• Title/Summary/Keyword: 장식적 요소

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A Study on the Decorative Pix Mosaics Using Photo Tile (사진 타일을 이용한 장식적인 픽스 모자이크 연구)

  • Kim, Jeong-Eun;Na, Hyun-Cheol;Yoon, Kyung-Hyun
    • Proceedings of the Korean Information Science Society Conference
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    • 2005.07a
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    • pp.679-681
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    • 2005
  • 본 논문은 정사각형 모양의 사진 타일을 이용하여 장식적인 요소를 표현한 새로운 종류의 모자이크를 소개한다. 이 방법은 입력 영상에서 정사각형의 타일 영역을 정하여 그 영역과 시각적으로 가장 유사한 사진을 데이터베이스에서 찾아내어 매칭시켜 준다. 타일 영역들의 위치는 무게중심의 보로노이 다이어그램을 사용하여 서로의 간격을 균일하게 결정해주고, 그것의 방향은 입력 영상의 에지들을 따라 평행하게 나열되도록 조절해준다. 그리고 타일 영역 사이의 공간은 빈 공간으로 하여 고전적인 모자이크 작품의 장식적인 요소를 표현해 주었다. 다양한 타일 영역에 적합한 사진들을 얻기 위해서는 사진 데이터베이스의 규모가 클수록 좋으므로 많은 양의 사진을 가지고 있어야만 입력 영상과 최대한 유사하게 표현할 수 있다.

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A Study on the Plasticity of the Gather Represented in Haut Couture (최근 오뜨꾸뛰르 복식에 표현된 개더(Gather)의 조형성에 관한 연구)

  • 강숙녀
    • Archives of design research
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    • v.11 no.3
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    • pp.25-33
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    • 1998
  • A Study on the Plasticity of the Gather Represented in Haute Couture The Gather is the plastic technique to represent a sense of voluminosity by pleating the plane of costume and manifests the emotional effects , such as both functional aspects and the construction of form, optical illusion effect, textural feelings from materials, tactile transformations, etc. So it is used as the tool to represent the plastistic beauty of costume. The plasticity of the ancient gather was the drape arising according to the curve of the body, but the type of gather recently found on the haute couture does not only retain the activity and functionalism on which the technical element and the ornamental aspect are mixed with other techiques.

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A Study on the Traditionality in Modern Korean Houses of the 1990's Designed by Architects (한국 현대주택에 나타난 전통성 표현의 유형분류에 관한 연구 - 1990년 이후 건축각각 설계한 주택을 중심으로 -)

  • 류호정;박영순
    • Proceedings of the Korean Institute of Interior Design Conference
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    • 1999.04a
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    • pp.122-125
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    • 1999
  • The purpose of this study is to dlassify into types of traditionality reflected in modern Korean houses in 1990's designed by architec Modern houses were divided into five types through qualitative analysis. Analysis is categorized into three parts, space-pl structural elements ornamental elements. Characteristics of each type were defined as 'Indicative expression of the traditionalit', 'Decorative expression of the traditionality', 'Eclectic expression of the traditionality', 'Contemporary expression of the traditionalit', 'Abstract expression of the traditionality'. The results showed that 'Contemporary or Abstract expression of traditionality(type IV and V) were major types of modern Korean houses expressed traditionality. This reveals that in order to apply traditionality to the modern houses, simplifed and sbstracted for were preferred comparing with the direct imitation of traditional forms.

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The Characteristic of Decoration in Central Thai Traditional House (태국 중부지방 전통주택 공간구성요소의 장식적 특성)

  • Choi, Han-Hee;Oh, Hye-Kyung;Ju, Seo-Ryeung
    • Korean Institute of Interior Design Journal
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    • v.20 no.6
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    • pp.200-207
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    • 2011
  • This study aims to understand the unique housing culture and decoration style in traditional Thai houses. Literature review and site visit were applied for the research method. A steep gable roof, a lifted floor structure on the pillars, a semi-enclosed central flatform(charn) and a outdoor staircase are important plastic elements of exterior decoration in Thai traditional houses. 'Panlom(windbreak on gable)' and 'fa loog fak(wall panel)' are the most unique elements which determine Thai traditional style. In Thai traditional style decoration, the beautifully carved wooden panels and decorations are also the most important factors. The decorations can be analyzed in the aspect of following perspectives. ; The characteristics of Thai traditional house decorations have been developed and evolved as result of influences from regional climate and local material. And also the social-cultural factors such as religion, social and family relationship and life style controlled the forms and culture of traditional housing form and culture. As a result, this study summarises and defines the outstanding and unique meaning and definition of the decoration in Thai traditional houses focused on central region in Thailand.

설탕공예 작품 따라잡기 ③ 곤충의 움직임을 살린 작품 - The Motion of Nature

  • Korean Bakers Association
    • 베이커리
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    • no.5 s.454
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    • pp.141-145
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    • 2006
  • 살아있는 동물을 나타낼 때는 여러 가지 요소를 따져봐야 한다, 동물의 생김새나 색깔은 물론 움직임도 함께 나타내야 하기 때문. 이번 작품의 중심 소재 '사마귀'는 여러 부분으로 나누어 조립함으로써 운동감을 살리고 적절한 컬러의 에어브러시로 모습을 사실적으로 표현했다. 서로 다른 형태의 기둥을 안정감 있게 구성하고 중심 소재에 여러 가지 장식물을 어울리게 연추라는 방법을 익혀보자.

