• Cartoon and Animation Studies
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• s.12
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• pp.44-55
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• 2007

Nous conduisons tous les codes graphiques specifiques d'un genre de la bande dessinee coreenne, sounziang manwha, e la "decorativite". Afin de mieux rendre compte de cette decorativite, nous suivons un chemin qui aborde des divers etats de cette specificite. Etant donne que la decorativite n'est pas originaire, ni propre totalement au genre, nous nous interessons e ses formes differentes dans les genres precedentes : dessin de mode, dessin lyrique, illustration, affiche, shojo manga, etc. Ils nous permettent e voir des ressemblances et des differences dans les styles graphiques. Nous parvenons enfin e comprendre ce que la decorativite en bande dessinee est attachee intimemnt aux traits fictifs et irreels du diegese.

• Proceedings of the Costume Culture Conference
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• 2003.09a
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• pp.102-103
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• 2003

의복 장식은 인류 역사와 함께 인간의 표현 욕구를 위한 매개체로서 의복을 보충해 주거나 독립적인 형태로 존재하면서 발전해 왔으며, 인간을 아름답게 하려는 목적으로 피부 및 의복에 부착되는 각종 소도구들로서 기능적인 면에 치중하거나 장식성을 추구하기 위해 사용된다. 현대 복식의 형태는 활동하기 편리하도록 단순화되고, 다목적에 사용되는 경향이 늘어나고 있으므로 의복 장식의 비중은 점차 확대되고 있다. (중략)

• FLOWER RESEARCH JOURNAL
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• v.19 no.4
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• pp.238-244
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• 2011

The study was conducted in order to systematize specialization of flower decoration. The results of this study are summarized as follows. The research of image adjectives were analyzed into a total of 4 factors, which are texture, color, period, decoration. With regard to texture, the flower with the highest texture of 2.00 was white Zantedeschia aethiopica and that with the lowest texture of -1.90 was Leucospermum cordifolium. In regard of color, the flower with the highest color of 1.70 was Rosa 'Judy' and that with the lowest color of -2.40 was Gypsophila. With regard to period, the flower with the highest period of 2.00 was Gomphrena globosa and that of the lowest of -3.00 was Leucospermum cordifolium. In decoration, the flower with the highest decoration of 2.50 was Agapanthus 'Intermedia' and that with the lowest decoration of -2.00 was Heliconia bihai 'Lobster'. As for correlation among the factors, color and period were in a correlation with each other. It shows that color and period are the most important factors in flower decoration. In result of conjoint analysis, importance was high in order of color, texture, decoration and period. This suggests that consumers overemphasize color and texture in flower decoration and may fail to notice the importance of period.

• Journal of the Korean Society of Clothing and Textiles
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• v.25 no.10
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• pp.1779-1790
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• 2001

새로운 탄생을 위해 과거의 것을 재조합하는 역사적 절충주의는 오늘날 과거로 회귀하고픈 현대인들의 요구에 부합하며 환영받고 있다. 본 연구는 복식에 표현된 역사적 절충주의 양식을 파악하기 위해 건축을 통해 그 특성을 규명하고 이를 복식에 적용시켜 19세기 복식은 복식사 문헌을 바탕으로 20세기를 대표하는 1990년대의 복식은 $\ulcorner$콜렉션$\lrcorner$지를 중심으로 복식의 역사적 절충주의 양식을 살펴보았다. 연구 결과, 서로 다른 두 장르에서 펼쳐진 역사적 절충주의는 비슷한 시기가운데 1)형태 참고를 특징으로 하는 조형성, 2)장식적인 아름다움을 특징으로 하는 장식성, 3)새로운 재질과 발전된 기술을 기반으로 하는 기술성, 4)불투명한 시대 경향을 지시하는 모호성이라는 조형적 특성을 나타내었고, 이로 인해 건축과 복식의 문화적 공유성은 재확인되었다. 이처럼 복식의 역사적 절충주의를 통해, 과거의 힘이 무엇이며 현재에 어떠한 의미를 지니는가를 상기한다면 복식사의 중요성은 더욱 부각될 것이다.

• Proceedings of the Korean Institute of Surface Engineering Conference
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• 2016.11a
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• pp.167.1-167.1
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• 2016

금도금은 장식용 핸드백이나 가방 등에 주로 사용하고 있으며, 이러한 금을 도금하면 장식성이 최대로 되어 고객을 만족시킬 수 있다. 금도금은 초기에는 주로 외관의 장식용에 사용 되었으나, 이후 디자인과 기능성부품으로 이용이 확대되었다. 현재 국내의 금 사용량과 수요량은 매년 급증하고는 있지만 희소성, 지역편중성, 공급불안정과 이에 따른 가격불안정성과 같은 자원적 문제를 갖고 있을 뿐만 아니라 전량 수입에 의존하고 있다. 유럽, 특히 이탈리아의 금도금의 기술동향을 제공함으로써 매출증대를 향상시킬 수 있다. 이러한 금도금기술은 수출용 액세서리 등의 분야로 적용이 확대되고 있다.

