. The technology is neutral, one shooting method does not serve for one philosophy or ism. At one time, handheld shooting is now used as not only a means to capture the real world but also a tool to mimic a realistic feeling.

• The Journal of the Korea Contents Association
• /
• v.14 no.12
• /
• pp.574-585
• /
• 2014

Filming of movie is not working for translating scenario of story or character's moving. Director of Photography accumulates emotion in scenario through image. The accumulation of continuation is the essence of movie. Therefore, cinematographer strives consistently to analysis scenario and to express through visual which operation of the most basis can be filming technology. Eventually, Filming of movie is based on mean of technology to show artistry work. Accordingly, searching the most fundamental of filming's technical factor considerably help to understand movie art. There are variation technology factors to expose character's emotion. And the most simple and influential try by only using the pure function of camera is utilizing shutter without supporting lighting and production design. As a result, this thesis discuss about essential and basic factors of utilizing shutter.

• Proceedings of the Korean Society of Broadcast Engineers Conference
• /
• 2009.11a
• /
• pp.81-85
• /
• 2009

입체영상콘텐츠 촬영기술은 촬영현장에서 리그라는 특수장비를 이용해 입체영상기술을 관할하는 스태프인 스테레오그래퍼, 영상콘텐츠의 전반적인 촬영기술을 주관하는 촬영감독의 협업을 통해 진행된다. 그러나 현재 한국의 입체영상콘텐츠 제작은 태동기에 있고 워크플로우는 아직 정착되지 않은 상태다. 본 연구는 입체영상콘텐츠 제작 사례를 기초로 입체영상 습득과 관련된 스태프의 직능을 구체적으로 분석함과 동시에, 높은 품질의 입체영상콘텐츠를 습득하고, 시간과 비용 면에서 효율적인 워크플로우를 디자인하였다.

• The Journal of the Korea Contents Association
• /
• v.12 no.2
• /
• pp.154-162
• /
• 2012

Facial expression and gesture of the actors can be magnified or understated depending on the size of the camera framing. The direction, quality, and quantity of the lighting can also make the actors look different. That's why we have to deliberate how to photograph the actors who will be projected on the screen. This thesis shows the way of improving performance and emphasizing each character with camera and lighting. You will also find out how visual elements influence the actors and their performances.

• Trans-
• /
• v.2
• /
• pp.75-94
• /
• 2017

The film director is the responsible for artistic quality of the film. In Hollywood, the director considered as a technician only visualizes the given scenario. In the 1950s, young critics of the Cahiers du cinéma, who were at the center of Nouvelle Vague, re-qualified some Hollywood directors, for example Alfred Hitchcock, Howard Hawks and John Ford. They are considered "auteurs(authors)" because their films have their own styles. In France, the word "auteur-directoir" is often used in the film production. It refers to the person who writes the original screenplay of a movie. Auteur's legal definition of copyright is set out in Article L.111-1 of the Intellectual Property Code: "the auteur of a work of the mind enjoys the work by reason only of its creation, of an exclusive intangible property right and opposable to all. On the other hand, in the definition of producer, it is the natural or legal person who takes the initiative and responsibility for the realization of the work according to Article L. 132-23 of the same code. We study here the competence and responsibility of the French director as an "auteur" by consulting the two types of contract: director-technician and author-director. We rant to offer a reflection on the position of the film director and the relationship between the director and the producer.

• Proceedings of the Korea Information Processing Society Conference
• /
• 2016.10a
• /
• pp.728-730
• /
• 2016

드론 기반의 항공촬영 기법을 영화제작에 적용토록 하기 위해 드론 기반의 스토리보드 제작 시스템을 제안한다. 제작 시스템은 항공촬영 수행 전, 비행 시뮬레이션을 수행하여, 다양한 스토리보드 세트를 수집한다. 감독은 스토리보드 세트 중 가장 적합한 스토리보드를 선택한다. 선택된 스토리보드에는 촬영 영상정보와 함께, 드론 제어정보들이 포함된다. 드론의 제어정보를 실제 촬영에서 사용하여, 정밀한 항공촬영을 지원할 수 있다.

• Proceedings of the Korea Contents Association Conference
• /
• 2019.05a
• /
• pp.375-376
• /
• 2019

영화는 현대 사회에서 가장 환영을 받고, 가장 영향력을 가진 문화 산업 중 하나로, 우수한 영화 장면 디자인은 영화 스토리 효과의 발전에 빛을 한층 더한다. <삼국-무 영자>는 장예모 감독이 연출하여 2018년에 개봉한 최신 영화로, 이것은 동양의 수묵 스타일 영화로, 주로 흑백으로 나타난다.[1] 이 영화는 2018년 제75회 베니스영화제 비경쟁 상영부문, 토론토국제영화제 상영부문, 런던영화제 경쟁부문에 진출했다. 장예모 감독은 민족문화의 내용을 표현할 때, 중국 문화에 대한 이해와 자신의 문화적 가치관을 자신의 촬영방식으로 풀어냈다. 그의 작품으로 보면, 이 영화의 주제는 주로 중국 고대의 역사문화와 수묵문화에 근거해 표현되며, 중국 전통문화의 독특한 매력에 대한 찬양이기도 하다. 본 논문은 연출 스타일과 동양의 심미적 측면에서 영화가 지닌 예술적 특징, 영화에 담긴 인문정신을 탐구하고, 세계를 향해 중국 수묵문화의 문화적 의미를 소개하는 동시에, 영화의 발전에 도움이 되기를 바란다.

• Journal of Korea Multimedia Society
• /
• v.12 no.10
• /
• pp.1427-1435
• /
• 2009

E-Learning is different from the traditional classroom learning and examinees can take a class individually anywhere by online. And it is difficult to proctor an examination because they also take a test by online. However the results of the online test are included in their examination scores. Therefore, it is very important to authenticate the examinees. In this paper, we propose improvement of fairness system for online test using camera. Students can take a picture after every online classes and it has been saved. And during the test, ELTS(e-Learning Test System) takes images, detects the faces, and protects from getting another person to sit for cheating. After examination, the images have been transferred with the answer sheets to the cyber school management system. And a report card will be printed out with the user's images. Moreover, it will authenticate oneself and protect the online test from cheating.