• Journal of the Korean Society of Floral Art and Design
• /
• no.45
• /
• pp.13-29
• /
• 2021

Under the recognition that the technological system of traditional flower design in Korea has been passed down from the past to the present, we extracted the type of design form from the flower decoration of the Joseon Dynasty, analyzed the expression technique, and examined the relationship with the modern traditional flower decoration in this study. As a result, most of the flower design works of the Joseon Dynasty mainly expressed one focal point at the central starting point. One central branch line was mainly used, and cut leaves were mainly used as the base material. Similar to the Joseon Dynasty, one central starting point and a base made of leaves are mainly used In modern flower design. In the frequency of use by expression technique, the stem exposure technique was used the most, and cut flowers and cut stems were used at a similar frequency in all techniques. As plant materials, cut flowers and cut stems were mainly used. In addition, non-plant materials such as feathers, fans, and brushes were also used for decoration. In conclusion, it can be seen that traditional flower decorations in Korea were systematically established in the Joseon Dynasty in terms of expression techniques and high-level flower design works were made. In the future, it will be necessary to study the history of our flower designs in more diverse ways and to develop modern flower designs while preserving historical traditions.

• Digital Contents
• /
• no.12 s.7
• /
• pp.20-27
• /
• 1993

"DB분야에서도 정보의 형태와 그 이용기술에 혁명적인 변화의 물결이 닥치고 있다. 전통적인 문자ㆍ수치DB에 이미지, 화상등이 추가되고 검색방법의 사용자 인터페이스도 훨씬 쉽고 편리해지고 있다. 여기에다 CD-ROM등의 디지털 광기술을 이용한 오프라인 DB가 점유율을 확대해오면서 그 신장율은 온라인DB를 훨씬 앞지르고 있는 상황이다. 게다가 컴퓨터에 전화, TV, 비디오 등이 연결되면서 전통적인 미디어 영역이 점차 흐려지는 경향을 보이고 있다.

• (The) Research of the performance art and culture
• /
• no.19
• /
• pp.281-315
• /
• 2009

Korean traditional music has been a process art which has been changed and re-created by musicians to mirror the musical aesthetics of contemporary people. Form court music, which has tried to keep the "authentic" form as much as possible, to folk music, which is closely associated to the people's life style, traditional music has expressed the life of the Korean people. From the early 20th century, traditional music faced a totally new music culture due to the Japanese annexation and rapid westernization. A new music network was established by modern theater and broadcast system. Many gayageum (12-stringed zither) masters were able to develop their own music in this new music culture. Female musicians came to exist because of a new music education system, called gwonbeon (school for female entertainers). Due to the rapid westernization, traditional music was becoming 'extinct'. The government's new system of Intangible Cultural Heritage tried to preserve traditional culture. Traditional music came to revive but became fossilized in order to preserve the 'archetype'. The so-called Living Human Treasures took power and became a social problem. The modern school education system was one of major factors for promotion of traditional music. However, it became one of main reasons for musicians to lose their musical creativity. Today, many performers and composers try to make a new composition and renovated musical instruments to suit the contemporary musical aesthetics.

• Proceedings of the Korean DIstribution Association Conference
• /
• 2000.10a
• /
• pp.61-90
• /
• 2000

정보화(Information Technology) 시대의 급속한 진전은 컴퓨터 산업의 발달로 인해 인터넷(Internet) 사용인구가 폭발적으로 증가되면서 가상환경을 통한 e-비즈니스(e-Business)가 전 산업분야에 확산되고 있다. 종래까지 전통적인 소매유통의 상거래를 장악해 왔던 기존의 유통 업체는 새롭게 등장한 e-기업(e-corporation)들과의 치열한 경쟁 속에 있으며, 심지어 인터넷 쇼핑 영역에 대한 선점에 실패하고 후발업체로 전락한 실정이 되고 말았다. (중략)

• Broadcasting and Media Magazine
• /
• v.24 no.1
• /
• pp.13-22
• /
• 2019

전통적인 자동차는 운전자의 판단과 조작에 의해서만 움직여야 하나 최근 자율주행자동차가 선을 보이고 있으며, 미래에는 운전자의 조작 없이 자동차가 스스로 목적지를 찾아가는 완전자율주행자동차 시대가 올 것으로 예견된다. 본 고에서는 자율주행자동차의 출현에 따른 지상파 방송의 역할을 제시한다.

• Journal of the Korean Institute of Traditional Landscape Architecture
• /
• v.36 no.1
• /
• pp.11-19
• /
• 2018

Changgyeonggung Palace, which was built in Seongjong Period in September 1484, is a tradition space that has been seen as a gateway to the Joseon Dynasty until it was demolished in 1907 at Changgyeongwon Garden. During the Japanese colonial rule, large greenhouses, museums, and botanical gardens were opened in Changgyeonggung Palace and traditional architecture and palace gardens were lost or changed. In 1984, the Changgyeonggung Palace maintenance plan was restored to the current status through the construction of the rebuild construction in 1986 to restore the traditional palaces. Since then, it has been maintained and managed in the shape of the mid-term plan of the 1980s for 30 years. The appearance of Changgyeonggung Palace(宮園) in the early 19th century shows the appearance of Changgyeonggung Palace in "Donggwoldo", and it is possible to confirm the prototype of the Joseon Dynasty through analysis of "Donggwoldo". The vegetation survey of Changgyeonggung Palace which started from 1984 was surveyed 4 times over 2005, 2010, and 2016, and the vegetation status of Changgyeonggung Palace could be confirmed based on the results of vegetation survey. By comparing and analyzing the results of the vegetation survey for 30 years and the analysis of the vegetation in Changgyeonggung Palace by the analysis of "Donggwoldo", we were able to confirm whether the vegetation status of Changgyeonggung Palace approached to the appearance of the Joseon Dynasty era.

