• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2018.06a
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• pp.169-172
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• 2018

본 논문에서는 동영상 화질을 최대한 유지하면서 압축 비트량 절감을 효율적으로 이루기 위해 복수개의 영상처리 필터를 영상의 블록에 따라 선택적으로 적용하고, 영상처리 필터의 선택을 위한 MSSIM 및 KL Divergence 기반의 영상 처리 평가 함수를 제안한다. 영상압축의 경우, 영상 내 특징에 따라 화질과 비트량 절감의 특성이 다르며, 이에 따라 단일 목적을 가진 영상처리 필터로서는 화질을 유지하면서, 비트량 절감이라는 목적을 동시에 만족 시키기 어렵다. 이에 따라, 주관적 화질을 최대한 유지하면서, 비트량을 절감시키기 위해 주관적 화질 측도로서 MSSSIM(Multi-scale Structural Similarity)를 사용하고 비트량 측도를 위하여 KL Divergence 를 사용함과 동시에 두 가지 척도를 하나의 척도로 결합시키기 위한 방법을 제안한다. 아울러 제안한 측도를 사용하여 서로 다른 특성을 가진 영상처리 필터를 전처리 필터로 사용할 경우, 주관적 화질을 최대한 유지하면서 비트량 절감을 유지할 수 있도록 동영상 압축이 가능함을 확인할 수 있었다.

• The Journal of the Korea Contents Association
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• v.11 no.8
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• pp.68-76
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• 2011

Due to the high interests of image quality by consumers, the concerned market becomes more heated. Recent digital camera development tendency shows to perform the higher image quality to meet consumers demand of quality satisfaction. However it is hard to confirm that development of objective image quality performance means positive subjective image quality preference. And also, we cannot find out the previous researches concerned on correlation between objective and subjective image quality comparison. Therefore, it is necessary to analyze the consumers preferred images based on objective image quality performance. Throughout this paper, we analyze statistical correlation between the objective and subjective image quality assessment methods by using ISO standards. In these results, we try to find attributes that enhance image quality. We suggest not only to analyze and reflect on customers' preferences, but also to pursue the high quality image performance practically. We expect the results of this paper to positively influence product development.

• Journal of Broadcast Engineering
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• v.24 no.6
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• pp.1085-1095
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• 2019

In this paper, we perform a subjective quality assessment on low-resolution surveillance videos, which are encoded with a very low target bit-rate to use in an ultra-low band transmission system and investigate the encoding effects on the perceived video quality. The test videos are collected based on their spatial and temporal characteristics which affect the perceived quality. H.265/HEVC encoder is used to prepare the impaired sequences for three target bit-rates 20, 45, and 65 kbps and subjective quality assessment is conducted to evaluate the quality from a viewing distance of 3H. The experimental results show that the quality of encoded videos, even at target bit-rate of 45 kbps can satisfy the users. Also we compare objective image/video quality assessment methods on the proposed dataset to measure their correlation with subjective scores. The experimental results show that the existing methods poorly performed, that indicates the need for a better quality assessment method.

• Electronics and Telecommunications Trends
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• v.28 no.3
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• pp.125-136
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• 2013

본고에서는 ITU-T P.910 권고사항을 이용하여 영상 화질의 주관적 평가를 실시하였다. 최악의 평가 결과의 경우를 고려하더라도 스마트폰 등의 무선단말기에서는 500kbps 이상으로 부호화할 경우 원본의 영상과 뚜렷한 차이를 인지하지 못하는 것으로 분석되었으며, 원본영상 대비 테스트 영상의 주관적/객관적 화질평가 결과는 시각적으로 원본 영상과 테스트 영상 간의 품질 차이를 인지하지 못하는 수준인 것으로 나타났다. 이와 같은 점을 고려할 때 입력 영상 및 출력 영상 그리고 대역폭 관계를 고려하여 타깃 비트 레이트(target bitrate)를 적절하게 설정하는 것이 필요하다. 비트 레이트가 증가함에 따라 느끼는 이용자들의 주관적인 만족도는 점차 감소하지만, 네트워크 비용은 체증하기 때문에 적절한 수준의 비트 레이트 설정이 사회적으로 바람직할 수 있다.

• Journal of Broadcast Engineering
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• v.14 no.2
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• pp.197-209
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• 2009

Stereoscopic video delivers depth perception to users contrary to 2D video. Therefore, we need to develop a new video quality assessment model for stereoscopic video. In this paper, we propose a new method for objective assessment of stereoscopic video. The proposed method detects blocking artifacts and degradation in edge regions such as in conventional video quality assessment model. And it detects video quality difference between views using depth information for efficient quality prediction. We performed subjective assessment of stereoscopic video to check the performance of the proposed method, and we confirmed that the proposed algorithm is superior to the existing method in PSNR in respect to correlation with results of the subjective assessment.

