• Journal of Korean Library and Information Science Society
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• v.36 no.1
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• pp.505-525
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• 2005

The purpose of this study is to suggest $\lceil$the copyright guideline on reproduction and transmission in libraries$\rfloor$ in order to produce and service works within the framework of the present Korean copyright law. The study examined researches on the library exemption regulation based on the present Korean copyright law and copyright remuneration. Also the study examined revised draft of present Korean copyright law. In the introduction Part of this guideline the purpose of the guideline is clarified and terms used in the guideline is defined. In the body of this guideline the copyright guideline on library exemption regulation(the article 28 in the Copyright Act of Korea) and copyright remuneration related to reproduction and transmission in libraries is in detail suggested.

• Journal of Korean Library and Information Science Society
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• v.45 no.2
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• pp.139-157
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• 2014

The National Archives of Korea(NAK) has arranged and operated 'Guidelines on Operating Copyright for Archives' and 'Regulations on Operating Reference Room' to protect the copyright for archives. However, the Guidelines and the Regulations only provide application to the Copyright Act and principles on internal managing copyright without presenting copyright issues for each type of archives. Therefore, additional detailed guidelines have to be arranged for the users to access to copyright issues easily by presenting them the standards of judgement or principles on copyright issues for each type of the archives to facilitate the use of archives collected already. We also need to define the details on Copyright Act and Moral Rights Act to collect archives. This study is an prior analysis for that purpose. Lively discussion and way of operation in an aspect of the copyright in relation to private records should be sought in the future.

• Journal of the Korean Society for Library and Information Science
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• v.38 no.1
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• pp.323-346
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• 2004

These days the number of copyright issues concerning libraries is increasing. The reason is a library is the place that collects and uses copyrighted materials. The copyright issues that libraries face will be more radical, because of the growing number of digital media especially appearance of a digital library. To make the current situation better, this study suggests the standard of copyright compliance policy for university libraries in order to serve within the range of copyright law. Copyright compliance policy is a reasonable guideline meeting user's intellectual needs and protecting a copyright holder's right.

• Proceedings of the Korean Society for Information Management Conference
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• 2003.08a
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• pp.195-202
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• 2003

1990년대 중반부터 전자 자료의 이용 증가와 더불어 라이선스 계약이 증가하였으나 국내의 경우에는 저작권 및 계약에 관한 기초적인 지식과 협상 기술이 부족한 도서관 사서들이 라이선스 계약시에 지침으로 삼을 수 있는 자료가 아직 전무한 실정이다. 이에 본 연구에서는 라이선스의 기반이 되는 계약과 저작권과의 관계를 정립하고, 문헌조사와 설문지조사, 국내외의 사례 분석 조사 결과를 바탕으로 도서관 사서의 라이선스 계약에 지침이 될 수 있는 라이선스 모델을 개발하고자 한다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2012.07a
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• pp.111-114
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• 2012

본 논문에서는 국내 디지털 저작권 보호 업체 혹은 대학 및 연구소에서 개발하고 생산하는 포렌식마크 기술의 품질을 객관적으로 평가할 수 있는 평가절차와 평가지표를 정량적으로 제시하였다. 포렌식마크 기술을 객관적으로 평가하기 위해서 본 논문에서는 우선, 구매자 정보(포렌식마크라)가 삽입된 테스트 영상의 공격 항목과 수준을 정하고, 포렌식마크 정보의 추출 성능을 평가하기 위한 평가절차로서 평가항목, 평가기준, 평가절차를, 그리고 인증을 위해서는 포렌식마크 기술의 신뢰성에 대한 통계정보를 포함하는 인증서를 생성하기 위한 인증절차를 포함하였다. 이러한 포렌식마크 기술의 평가 및 인증 지침은 기술 개발자에게는 자신들이 개발한 포렌식마크 기술에 대한 객관적인 평가결과를 미리 알아볼 수 있어서 기술의 상품성을 점검할 수 있고 소비자 입장에서는 객관적이고 보편타당성 있는 평가 결과에 대한 신뢰를 가질 수 있다. 평가자 입장에서는 표준 평가를 통해 객관적이고 정량적인 평가 결과를 얻을 수 있어서 상대적인 우열을 가리기가 용이해지는 편리성을 얻을 수 있다. 이를 통하여 포렌식마크 기술의 발전과 디지털 저작권 보호 시장의 활성화에 일조를 할 수 있을 것으로 사료된다.

