• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2010년도 춘계 종합학술대회 논문집
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• pp.286-288
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• 2010

박물관은 인류의 다양한 문화의 보고이다. 사회와 문화의 변화로 박물관은 수집, 보존, 연구, 전시라는 고전적이고 기본적 기능을 넘어서 교육과 문화를 포함한 다양한 역할을 하고 있다. 멀티플랫폼은 박물관 체험 학습의 지원을 위한 콘텐츠로서, 관람객의 체험을 통한 지식의 확장과 소통에 더욱 효과적이다.

• IT SoC Magazine
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• 통권6호
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• pp.32-36
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• 2005

이번 전시회에서는 특히 핸드폰, PDA등 휴대기기관련 제품이 대세를 이뤄 전시되었으며, IT-SoC협회도 국내 10개 업체를 이끌고 한국관을 구성하여 참가하였다. 삼성전자는 200만 및 130만 화소 CMOS이미지센서, 휴대폰용QVGA급 TFT LCD드라이버 IC 선보였으며, 인텔은 PDA, PMP 등에 사용할 수 있는 프로세서를, TI와 르네사스는 각각 모바일 멀티미디어 프로세서인 오랩, SH모바일 등으로 관심을 끌었다. 이외에도 시그마텔 등 중소 반도체 업체들 대부분도 MP3P 등 휴대용 애플리케이션 반도체로 제조업체의 이목을 집중시켰다.

• 광학세계
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• 통권105호
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• pp.44-48
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• 2006

한국광학기기협회는 한·일 광학기술협력사업의 일환으로 기술세미나, 기술지도, 기술연수 등 다양한 사업을 펼치고 있는 가운데 올해에도 국내 광학업체에서 기술연수단을 구성하여 일본‘InterOpto 2006’참관과 광학세미나 청강, 오하라광학 주식회사 및 니콘 주식회사 견학, 일본 동북대에서의‘차세대 초정밀 광학부품 나노가공’기술교육 등의 연수를 실시했다. 본 고에서는 이번 연수 참가자들의 연수 보고서 내용을 토대로‘InterOpto 2006’ 전시 경향 및 세미나 주요 내용, 오하라광학 공장 현황에 대해 정리해 보았다.

• 디지털콘텐츠
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• 9호통권136호
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• pp.72-74
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• 2004

조선일보사, 디지틀조선일보, 교육인적자원부, 미디어라이브인터내셔널이 주최한‘디지털 라이프 2004(Digital Life 2004)’가 지난달 19일 성황리에 막을 내렸다. 기존‘컴덱스 코리아 2004’에서‘디지털 라이프 2004’라는 새로운 이름으로 펼쳐진 이번 행사는 IT기업관, e러닝 특별관, eSports관-서울게임쇼 등 세가지 테마로 구성됐으며, 예년과 달리 비즈니스데이와 퍼블릭데이로 각각 이틀씩 나눠 진행돼 일반인들도 가까이 다가설 수 있었다.

• 건축사
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• 제2권3호통권3호
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• pp.4-27
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• 1967

건축 중인 국립박물관 부여분관의 건축양식(김수근씨 설계)이 일본 신사건축양식을 닮았다는 시비는 건축계는 물론 사학계를 비롯한 일반의 큰 관심사가 되었다. 특히 민족의 혼이 배어 있는 백제의 귀물을 영구히 보존하며 전시할 박물관이라는데 그 문제점이 있다. 본 협회에서는 지난 8월 27일, 9월 9일 양차에 걸쳐 본 협회 임원과 좌담회에 참석할 각계 대표로서 조사단을 구성하여 현지를 답사하고 9월13일에 신문회관 3층에서 각계 인사를 모신가운데 좌담회를 가졌다.

• 한국실내디자인학회논문집
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• 제20권3호
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• pp.206-214
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• 2011

The premise of this study is that an ultimate objective in planning an exhibition space is visitors' experiences created by a result of their first-hand experiences and responses within an exhibition space, and this result can be recognized in the visitors' movement. Thus, the exhibition layout that can directly affects viewers' main line of flow and movement patterns was examined vis--vis a mutually complementary relation in a triangular composition with the structure of exhibition space and the exhibition contents. This study, with the subjects of standing exhibit halls of Gwacheon National Science Museum, Daejeon National Science Museum, and Tokyo National Museum of Emerging Science and Innovation, analyzed 'the correlation between the configuration of the exhibition area and the visitors' movement. The targeted subjects were analyzed from the perspectives of type of architectural space and organization of the exhibition method, and the purpose of this study was to find a spatial evidence to predict the spectator movement formed within the exhibition halls of science museums. The main indicators used are: Based on the investigation/analysis as described above, the following conclusion could be drawn. Diversity of exhibition environment and spectator movement: besides the two big categories of the types of architectural space and types of exhibition method, the construction of vertical circulation and size and shape of the exhibition space, distribution characteristics of exhibition medium, organization of symbolic space and such other diverse organizations and combinations of exhibition environment are implied to have the capability to alter the scope and degree of predicting spectator movement. As an example, the types of architectural space comprising the wide-area viewing circulation was found to be able to change the system of planar circulation according to the composition of vertical circulation. Along with this, it was implied that the format of architectural space influences the form of the exhibition space, and may also act as a factor directly influencing the diversity and arrangement of the exhibition methods. That is, the spatial elements comprising the exhibition environment acts inter-complexly, and exhibits characteristics of limiting or controlling spectator movement.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.104-111
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• 2003