• Journal of Broadcast Engineering
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• v.18 no.2
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• pp.297-310
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• 2013

In this paper, we present a model-based video bit rate estimation scheme for reducing the bit rate while maintaining a subjective quality in many video streaming services limited by network bandwidth, such as IPTV services. First, we extract major parameters which serve as an indirect measurement of frame's bits. Using those parameters, the proposed bit rate estimation scheme can extract candidate frames. Finally, the bit rate of each segment is estimated by statistical analysis and a mathematical model based on a given target quality. In experimental results, we show that the proposed scheme can reduce the bit rate on average by 43% in low-complexity video while maintaining the subjective quality. To find the appropriate bit rate based on video contents, the proposed schemes can estimate the bit rate with neither the repeated full encoding nor subjective quality test. On average, the bit rate can be automatically estimated by encoding the candidate frames of 4%.

• Journal of Broadcast Engineering
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• v.18 no.1
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• pp.10-20
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• 2013

Nowadays, video technology has been successfully improved creating tremendous results. As video technology improve, multimedia devices and demands from users are diversified. Therefore, a video codec used in these devices should support various displays with different resolutions. The technology to generate a higher resolution image from the associated low-resolution image is called interpolation. Interpolation is generally performed in either the spatial domain or the DCT domain. To use the advantages of both domains, we have proposed the new adaptive interpolation algorithm based on edge direction, which adaptively exploits the advantages of both domains. The experimental results demonstrate that our algorithm performs well in terms of PSNR and reduces the blocking artifacts.

• Journal of Broadcast Engineering
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• v.15 no.4
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• pp.563-581
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• 2010

In this paper, we perform subjective visual quality assessments on UHD video for UHD TV services and analyze the assessment results. Demands for video services have been increased with availabilities of DTV, Internet and personal media equipments. With this trend, the demands for high definition video have also been increasing. Currently, 2K-HD ($1920{\times}1080$) video have been widely consumed over DTV, DVD, digital camcoders, security cameras and other multimedia terminals in various types, and recently digital cinema contents of 4K-UHD($3840{\times}2160$) have been popularly produced and the cameras, beam projects, display panels that support for 4K-UHD video start to come out into multimedia markets. Also it is expected that 4K-UHD service will appear soon in broadcasting and telecommunications environments. Therefore, in this paper, subjective assessments of visual quality on resolutions, color formats, frame rates and compression rates have been carried to provide basis information for standardization of signal specification of UHD video and viewing environments for future UHDTV. As the analysis on the assessments, UHD video exhibits better subjective visual quality than HD by the evaluators. Also, the 4K-UHD test sequences in YUV444 shows better subjective visual quality than the 4K-UHD test sequences in YUV422 and YUV420, but there is little perceptual difference on 4K-UHD test sequences between YUV422 and YUV420 formats. For the comparison between different frame rates, 4K-UHD test sequences of 60fps gives better subjective visual quality than those of 30fps. For bit-depth comparison, HD test sequences in 10-bit depth were little differentiated from those in 8-bit depth in subject visual quality assessment. Lastly, the larger the PSNR values of the reconstructed 4K-UHD test sequences are, the higher the subjective visual quality is. Against the viewing distances, the differences among encoded 4K-UHD test sequences were less distinguished in longer distances from the display.

• Journal of Broadcast Engineering
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• v.2 no.1
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• pp.24-35
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• 1997

Basic and transmission video quality testing was performed in real-time mode using hardware video codec based on MPEG-2 MP@ML standard including subsequent transmitting and receiving satellite simulator unit. The double-stimulus Impairment scale method and the double-stimulus continous quality scale method based on CCIR 500-5 were used as an evaluation method. The whole digital broadcasting satellite system consisting of MPEG-2 codec, system mux/demux, channel codec, channel, modem, antenna, etc. was put into the overall video quality testbed and the basic and transmission error quality assessment was performed at various bitrates and BER for an integrated system performance evaluation. In transmission error video quality testing, transmission error video quality maintained on average above 3.9 point on the 5-point scale. The low-bit rate quality such as film mode(@2Mbps) highly depended on the statitical characteristics of video source and maintained on average around 2.7 point.

• Proceedings of the Korea Information Processing Society Conference
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• 2001.10b
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• pp.1513-1516
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• 2001

본 논문은 기가비트 네트워크 테스트베드인 JGN상에서 대표적인 스트림형 트래픽인 DV와 MPEG2에 대한 전송 품질의 주관적 평가를 통하여 전송지연과 패킷 손실에 따른 영향이 최종 사용자에게 어떤 영향을 미치는 지를 조사한 것이다. 스트림형 데이터에 대해 음질 측정은 ITU-R BS.1116-1을 기반으로 하고 화질 측정은 ITU-R BT.500-1 을 기반으로 하여 측정하였다, 또한 최종 사용자의 주관적 평가를 얻기 위한 방법으로는 DSCQS 5 단계 평가 방법을 채택하였다. 그 결과 MPEG2 스트림의 경우 네트워크 트래픽 파라미터가 급증하는 54%의 부하율에서 화질과 음질의 평가 등급이 급격히 하강한다는 것을 알 수 있었고 DV의 경우 화질은 MPEG2 와 마찬가지로 54%의 부하율에서 평가 등급이 감소하기 시작하였으나 그 변화정도가 MPEG2 에 비하여 완만한 변화를 보였다. DV 음질의 경우 트래픽 파라미터(RTT, 패킷 손실)와는 큰 연관성을 보이지 않았고 대부분의 측정자들이 보통 수준의 평가등급을 보였다.