• Title/Summary/Keyword: 장고도

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Vegetation Characteristics of Four Major Islands in the Taeanhaean National Park (태안해안국립공원 주요 4개 섬의 식생특성)

  • Cho, Hyun-Seo;Choi, Song-Hyun;Cho, Woo
    • Korean Journal of Environment and Ecology
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    • v.24 no.2
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    • pp.93-100
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    • 2010
  • The Taeanhaean National Park is the only seashore national park in Korea. To investigate the vegetation structure and characteristics of representative four islands such as Oedo, Janggodo, Godaedo and Gauido in Taeanhaean National Park, sixteen plots(size is $100mm^2$) were set up, and four plots were set up in each island. In the result of vegetation structure analysis of each island, Oedo and Janggodo was dominated by Pinus thunbergii community, and Godaedo was dominated by P. thunbergii-P. densiflora community and Gauido was dominated by Carpinus turczaninovii-P. densiflora community. But according to the physical environment of each island, there was a subtle difference in species composition even though the same P. thunbergii or P. densiflora community. The analysis of ordination and similarity turned out that the degree of similarity was lowest(6.58%) between Oedo and Gauido. The analysis result of species diversity and number of individuals shows that Gauido had high species diversity (2.7183) than the other islands.

Reading the text of transformation from Seoljanggo Nori to dance - Regarding the transformation of Honam Udo Farmers' Music Lee Gyeonghwa Seoljanggo Dance - (설장고 놀이로부터 춤 변용으로의 텍스트 읽기 - 호남우도농악 이경화 설장고춤의 변용에 관해 -)

  • Kim, Ji-Won
    • (The) Research of the performance art and culture
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    • no.19
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    • pp.161-190
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    • 2009
  • This study presents matters of how to analyse the dance of artistic form on the course of transforming folk art to be separated from leisure to become the art form. In particular, the traditional art of dance in Korea has been of collective act like dureh, rather than of individual art, that it had to choose the repeated style of same form and rhythm. In this respect, before it can be said that the dance in its own form became more sophisticated and adopted the artistic segment in the time of modernisation, it is viewed that in the very heart of folk dance there was sufficient ability of artistic material to seek its own right. In this regard, the artistic transformation of seoljanggo nori into seoljanggo dance is an art form which is found in Korea, and expressing rhythm and playfulness is evident and sought attention. Therefore this study puts its importance in analysing how, in the aspect of the course of life of traditional arts, dance is formed in its own right and developed a form of art from fun entertainment. I have chosen, among them, seoljanggo, which used to be a form of fun entertainment and later transformed into a form of art on stage, in particular LeeGyeongh wa seoljanggo dance which maintains the style of Honam Udo farmers' music, and tried to read the text from it. It has resulted in that, Lee Gyeonghwa seoljanggo dance did a new try on tradition, in its development of expressing art through dance and onto more technical sophistication, found in the style of tune and choreography fused into its distinctive form. The art of traditional dance concerns here that seoljanggo has changed from agrarian entertainment to modern stage art, which shows how tradition can be adopted to the contemporary cultural life or to be reinvented to the needs of the aesthetic style that the current society consumes. Thus, it is necessary to think about its role in education and to represent cultural creativity from local developments.

행우서옥장고권자본(杏雨書屋藏古卷子本)"태소(太素)"권이십일(卷二十一) 및 이십칠(二十七)의 번자(繁字) -杏雨書屋藏古卷子本"太素"卷二十一および二十七の翻字

  • ;Kim, Eun-Ha
    • Journal of Korean Medical classics
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    • v.21 no.4
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    • pp.197-201
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    • 2008
  • 仁和寺本"太素"は影印されて流傳することすでに二十餘年であるが,その中の卷二十一, 二十七および若干の斷簡は,實際には摹寫本の影印であった. 摹寫は極めて精巧であるから,一般に內容を理解するうえで基本的に問題は無いと考えられてきた. ところが最近になって影印發行にともない,卷二十一および二十七の活字化を擔當して,眞物を詳しく研討した結果,"基本的に問題が無い"ということと"完全に問題が無い"ことの間にはかなり大きな違いが有ることを痛感した. よって最近の研究結果を紹介し,杏雨書屋藏古卷子本"太素"影印の價値を廣く知らしめたいと思う.

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A Taxonomic Study of Genus Staurastrum (Chlorophyta) Including Korean Unrecorded Species (한국산 미기록종을 포함한 팔장고말속식물 (녹조식물) 에 대한 분류학적 연구)

  • Moon, Byeong-Ryeol;Lee, Ok-Min
    • Korean Journal of Ecology and Environment
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    • v.37 no.3 s.108
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    • pp.282-296
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    • 2004
  • While more than 1,000 taxa in Staurastrum were found worldwide, in Korea only 119 taxa, of 68 species 42 varieties 9 forms, were reported so far. In this study, 23 taxa (19 species 4 varieties) of Staurastrum were collected from 15 freshwaters in Korea from Feb. through Nov., 2003. Among these taxa, 12 were newly recorded to Korea. Therefore, the total number of Staurastrum in Korea should be 131 taxa, of 77 species 45 varieties 9 forms, adding 12 newly found taxa. Most of the collected species were coincided with the characteristics previously described, but the sizes of 8 taxa including S. affine were smaller than those previously described. The 7 taxa including S. cerastesa have shown a little dissimilarity in the morphology of semicell and the decoration of cell wall.

Conservation Process of Celadon Janggo Excavated from the Seabed (해저 출토 청자 장고의 보존)

  • Lee, Dahae;Kwak, Eunkyoung;Hwang, Hyunsung
    • Conservation Science in Museum
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    • v.11
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    • pp.53-60
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    • 2010
  • In this paper, key features of an excavated submarine article and general process of its conservation will be introduced. First, the conservation process of removing salt from an excavated submarine article was done by desalting stage, and the X-Ray photographing was done for its inner and outer damage detection. The process of making a restoration mold with the beeswax for the broken part, making restoration material with fillers and grinded broken pieces of earthen ware have similar color and quality, and color matching distinguishable for the naked eye after the whole conservation process have been finished.