• Proceedings of the Korea Fashion and Costume Design Association Conference
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• 2004.06a
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• pp.39-42
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• 2004

복식은 실용적인 목적과 함께 신체를 아름답게 장식하여 인간의 미적 감각을 충족시키는데 그 목적이 있다. 이러한 복식의 미적요소를 표현하는데 있어 장식기법은 중요한 하나의 수단이 된다. 장식기법 중 개더는 완성된 하나의 조형물로 사용되는 것이 아니라 복식을 통해서만 실현될 수 있는 것이기 때문에 전체 복식 안에서 개더가 어떻게 표현되고 있는가에 대해 살펴볼 필요가 있다.(중략)

• 베이커리
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• no.6 s.455
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• pp.121-124
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• 2006

이번 작품은 오래된 소나무에 학이 날아든 풍경을 간결하게 표현해 여백의 미를 잘 살린 작품이다. 장식물 사용을 최대한 줄이고 '나무'와 '학' 두가지 주제만을 강조해 단순하면서도 분위기 있는 작품으로 완성했다. 중심요소만을 섬세하게 표현해 주제가 뚜렷이 도드라지는 '십장생' 작품을 만들어 보자.

• 베이커리
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• no.5 s.454
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• pp.141-145
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• 2006

살아있는 동물을 나타낼 때는 여러 가지 요소를 따져봐야 한다, 동물의 생김새나 색깔은 물론 움직임도 함께 나타내야 하기 때문. 이번 작품의 중심 소재 '사마귀'는 여러 부분으로 나누어 조립함으로써 운동감을 살리고 적절한 컬러의 에어브러시로 모습을 사실적으로 표현했다. 서로 다른 형태의 기둥을 안정감 있게 구성하고 중심 소재에 여러 가지 장식물을 어울리게 연추라는 방법을 익혀보자.

• Conservation Science in Museum
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• v.16
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• pp.14-31
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• 2015

Sword with round pommel discovered in tomb No.39 in the Jisandong tumuli group (M310) is a large sword with a looped pommel enclosing a sculpted dragon head. The sword was produced using different techniques; gold decoration, plating, openwork carving and hammering by using gold and silver. This sword treated conservation work because it has deformation and damages of handle decoration, missing part of sword, and corrosion. Conservation treatment was that foreign material and corroded metal were removed from the surface, and performed to stabilize and reinforce the weakened metal. During the conservation treatment, the object was examined to understand its materials and production method. The result of research, the dragon head inside the looped, amalgam-plated pommel has surface gold decorations. The pommel has a thin gold plate placed over a bottom plate made of copper, which was hammered to create an embossed design. The silver plate-covered hilt, cylindrical in shape, has an openwork lattice design. The steel blade is single-edged. Finally, the locket of the sheath has an embossed design also created through hammering on a thin gold plate placed over the copper bottom plate.

• 방재와보험
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• s.114
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• pp.42-45
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• 2006

물과 인간은 떼려야 뗄 수 없는 관계이다. 때로는 물 때문에 번성하고, 때로는 물 때문에 파멸한다. 그렇기 때문에 물에 대한 남다른 의례와 신화들이 발생한다. 인류의 문명이 강을 중심으로 발생한 것도 물이 지닌 가치를 단적으로 말해준다. 물에 얽힌 이야기, 그 첫 장을 여는 데 아득히 먼 옛날에 일어났던 불행한 물의 신화를 이야기 하지 않을 수 없다.