• FLOWER RESEARCH JOURNAL
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• v.19 no.1
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• pp.77-80
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• 2011

To find out customers' consciousness by gender on satisfaction factors and preference in flower design of venues for the celebration of baby's first birthday, the survey was performed for 650 of adult male and female. The result shows that well designed flower design contributed to improvement in customers' satisfaction and increase in intention of reuse as well. The most influential factors in preference on flower design works were design harmony and color for male and design style and composition for female. Universal preferences of customers regardless of gender were as follows: Installation position preferred in flower design was in the sequence of table, entrance, platform, wall, and ceiling; plant preferred was Rosa hybrida; color preferred was pink; and bulky flower design were preferred.

• Proceedings of the Costume Culture Conference
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• 2003.04a
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• pp.63-64
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• 2003

의복이란 인간이 생활하기 위해서 필수적인 의ㆍ식ㆍ주 중의 하나로 외부로부터 몸을 보호 해주고 성별, 직업, 신분 등을 나타내주기도 하며 몸을 장식해주는 역할을 한다. 인간은 석기시대 이전부터 자신의 몸을 장식하였으며, 그 수단으로 여러 가지 종류의 장신구가 발달하였는데, 단추도 그러한 장신구 중의 하나이다. 단추는 의복의 일부분이지만 각 시대에 따라 그 사회의 문화를 반영하고 있으며 의복과 마찬가지로 기능성, 장식성과 상징적인 가치를 지니고 있다. (중략)

• Proceedings of the Korea Society of Costume Conference
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• 2003.05a
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• pp.36-36
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• 2003

인간의 사회문화 속에 신체장식은 과거 원시사회 부터 오늘날에 이르기까지 다양한 표현기법으로 발전되고 있으며 특정 나라의 국민성 및 전통적 양식이 담겨있다. 신체장식은 정형적, 무형적 가치를 지니며 사람의 내면 속에 잠재된 본질적 욕구의 표출이라고도 할 수 있다. 최근의 현대 사회에서 이러한 신체장식 표현을 잘 볼 수 있었던 계기는 세계적 축제로 알려진 2002년 FIFA 한·일 월드컵이었다.

• Journal of the Korean Society of Floral Art and Design
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• no.45
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• pp.13-29
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• 2021

Under the recognition that the technological system of traditional flower design in Korea has been passed down from the past to the present, we extracted the type of design form from the flower decoration of the Joseon Dynasty, analyzed the expression technique, and examined the relationship with the modern traditional flower decoration in this study. As a result, most of the flower design works of the Joseon Dynasty mainly expressed one focal point at the central starting point. One central branch line was mainly used, and cut leaves were mainly used as the base material. Similar to the Joseon Dynasty, one central starting point and a base made of leaves are mainly used In modern flower design. In the frequency of use by expression technique, the stem exposure technique was used the most, and cut flowers and cut stems were used at a similar frequency in all techniques. As plant materials, cut flowers and cut stems were mainly used. In addition, non-plant materials such as feathers, fans, and brushes were also used for decoration. In conclusion, it can be seen that traditional flower decorations in Korea were systematically established in the Joseon Dynasty in terms of expression techniques and high-level flower design works were made. In the future, it will be necessary to study the history of our flower designs in more diverse ways and to develop modern flower designs while preserving historical traditions.

• Journal of Digital Convergence
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• v.18 no.11
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• pp.449-457
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• 2020

The visual representation of plants applied to traditional Korean ceramics is based on the consciousness and sentiment of the Korean people, and one can see the auspicious aspirations and exorcisms that people pursued at that time. These symbolic expressions have been extended in new and colorful meanings through the shapes and decorations of ceramics and their fusion. In this study, the phenomena of convergence expression seen in traditional Korean ceramics are divided into type and type, type and decoration, and their special meaning is analyzed. For this purpose, the shapes and decorations of plants used in traditional Korean pottery are considered based on the literature information. Chapter 2 gives a general analysis of plants that have meanings in their shapes and decorations and introduces their meanings. In Chapter 3, based on the characteristics and meanings of plants, it is divided into shapes and shapes, shapes and decorations, and the convergence of decorations and decorations, and presents newly manifested meanings through their fusions.