• Title/Summary/Keyword: 천(天)

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Dasan's Reinterpretation of Tien(天)-concept in Confucian analects (『논어』의 공자 '천(天)'개념에 대한 일고찰 - 고(古)·신주(新注)와 대비한 다산(茶山) 정약용(丁若鏞)의 주석의 특징 -)

  • Lim, Heon-gyu
    • (The)Study of the Eastern Classic
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    • no.73
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    • pp.219-248
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    • 2018
  • Confucius said, "I do not murmur against Heaven. I do not grumble against men. My studies lie low, and my penetration rises high. But there is Heaven;-- that knows me!" and said, "Does Heaven speak? The four seasons pursue their courses, and all things are continually being produced, but does Heaven say anything?" The only key Jen仁-concept of confucianism is based on Tien(天). This articles intend to articulate Dasan's commentary of Tien(天)-concept in Confucian analects("論語"). Dasan was to contrast Chu-Hsi's a commentary in assembled commentary of Confucian analects("論語集註") with 2) old commentary of Confucian analects("論語注疏"), and reestablished Tien(天))-concept on old & contemporary commentary of Confucian analects("論語古今註"). He analyzed, deconstructed, and re-interpretations Tien(天)-paragraph of in Confucian analects. Dasan collected, complied, and re-interpretation dispersed original meaning of Tien(天)-paragraph of Confucian analects. Cheong Yagyong tried to recover the original meaning of Tien(天)-concept in Confucian analects.

A Study of Perspective on Cheon Gwan(天觀) of Toegye (퇴계(退溪)의 천관(天觀) 연구(硏究))

  • Hwang, Sang Hee
    • (The)Study of the Eastern Classic
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    • no.56
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    • pp.147-170
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    • 2014
  • To divide by the concept of Cheon (天) before and after the period of Song Dynasty: before Song Dynasty; according to the ancient Book of Odes (Sigyeong-詩經), "Cheon (天) gives birth to a large number of people", and, Confucius(孔子) say "Cheon(天) gave me Virtue(德)." Mencius(孟子) say "The person done with all his heart knows Seong(性, personality), so if he knows such Seong(性, personality), then he knows Cheon(天)." In Doctrine of the Mean(中庸), it says "Cheon(天) ordered it to be called - Seong(性, personality)." So, Cheon(天) had a religious meaning, such as Sangje(上帝) - Supreme Ruler. During the Song period, Cheon(天), the source of its existence, had construed as Mugeuk i Taegeuk Non(無極而太極論 - Theory of Supreme Ultimate while being Indeterminate) and Theory of li and ki (iginon-理氣論). Juja (朱子, a honorary name of Juhui, 朱熹) had said a reasonable Cheon(天), that is, Heavenly Principle (天理 - Cheolli) by interpreting Cheon(天) as Taegeuk(太極 - Supreme Polarity) and li(理) of Muwi(無爲 - uncontrived action). That's why Juja had lost the religiosity because of his reasonable frame. The purpose of this dissertation is to identify of the quality of being religious of li(理) on the basis of attribute of Cheon(天) argued by Toegye and Juja. In the text of Seomyeong(西銘 - Western Inscription), we can see their interpretation of the content that Toegye as "西銘考證講義"(Lecture on Historical Research of Western Inscription), and Juja as "西銘解"(Commentary on the Western Inscription). Seomyeong(西銘 - Western Inscription) was expounded as a logic of 'iil bunsu' (理一分殊 - coherence is one and distinguished into many). '理一分殊' means to live in as meaningful as possible according to the human nature that has been bestowed upon thyself. Juja and Toegye both said that in the aspect of 'iil'(理一 - coherence is one), Reverence(事天) ought to be done, but to look into the aspect of 'bunsu'(分殊-distinguished into many), Juja argued that people should follow the order of Heavenly Principle(天理 - Cheolli), and Toegye argued that people should have to perform the filial piety(孝). There are differences in methods of Toegye and Juja on account of distinction between attributes of Cheon(天). Such a distinction affects the attribute of li(理). Juja said divisively that Soiyeon(所以然-why its principle is so) is li(理), and Sodangyeon(所當然-what should be so) is Sa(事-divine project). Toegye argued that Sodangyeon(所當然-what should be so) is indeed li(理). It is the position of Toegye that to know Seong(性-the personality) of Sodangyeon(所當然-what should be so) is the first, rather than to know Cheon(天) of Soiyeon(所以然-why its principle is so) that is out of reach in a faraway place. Seong(性-the personality) is li(理) that bestowed by Cheon(天). In view of discussion about the essence and existence, for Toegye, the existence is the first, rather than the essence. The issues of existence is now enabled to talk about amid the discussion of metaphysics, namely li(理). Different from Juja, a theory noticed in Toegye is the theory of 'Lijado'(理自到). 'Lijado'(理自到) denotes 'Li(理) leads on their own.' It tells that separate from thing-in-itself, there is an energy that moves and oversees the thing. This is an issue of response between "I" as the principal agent and other people. If "I" as the principal agent is sincere to others, the others will come to me insomuch as they will be revealed through me. Here, a problem between the host and guest arises. Toegye perceived this problem that do not see me and others as same, and also do not see me and others as two. This is the logic of 'ilii iiil'(一而二 二而一 - looks like one but two, looks like two but one) of '理一分殊' (coherence is one and distinguished into many). The first thing to do between these two processes is to recognize the existence of 'iil'(理一). Toegye strongly displays a religious attitude identifying Cheon(天)=Li (理)=Sangje(上帝- Supreme Ruler) in the same light.