• Proceedings of the Korean Vacuum Society Conference
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• 1994.06a
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• pp.29-29
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• 1994

• Korean Journal of Heritage: History & Science
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• v.53 no.2
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• pp.242-253
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• 2020

Six ornamental metal quiver fittings were excavated from stone chamber No.1 of the ancient tombs of Jeongchon, Bokam-ri, Naju. The ornamental quiver fittings are metal, but the body of the quiver was made of organic material, so that it corroded and disappeared in the burial environment. The ornamental metal quiver fittings were made in pairs, and decorated one quiver according to the location they were found in and their forms. The ornamental metal quiver fitting can be divided into two types: A band style ornament (帶輪狀金具) which decorates the arrow pouch, and a board style ornament (板狀金具) which decorates the board connecting the waist belt. Two ornamental metal quiver fittings excavated from wooden coffin 2 of stone chamber No.1, were made in the band style, while the ornamental metal quiver fittings from southeast of stone chamber No.1 were identified as two boardstyle ornaments and two band-style ornaments for what was presumed to be belt loops. Material analysis of the ornamental metal quiver fittings shows that they are made of a gilt bronze plate attached to an iron plate, and the surface is marked with a speck of chisel to make lines and patterns. Chemical composition analysis (XRF) established that 24~40wt% Au and 50~93wt% Cu were detected on the gold surface, and it was confirmed that bronze corrosion had taken place on the gilt surface. SEM-EDS analysis of the gold plating layer identified a working line for glossing, and 7~9wt% Hg and an amalgam of gilt layers was detected, confirming the amalgam gilding. CT and FT-IR analysis established that the band style was double-layered with silk fabric under the iron plate, and there was also a lacquer piece underneath. The band-style ornaments have two layers of silk under the iron plate, along with lacquer pieces. Adding the fabric to the arrow pouch increases adhesion and decorative value. It is assumed that the lacquer pieces indicate that the surface of the lacquered arrow pouch had fallen together with the ornaments. On the other hand, the board-style ornaments have a thick layer of organic matter under the iron plate, but this is difficult to identify and appears to be a remnant of the quiver board. The characteristics of these ornamental metal quiver fittings were similar in Baekje, Silla, and Gaya cultures from the late 4th to the late 5th centuries, and enable us to identify the art of ancient gold craftwork at that time.

• Conservation Science in Museum
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• v.1
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• pp.75-86
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• 1999

Conservation treatments were done for the gilt bronze saddle accessory excavated from Tomb No. 89 in Kyo-dong, Changnyong in Japanese rule period. The saddle accessory, broken into numerous pieces, was mixed with other remains. Principal aims of conservation treatments were to recover original shape of object and stabilize its material. In the process of treatments manufacturing technique of the remain was examined minutely. Thick layers of corrosion substances were peeled off and numerous pieces were pasted together to restore the original shape. And then the saddle accessory was mounted on an acrylic board to be handled and exhibited safely. In this process, it was confirmed that various ancient techniques of metalic crafts such as amalgam gilding, riveting, piercing, line engraving, stamping, chasing etc. had been used to make the saddle accessory.

• Archives of design research
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• v.18 no.2 s.60
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• pp.315-324
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• 2005

This research aims to investigate evaluation framework of environmental formative works that are regulated by law in urban space, and to suggest the directions of improving the framework for better city environments. The concept of environmental formative works in urban space was identified and social situations and factors including visitors and the cognitive process of urban environments, were analyzed. This research suggests a new method based on the analysis of existing regulations and problems of environmental art or formative works. The public regulations and evaluation methods of the Korean major cities including Seoul, Daejeon, Busan and Gwangju, were examined on environmental formative works. The objective was to suggest an evaluation framework for creating human values of urban culture environment instead of focusing on the matters between the owner of the architecture and the artist of formative works. By identifying socio-cultural value of art decoration related regulations and improving the level of the public formative art evaluation scheme, this study helps addressing the administrative problems and constructing a conceptual framework of evaluation to improve urban culture environment for both human and environment.

• The Journal of the Korea Contents Association
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• v.7 no.9
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• pp.62-71
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• 2007

Man kind has been doing a human body ornament as a expression of desire for beauty from the earliest times. The ornament might assume expression for the human body earlier than clothes it has protected human body from the exterior such as dishonor, cold weather and hot weather etc. because ornament has been excavated compare than clothes. for example. The aborigine's clothes and tools seem to be more splendid ornament than natural function. The ornament has been development with variety such as bone from the animals, Feather from the primitive ages to high technology new materials in the modern society. In this research contribute that development of jewelry contents industries through the vernacular of tradition korean jewelry.