• Journal of Korean Classical Literature and Education
• /
• no.38
• /
• pp.103-138
• /
• 2018

This study examines the modern succession, transformation and significance of enjoyment methods of classical literature (art) with a focus on the characteristics of those methods that appeared when the performances of the traditional era began to be displayed on the stage of the theaters in modern Seoul. The clues to the reasons for this type of enjoyment can be found in newspapers, magazine articles, and advertisements from the early 20th century. The emergence of stage theaters at the beginning of the modern era caused a sweeping change in the performance environment, including the fact that it was possible for all kinds of people to enjoy art beyond the existing socioeconomic hierarchies or barriers of status, that the performers were given employment through the theater, and that the audience had the tendency of the general public of an unspecified number because the audience was able to see the performances only by paying the viewing fee. The way of enjoying traditional performances also changed based on these new adaptations: the performances were sequential, show-oriented, and re-contextualized as public performances. It is significant that in the traditional era, performers and audiences had been segregated according to their status and a strict hierarchy; now, such cultural norms were breaking down in favor of a kind of equality. In addition, it was possible for the audience to experience sensory enjoyment, and theater brought about a new kind of popular consumer enjoyment of an artistic product. Of course, though, it is possible to look back and find problems related to the contemporary context, but the traditional performances, which were the main performances for the lower class, took the first place on the modern theater stage, and as a result, no one can deny that it became possible to move forward in the first phase of an era of public performance.

• Korean Journal of Heritage: History & Science
• /
• v.45 no.4
• /
• pp.74-91
• /
• 2012

This study puts its focus on Honjeon space which relatively small number of precedent studies chose as a subject of a study. The objective is to analyze Honjeon space's spatial relationship and palaces that consist Honjeon through analysis of spatial configuration and elements that affected construction of Honjeon space. The Royal Funeral, among other ceremonies of Joseon Dysnasty, carries religious characteristic along with functional and structural characteristics. By analyzing "National Five Rites", "Uigwe for the State Funeral 魂殿都監儀軌", and "Annals of Joseon Dynasty", the study organized elementary details about Honjeon space and surrounding spaces to determine the symbolism of Honjeon space's location at each palace and compared them to see if any systematical features existed between Honjeon spaces of each palace. Through this study, it was apparent the king mainly used Jaseongdang Hall of Gyeongbokgung in the early period of Joseon Dynasty and he mainly used Sunjeongjun of Changdeokgung while the queen used Munjeongjun of Changgyeonggung as the time reached the later period of Joseon Dynasty. Also in determination of Honjeon space, the study found that there were records of avoiding Pyeonjeon space in need for political space. The study also determined that places other than Pyeonjeon space was intended to be used for Honjeon space through the analysis which indicates that spaces that were initially used as Pyeonjun in the early Joseon Dynasty and simultaneously as Honjeon space were moved due to changes made in terms of theirs usages. Through the study, it could be also known that primary spaces of Honjeon was composed accordingly to "National Five Rites" and constant pattern of spaces existed among buildings near Honjeon which were arranged according to each palace's characteristic.

• Journal of the Korean Institute of Traditional Landscape Architecture
• /
• v.29 no.2
• /
• pp.39-51
• /
• 2011

This study is explored the relationship of cultural history between the culture of mental stroll about nature and the traditional landscape architecture spaces, which showed various aspects of developments, based on the records as to landscape architecture spaces. The philosophical view on nature was turned into the esthetic view with the mellow ripeness of multifarious cultures in Choseon period, since the life of literati had to be a comprise between the Confucius' life and the Taoist life. Around the seventeenth century, as the culture of enjoying a secluded life in city had been descended, the aspiration to appreciate nature in daily life with the changed view on nature. Those desires made the Wa-yu culture, which has a meaning of mental stroll about nature, and drew the attention and various kinds of the Wa-yu culture had bloomed. In the field of Korean literature, the record of strolling in nature had flourished, while the realistic landscape painting had emerged in the field of art. In the field of landscape architecture, the building of places where the vivid experience of nature was realized in the aspect of impressions was performed to express their utopia. Indeed, the space of traditional landscape architecture in the reality meant more than the actual nature.

• The Journal of Korean Philosophical History
• /
• no.56
• /
• pp.47-80
• /
• 2018

The traditional laws of Korea have undergone various stages of development over time. This includes the voluntary standards of the clean society. Korea's traditional legal systems, ranging from those of the Goryeo(高麗) to those of the Republic of Korea, have taken Confucian Phiosophy as their major ideological bases. At the center of these Confucian ideals, particularly in regards to pre-Qin Confucian Philosophy(先秦儒家思想) from where these ideals originated, lie the core ideals which emphasize the responsibility of each individual regardless of the social status(正名), the needs for a democracy in which people are empower and guide the state(民本), the importance of reigning with benevolence, moral excellence, and rite (仁義), and the differential love centered on kinship and humanity(親親愛人). These were the ideas as set forth by Confucius(孔子), Mencius(孟子) and Xun Zi(荀子). The current laws of Korea, especially in regards to the Constitution and the Civil and Criminal Laws, include a number of provisions that contain the Confucian Ideas of Law. The Constitution, in particular, which is also supported by the judgement of the Constitution Court, reflects several core Confucian ideals including filial duty (孝) and respect for ascendants and the traditional culture. The Court also suggested the two important standards of the constitutional legitimacy of the Traditional Culture. One is 'Age Compatibility (時代 適合性)', the other is 'Manifested Universally Validity(現在的 普遍妥當性)'. So we have burdened with the reestablishment of the Universal Ethics of the Confucian Ideology.