• (The)Study of the Eastern Classic
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• no.68
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• pp.473-508
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• 2017

This article aims to compare the honorific expressions in Different Versions of . Cheonuisogam, a version in classical Chinese, has two different versions of translation in Korean, Cheonuisogameonhae: a hand-written version and a woodblock-printed version. A hand-written version was written in 1755 and a woodblock-printed version was published in 1756. This article covered two themes in different versions: honorific subject-particles '-gyeoosyeo(-겨오셔)'/'-gyeoʌosyeo()' and prefinal-ending '-sʌp-(--). The honorific subject-particles '-gyeoosyeo(-겨오셔)' appeared more in a hand-written version than a woodblock-printed version. The '-gyeoʌosyeo()' is not found in a woodblock-printed version. The prefinal-ending '-sʌp-(--) has three functions: agent modesty of objects, speaker modesty of agent, speaker modesty of listener. The '-sʌp-(--), in Cheonuisogameonhae, has mainly function as a speaker modesty. The '-sʌp-(--) appeared more in a hand-written version than a woodblock-printed version.

• (The)Study of the Eastern Classic
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• no.71
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• pp.231-258
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• 2018

This paper examines the differences of two different versions of "Cheonuisogameonhae" in terms of stylistics and investigates factors affecting the differences. The interpretations between the woodblock edition and the manuscript edition might be different depending on assumed range of readership, and the stylistic differences between two editions might be different depending on the possibility of extension of the reading population. Thus, this paper examines how stylistic effects are reflected in inter-relations between a translator as a speaker and readers as listeners according to speaker intentions. In Chapter 2, the stylistic differences reflected from two difference editions are examined in terms of the expression of a writer's respect, emotions, and formal consciousness to readers. The expressions of a writer's respect are more clearly emerged in the manuscript edition than in the woodblock edition. The honorific expression of a subject, '-gyeo?dsyeo', and the honorific expression of a writer, '-s?p-', are more frequently used in the manuscript edition than in the woodblock edition. In order to express positive emotions, exclamation endings are used in the manuscript edition, which shows the writer's strong emotional sympathy with readers' words and behaviors. On the other hand, in the woodblock edition, '-이' is used after names in order to treat rebellious subjects and people involved in conspiracy contemptuously by the use of informal forms. In addition, affirmative sentences in the manuscript edition and double negative sentences in the woodblock edition are used respectively, which intends to strongly emphasize a king's will and the appropriateness of the will. The writer's formal consciousness to readers are found in the way of writing names of people and places in Korean. Chinese characters are generally used two show formal consciousness; thus, names of people and places are expressed in Chinese characters in the woodblock edition. In Chapter 3, factors that made the stylistic differences between two editions are examined. The factors causing stylistic differences are examined in terms of the purpose of the interpretation, the class and range of the reading population, a writer's attitudes toward readers, and the face-to-fact situation of a writer and readers.