Today, design is considered to have competitive power for a county, so there has been various efforts such as education, publicity and development, etc. Design has long been a national material, and Korea Institute of Design Promotion(KIDP) was inaugurated for the purpose of education, publicity, development and the management, public ownership, support of the contents. Laying stress on the results, however, the design education for children which would be the heart of a world design power is short of both investment and systematic study of education. Now that the design education for children is being active, the cultural spaces are needed to transform the current system focused on schooling and textbooks into the participating, experiential ones by the interesting, educational, and entertaining presentation. The children design exploratorium should make children have their own feelings, and present communicative methods considering children's cognition and behaviors. So, in this study, I'd like to analyze characteristics of the participating and experiential exhibition, and present a children design exploratorium as an alternative plan by the application of adequate methods to the exhibition medium, and the analysis of current exploratoriums' features case by case. The children design exploratorium is the place to maximize the educational effect of design by children's easier and exciting participation, which would offer an unique exhibition place for children to comprehend designs. In this study, on the basis of the alternative presentation of children design exploratoriums, I would refer to the future direction of the 21st century pavilions, the search for the exhibition items for active design education, and the contribution to practical plans.

• 한국실내디자인학회논문집
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• 제22권3호
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• pp.183-194
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• 2013

Exhibition space emphasizes the experience in the space rather than viewing or appreciation of visitors. Because the experience spaces in today's life are limited, people experience rest, comfort, and sometimes extraordinary space experience through exhibition space. Exhibition space has changed from a static place to a space where visitors move and act with the exhibits to freely feel the space. Also, the static space expressed only with illumination and shadow becomes a new space different from daily space for users. This study analyzes the characteristics of phenomenological expression through such user-oriented exhibition space. This study is to analyze the characteristics of phenomenology through the exhibition experience space structure. It is to analyze and study on the characteristics of phenomenological expression of the exhibition experience space structure centered in the opinion of Merlo-Ponti that considers the experience of body among 'characteristics' discussed based on the study of the phenomenological experience published up to date and the viewpoint of Steven Hall that sees light as a subject of creating the space. This study is also considers how the perception of the experiencer is built in the correlation between the phenomenology and exhibition experience space by studying the relationship of the experiencer that is the common point of the exhibition experience space structure and the characteristics of phenomenological expression and analyzing the common point and difference of them. It also focuses on the space of dark whether forming any light rather than looking at the light which is the sense factor among the characteristics of phenomenological expressions. Thus, the purpose of this study is to analyze the case on whether there is any light or not applied to the exhibition experience space grounded by the theoretical materials of Merlo-Ponti and Steven Hall based on the characteristics of phenomenological expressions in the exhibition experience space structure and, based on the result, to set up the basics on the characteristics of phenomenological expressions in the composition of exhibition experience space.

• 한국콘텐츠학회논문지
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• 제16권2호
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• pp.600-608
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• 2016

본 연구는 지역축제로서 고양국제꽃박람회의 서비스품질이 참관객의 감정반응, 지각된 가치, 만족 및 재방문의도에 미치는 영향을 파악하였다. 우선, 고양국제꽃박람회의 서비스품질 척도를 기념품과 음식과 같은 부대서비스, 전시 내용, 안내 및 홍보, 공간편의성 등 4 가지 차원으로 구성하였다. 영향관계 분석결과, 모든 서비스품질요인이 지각된 가치에 유의한 영향을 미치는 것으로 파악되었으며, 네 가지 요인 중 '공간 편의성'과 '안내 및 홍보'요인의 영향력이 높게 나타났다. 긍정감정에 있어서도 모든 서비스품질 요인이 모두 유의한 영향을 미치는 것으로 나타났으며, 이 중 '전시내용'이 가장 높은 영향을 미치는 것으로 밝혀졌다. 참관객의 부정적 감정에는 '부대서비스'를 제외한 세 가지 요인이 유의한 영향을 미치는 것으로 나타났으며, '전시내용'이 가장 중요한 영향을 미쳤다. 긍정감정, 부정감정, 지각된 가치와 재방문 간 영향관계를 파악한 결과, 긍정감정과 지각된 가치가 유의한 영향을 미치는 것으로 나타났다.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.196-204
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• 2010

Human beings are having suffered from the unexpected climate changes which are caused by global warming leaded from air pollution. More than 3 billions of people will be forced to experience insufficient water in 2015. In Korea, over 70% of precipitation has been concentrating in Summer season. Furthermore, natural disasters has been occurred constantly all over the country. The unusual flood and drought have broken out not only victims but also, property damages. By the natural condition, the effective consuming and controlling system of water is going to be the core business field and constructing dams will be encouraged and promoted for the system. To convince the objectionable against the constructing dams, a dam exhibition center stands the very important position by being responsible for the presenting positive factors and highlighting the beneficial functions. The dam exhibition center is built as complex space combined by information center regarding water resources and visitor center for the community nearby the inundated area. Combined of the different purposes, the dam exhibition center can be confused to understand the concept and contents established in the space. To enhance the visitors' understanding contents of the dam exhibition center, the spatial composition and contents are being analyzed with existing centers and define the most effective exhibition methods between the spaces and visitors. This study will be the basic quantitative analysis data for the following design works those can get the better insight how to make visitors to get information and agreement of constructing dams effectively.