• 프린팅코리아
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• v.8 no.2
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• pp.106-107
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• 2009

• Korean Journal of Heritage: History & Science
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• v.25
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• pp.242-255
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• 1992

• Korean Journal of Heritage: History & Science
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• v.28
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• pp.75-92
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• 1995

• Korean journal of communication and information
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• v.77
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• pp.164-199
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• 2016

This study analyzes the socio-economical contexts of Japan's Karaoke inflow in Busan of the 1980s, and examines the relationship between Karaoke culture of the 1980s and 'Noraebang' culture of the early 1990s in Busan from the perspective of the SCOT(social construction of technology) theory. By the end of 1970s, Japan's Karaoke was introduced under the contexts of structural transformations of a geisha tourism in the East Asian regions. Karaoke culture in Busan of the 1970s and 1980s has formulated social recognitions of the novelty of Noraebang culture in the 1990s, although it has done so through the ways of misunderstandings and Nationalism.

• Korean Journal of Heritage: History & Science
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• v.56 no.4
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• pp.288-318
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• 2023

This work began with the aim of examining the history of the concept "cultural property" that is expected to disappear, and the main subject of research was the history that preceded the spread of this notion throughout society. The phrase "cultural property" first appeared in the 1920s, and was used in various fields such as literature, history, music, and philosophy in the context of cultural resources. Until immediately following liberation from the Japanese colonial era, the meaning of cultural assets was widely applied in the range of "cultural resources," and during this period, it was often used to help supplant the reality and history of Japanese occupation. Immediately after the Korean War, it was also employed for the purpose of 'restoration of cultural resources through war'. Recognition of cultural property directly influenced by Japan's Cultural Heritage Protection Act has occurred since 1950s. In the early 1960s, the enactment of various laws related to cultural properties and the establishment of the Cultural Heritage Administration caused the meaning of cultural property to be limited to 'cultural heritage'. In this way, the definition of state-led cultural property has continued to apply to this day. It has not been clearly confirmed whether the concept of cultural properties was imported from Japan through means such as the Cultural Heritage Protection Act. Cases in which several Japanese students endorsed the concept of cultural property within Korea serve to increase the likelihood that the concept was indeed imported from Japan. However, "coined language using multiple Chinese characters," "the phenomenon of cultural complex words in the 1920s,", and "cases of non-Japanese international students using the concept of cultural property" also open up the possibility of their own occurrence. Apart from the general importance of the concept of cultural property, intellectuals at the time used this concept to promote internal development and the overcoming of colonial Joseon. In this research, it was confirmed that the conceptual word cultural property was older and had a wider history than the general perception had indicated previously. The history of the conceptual term "cultural property" may appear to be more than 60 years old based on the enactment of the Cultural Heritage Protection Act, but in fact it is nearly 100 years old when traced back to on 1925, as established here. In general, the creation and disappearance of terms may proceed naturally with social change, but such terms may alternatively be created or erased through national policy. Identifying the origins of a phrase that is about to disappear represents a significant task for purposes of establishing its historical meaning.

• 공원문화
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• s.25
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• pp.26-31
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• 1983

이 글은 (재) 일본국립공원협회 이사장인 지침상용씨가 일본국립공원지에 게재한 것으로서 글 내용이 자연공원이용의 실태와 이용에 관한 문제점 등 우리나라에서도 국립공원 운영에 있어 한번쯤 논의됨직한 공통점을 다루고 있어 번역 전재합니다.

• The Korean Publising Journal, Monthly
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• s.240
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• pp.9-9
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• 1998

일본의 대학출판계는 정보화가 진행되는 이 시점이 호기라 생각하고 있다. 학술출판의 중요성은 여전히 크지만, 아카데미즘의 껍질을 벗고 깊이 있는 현실의 저류를 관통하는 출판활동이 향후 대학출판부의 나아갈 길이라는 목소리다.

• 프린팅코리아
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• v.13 no.1
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• pp.126-127
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• 2014

긴 역사를 갖고 있으며 기술력에 자신이 있는 기업이라면 고객에게 새로운 가치를 제공할 수 있을 것이다. 특히 고부가가치를 얻을 수 있는 인쇄나 특수 가공을 제공함으로써 사업의 영역과 기회를 확장해 나갈 수 있을 것이다. 일본의 고부가가치 특수인쇄 동향에 대해 알아본다.

• 공원문화
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• s.36
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• pp.55-55
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• 1987

이 글은 일본 국립공원지 87년 5월에 실린 일본 국립공원협회 이사장 대정도부씨의 글을 편집자가 번역한 것인데 우리에게도 많은 참고과 되는 내용입니다.

• KLA journal
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• v.31 no.4 s.263
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• pp.26-34
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• 1990

이 원고는 음악자료(악보, 녹음자료)의 목록 기계화에 관한 일본의 경향을 개관하고 그 문제점을 지적한다. 또한 금후 과제를 국립국회도서관의 요망사항으로서 기술한다.