A Study on the Deva's Visual Characteristics of Buddhist Worldview in Animation Movie - Focused on - (애니메이션에서 표현된 불교 세계관 천(天)의 시각적 특징에 관한 연구 - TV시리즈 를 중심으로 -)

  • Yu, Qinglong;Choi, Dong-Hyuk
    • Proceedings of the Korea Contents Association Conference
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    • 2019.05a
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    • pp.65-66
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    • 2019
  • '천(天)'은 불교 세계관 속의 선인으로서 불교 전통 예술에서 많이 표현된 불교 세계관 중에 하나이다. 최근 '천'의 개념이 애니메이션 작품에 표현되면서, 불교 세계관에 대한 관심이 많아지고 있다. 불교 문화와 세계관의 이해를 통해 다양한 예술작품에 활용된다면, 애니메이션의 발전에 대해 훌륭한 소재가 될 수 있을 것이다. 이를 위해 형태 특징, 색채 특징 이 두 가지 시각적 특징으로 불교 세계관의 '천'을 분석하고 애니메이션 캐릭터 창작의 연관성을 분석하였다. 본 논문을 통해 불교의 세계관과 불교 문화가 더욱 발전할 수 있는 계기가 되기를 희망한다.

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묵자(墨子)의 천관(天)념 연구

  • Jo, Won-Il
    • 중국학논총
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    • no.62
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    • pp.125-142
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    • 2019
  • 墨子所講的天幾乎都是屬於宗敎和人文性格兼具的層面. 而墨子所講的天帝一定是遍知的, 至爲高貴的. 天具有超自然的賞罰能力, 這是無上權威的象徵, 所以卽使是天子也要受其約束. 還有凡是人類可以活動的地方都是天之邑, 所有的人類無非是天之臣. 那麽, 人就必得要遵循天的意思, 而且只要順天意就能得到天的獎賞, 違反天意的一定受到處罰. 而墨子所以論證天帝的存在以及他所擁有的至高地位, 其目的是要借此以確定賞罰的絶對權威. 還有墨子所說的天意有兩個方面的意思, 一是要求人人互相兼愛, 二是人類的一切活動都要合於義的要求. 因此, 可以說墨子是根據他人的人生思想充實了天志的具體內容, 而從聖王法天的歷史經驗中肯定天志的價値, 然後借助於天帝所擁有的賞罰權威來確認實施天志的必要性.

The Study on the 天.王 Embroidery in Korean Gasa (한국가사(韓國袈裟)에 나타난 천(天).왕문(王紋)에 대한 연구)

  • Lee, Soon-Deuk
    • Korean Journal of Human Ecology
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    • v.12 no.4
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    • pp.509-518
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    • 2003
  • Gasa was a surplice of Buddhist monk. It was usually worn in the religious ceremony. Gasa was such a religious cloth that was ruled strongly by Buddha's Commandments, and a kind of cloth that was also reflected by historical, cultural, and ideological factors of each nation. Korean Gasa had various features comparing to the Original Gasa or to that of South Asia which is the birthplace of Buddhism. One of them was 天 王 embroideries that we could find upon the regular square base in the four comers of Korean Gasa. These figures symbolized the Four Devas which were believed guarding Buddhist sanctum. These Devas appeared from the era of the Three Kingdoms when Buddhism imported. Buddhism as a alien religion had been developed through conflicting and fusing with Korean traditional religious characteristics into type of 'Faith to Three Treasures' (Buddha, Buddhist Commandments, Buddhist monk). They believed that embroidering 天 王 figures upon the regular square bases in the four corners were able to protect Buddhist monk by the help of Four Devas. We might say this as a kind of Faith to Buddhist monk.

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Taoism in Ancient China from the Perspective of T'ien(天) (중국고대 천관에서 본 도가의 사상)

  • Lim, Chung-gi
    • Journal of Korean Philosophical Society
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    • v.139
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    • pp.191-211
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    • 2016
  • This study evaluates the flow of Taoism in the change of knowledge that accompany the passage of time beyond school-centered studies. In particular, it is to understand the Tao(道) and T'ien(天) of "Lao $Tz{\check{u}}$" and "Chuang $Tz{\check{u}}$" in the thought of T'ien at the time. The thought of T'ien at that time was based on the T'ien in "Mencius". There are two meanings of T'ien in "Mencius", and also of T'ien in "Lao $Tz{\check{u}}$" and "Chuang $Tz{\check{u}}$". This study examins that idea that the T'ien in "Lao $Tz{\check{u}}$" and "Chuang $Tz{\check{u}}$" were influenced by the thought of T'ien in "Mencius". It also reveals the T'ien theory of Wang Ch'ung(王充) which is influenced by Taoism. Also, in the course of examining the relation of T'ien theory of Wang Ch'ung with T'ien theories of "Lao $Tz{\check{u}}$" and "Chuang $Tz{\check{u}}$", it is more embodied that T'ien theories of "Lao $Tz{\check{u}}$" and "Chuang $Tz{\check{u}}$" were affected by the previous T'ien theories. Furthermore, the meanings of Tao in "Lao $Tz{\check{u}}$" and "Chuang $Tz{\check{u}}$" are revealed.