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A Product Development Study that Applies theFormative Elements of Rooftile Sumaksai (기와 수막새의 조형적 요소를 응용한 제품개발연구)

  • Nam-Goong, Sun
    • The Journal of the Korea Contents Association
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    • v.22 no.3
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    • pp.322-330
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    • 2022
  • With the development of media, modern times are actively exchanging cultures and information around the world. Therefore, product development using traditional material, which are Korean cultural heritages, can be said to be another medium that can promote our unique culture to the world. Therefore, this study attempted to develop a product suitable for the modern lifestyle that combines tradition and modernity by investigating and analyzing Korean roof tiles and applying the formative elements identified as a result of the study. Among the types of roof tiles, a Sumaksai, which is located on the front of the roof and stands out for decoration, was selected as the subject of the study, and it was developed by combining it with lighting and plates as an item for modern people seeking a life full of personality. In product development, we tried to express the traditional style as it is by making the most of the elements of the Sumaksai, and the lotus pattern, which was most commonly used in each era when roof tiles were made, was simplified and applied to the product. As the products developed in this way are used in our daily lives, we hope that users' interest in ours will increase, and that the development of various products through research on traditional material can be activated as a way to spread our culture around the world.

The Comparison of the Characteristics Regarding Interior Spaces for TV News Centers (TV 뉴스센터 스튜디오의 실내 공간에 관한 특성 비교)

  • Kim, Dongsik;Sung, Lee-Yong
    • Korean Institute of Interior Design Journal
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    • v.24 no.1
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    • pp.197-206
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    • 2015
  • The purpose of this study is to analyze characteristic interior spaces for TV news center studio. Based on eight channels including public and comprehensive programming broadcasting stations the method for this research is to make differentiate existing relevant literature by creating analysis items for interior spaces through various case studies as well as find out characteristics of spatial forms, colors, materials, decorations, and etc. The conclusions are as follows. Firstly, spatial form of desk and ceiling are similar shapes but floor and wall are different comparing with public and comprehensive programming broadcasting stations. Secondly, preferred color for floor and ceiling is black, for wall and desk are blue and gray. Thirdly, various materials are preferred between public and comprehensive programming broadcasting stations. Fourthly, Flat and elevated floors are preferred as well as space and logos of broadcasting station are preferred for background images as decoration elements. Lastly, Soffit ceiling, desk accommodating more than 4 people, spotlight for public broadcasting stations, and architectural lighting for comprehensive programming broadcasting stations are preferred.

A Study on Effect of Visual Elements of Cosmetic Package Design on Purchasing of MZ Generation (화장품 패키지디자인의 시각 요소가 MZ세대의 구매에 미치는 영향 연구)

  • Lee, Joo-Yeon;Kim, Seung-In
    • Journal of Digital Convergence
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    • v.20 no.2
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    • pp.383-388
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    • 2022
  • This study is about the elements of cosmetic's package design which MZ generation prefer and the effect on purchase. Naming, brand logo, color, typography, layout, illustration, matter & finish, and meaningful are classified 8 visual elements through the pilot study. After that this study analyzes specific visual elements which MZ generation prefer through online survey and In-depth interview based on the 8 visual elements. As a result of study, MZ generation prefer tidy and neat design to decorated style, and they feel brand logo is the most important thing of all 8 visual elements. In additional, meaningful of brand is barley able to compare with price, although it is significant visual element. This study may help to develop the way of the cosmetic's package design for MZ generation.

21A Study of interior constituents that appear trans avant-garde works in italy (이탈리아 트랜스아방가르드 작품에 나타난 장식적 요소연구)

  • 정종환
    • Proceedings of the Korean Institute of Interior Design Conference
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    • 2003.05a
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    • pp.160-165
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    • 2003
  • Art of today is expressed in various images incorporated in industrial development and visible in industrial parks, modern cities. Avant garde art and modernism brought abstract and conceptual art into conflict in the early 20th century and they absorbed elements of each other and grew into post modernism, which emerged in the 1960s and is still current. The avant garde challenged what was lofty and sometimes opposed modernism and sometimes fed it in cycles until post modernism was established. 'Trans avant garde', which, unlike modernism asserted individual expression, also appeared in the 1970s. Trans avant garde is spiritual art in which the artist's conversation with his soul returns. This study examines the readjustments the trans avant garde is making in its relationship with the dominant ethos of different values and offers the world art with important spiritual beauty. Trans avant garde art takes many forms, from thing to huge, which are manifested every where in architecture, interior design and everyday life.

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Typological characteristic of the comics published gutter (출판만화 칸새의 유형별 특징)

  • Lee, Suk Jae;Yoon, Ki Heon
    • Cartoon and Animation Studies
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    • s.33
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    • pp.271-291
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    • 2013
  • Cartoons exhibit contents and images and deliver them to readers by repeating frames. Frames embody the cross sectional factors of space-time, and the repetition of frames makes those cross sectional factors into a continuous flow. The gutter, which exists between frames, takes the role to make the continuous flow link smoothly, and at the beginning stage of the gutter, the operating of the gutter was usually passive by the frame meanings. However, the gutter is not just a medium for linking the frames, but is an efficient participation device for creating new expression methods of cartoon organization. By producing new directing methods for cartoon organization, the distinctive functions of the gutter have been kept alive with cartoon history. The distinctive functions of the gutter can be divided largely into transition function, reminiscence function, speech balloon function, pen function, and decorative function. And those functions perform actively as direct expression method of the gutter. When those functional methods are expressed by the author's intention and the frequency of them is generalized according to described contents, using each author's individual differences can suggest direction for new directing organization of cartoons.