• Journal of the Korean Society for information Management
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• v.18 no.4
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• pp.127-142
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• 2001

It has been criticized that the right of reproduction and right of communication to the public in the Copyrigt Act of Korea, which was amended in the year of 2000 in line with new environments around digital networks, limited the limitation to author’s property right in private use and library exemption too much. Solving the problem above, this study analyzes comparatively WCT, Amended Proposal for a Directive on Copyright and Related Rights in the Information Society, Copyright Law of the United States of America, Copyright Amendment(Digital Agenda), and Copyright Act of Korea. Based on the results from related case analyses and a survey on how stakeholders view copyright issue, in addition, this study presents a reasonable way of limiting rights of reproduction and rights of communication to the public.

• Journal of the Korean Society for information Management
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• v.24 no.1 s.63
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• pp.367-383
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• 2007

Due to the radical changes of information technology, it becomes indispensable for educators and students of university to learn how to use copyrighted works ethically and legally without violating the copyright law. As a result, academic libraries need to take responsibilities to inform them fair use criteria and to provide proper fair use guidelines. This study analysed various fair use guidelines for them and copyright law to identify key areas of fair use guideline for the academic libraries. It also investigated 10 university libraries' web sites to find that the identified key areas are delivered to the educators and students.

• Proceedings of the Korean Information Science Society Conference
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• 2003.04a
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• pp.437-439
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• 2003

본 논문에서는 대역확산방식을 응용한 새로운 워터마킹 방법에 대해서 설명하고, 이를 이용하여 semi-fingerprinting을 구현할 수 있는 데이터 구조에 대해서 기술하였다. 본 논문은 저작권 보호에 주초점이 맞추어져 있는 워터마크 기술을 실질적으로 필요한 fingerprinting분야에 적용함으로써, 그 동안 학문연구에 그치고 있었던 워터마크 기술을 산업적 응용에까지 확대시키는데 큰 기여를 할 것으로 기대된다. 본 논문에서 제안한 워터마킹 방법은 난수이동(random number shift)방법을 이용하여 데이터 삽입량을 증가시켰다. 또한, semi-fingerprinting에 적용하기 위해 일본 내에서 진행중인 cIDf의 지침에 기반 하여 워터마크를 구성하였다.

• Journal of Korean Society of Archives and Records Management
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• v.9 no.2
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• pp.159-188
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• 2009

In the midst of computerization and digitization of the archives, the way of use and the need of users to use the public archives has been changed and expanded. It draws concerned party's attention to the copyrights in the public archives and the protection of the copyrights of the public archives. This study examines the exiting copyright laws in Korea and some foreign countries, interprets the laws, and presents legal implications when the laws are applied to the public archives held in the National Archives of Korea(NAK). The public records are "literary works" and their copyrights are to be protected. Most of the public archives held in the NAK are also "creative works" which are the presentations of thoughts and feelings of the individuals, the records creators in the public agencies. The holder of the copyrights of the archives is not the NAK, but the agency which created the archives, such as the central government and local governments. To promote the use of public archives, we need to expand the public domain in the public records and archives and the fair use of the archives. To do this, I suggest to amend and complement the Copyrights Act, the Pubic Records/Archives Management Act, and the Opening Records in the Public Agencies Act(FOIA in Korea). The establishment of a coordinating body dealing the copyrights in pubic record and archives is strongly recommended. The coordinating body will provide guidelines on protecting copyrights and expand the fair use and the public domain of the public archives.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.22 no.9
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• pp.1191-1198
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• 2018

This paper illustrates not only the effectiveness of applying content quota system for on-demand video streaming platform, but also the effect of OTT regulation on copyright protection and cultural industry protection in a single market, focusing on the community's response to Netflix's entry into the EU market. Additionally, this paper examines on-demand video streaming services, growth of Netflix. The EU policy on the on-demand video streaming service market consists of 'portability' in the digital single market and content quota for copyright protection. In this paper, I analyze the market protection and the aspect of improving competitiveness of online streaming service industry. The EU is trying to protect the cultural industry and copyright protection in the region by applying and regulating the OTT business in content quota system, which has been applied only to European broadcasting companies.