• Title/Summary/Keyword: 익선관

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Manufacturing of CCFL Electrode Molybdenum Pin (냉음극선관 몰리브덴 핀 제작)

  • Lee, Jeong-Ick
    • Proceedings of the KAIS Fall Conference
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    • 2009.12a
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    • pp.156-158
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    • 2009
  • 본 최종 논문의 목적은 액상 크리스탈 화면의 배면부에 냉음극선관 전극봉의 몰리브데늄 핀 제작기술을 위해 제작되었다. 몰리브데늄 핀은 정확한 시편으로 만들기가 어렵고 실제 모든 제품을 검수하기는 불가능하다. 따라서, 제작을 잘해야 할 뿐 아니라 전체 생산 라인을 관리할 필요가 있다. 이러한 일들을 하기 위해, 다음과 같은 새로운 기술을 개발할 필요성이 있다. 표면처리, 처리라인의 개발, 와이선의 배치와 절단 기술의 개발, 지그 및 고정자의 개발, 몰리브데눔 핀의 표면처리의 개발, 모든 제품의 전수검사 기술의 개발 등이다.

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A Study on CCFL Electrode Molybdenum Pin (냉음극선관 몰리브덴 핀에 관한 연구)

  • Lee, Jeong-Ick
    • Proceedings of the KAIS Fall Conference
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    • 2010.05b
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    • pp.606-609
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    • 2010
  • 본 연구를 통해 각 업체에 공급되고 있는 제품 중 세계최고 수준의 품질과 정밀도를 갖는 몰리브덴 핀 제품과 동등 하거나 이상의 제조기술의 개발을 최종목표로 진행하였다. 1년간의 연구개발을 통해 몰리브덴 핀의 생산기술을 셋업 하였으며, 시 제작품의 제작을 완료하였다. 현재 시작품은 전극업체에서 전극으로 제작되어 램프 수명 테스트를 진행 중에 있으며 수명테스트가 완료되면 본격적인 양산이 진행될 것으로 기대하고 있다.

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A Study on the Ritual Process and Costume for a Coming-of-age Ceremony of Imperial Court in the Ming Dynasty -Incidentally Mentioning about 'Yishanguan-Jiangshapao' of Joseon Dynasty- (명대(明代) 황실 관례(冠禮)의 행례(行禮) 특성 및 신분별 관례복(冠禮服) 연구 -조선(朝鮮)의 '익선관강사포(翼善冠絳紗袍)'에 대한 논의를 겸하여-)

  • Wen, Shao Hua;Choi, Yeon Woo
    • Journal of the Korean Society of Clothing and Textiles
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    • v.45 no.2
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    • pp.233-252
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    • 2021
  • The Gwan ceremony (冠禮) is a coming-of-age ceremony that takes place through traditional Gwan (冠: the hat) and clothes in the traditional era. The rite is performed by wearing hats and clothes three consecutive times (三加禮). It was an important rite which meant that underage children were formally recognized as members of society. This study examined costumes of people who participated in various coming-of-age ceremony rites in the Ming dynasty imperial court of China. For the research data, this study mainly used authentic chronicles (正史), codes of law and books on Ming dynasty rituals. This study examined the costumes used in the coming-of-age ceremony for the emperor, Prince Imperial, Emperor's eldest grandson, and emperor's sons. The results of this study were divided into an analysis of the document structure, institutional changes by time, characteristics of costumes, and characteristics of the rite. Of particular note in their ceremony, the emperor is presupposed to be a 'human already full-equipped with virtue', which means that the costume is worn only once. It is a case in which the emperor's absolute identity is revealed through the rite and costume.

A Study on the Costumes for the Crown Prince Based on the Picture for School Entrance Ceremony in 1817 (1817년 효명세자 입학례의 왕세자 복식 고증)

  • Son, Yun Hye;Lee, Eun Joo
    • Korean Journal of Heritage: History & Science
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    • v.46 no.1
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    • pp.188-207
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    • 2013
  • This study looks at the costumes for the crown prince based on the Hyomyeong of 1817, a collection of the National Research Institute of Cultural Heritage. The picture of School Entrance Ceremony of the Crown Prince (王世子入學圖) does not have the crown prince in the scene. However, it can be verified through literature that there are three different costumes for the ceremony. Chulgungui(出宮儀), the ceremony's first procedure, describes the departure of the prince crown from his residence toward Sungkyunkwan (成均館) with his escorting officials. The Crown Prince wears Seoyeonbok (書筵服) during this event. When the Crown Prince arrives at Sungkyunkwan, he participates in a series of ceremonies that consist of Jackhunui (酌獻儀), Wangbokui (往復儀), Supeiui (脩弊儀), and Ipackui (入學儀). At that time, he wears a confucian scholar's uniform. After returning from Sungkyunkwan, he attends Suhaui (受賀儀), the final procedure of the Crown Prince's School Entrance, at Simindang (詩敏堂) of Changgyong Palace(昌慶宮), At this time, the price crown wears Wonyukwanbok (遠遊冠服) as he is congratulated by royal family members and high ranking officials for his entrance to Sungkyunkwan in this ceremony. This point hereby concludes this study on the historical costumes for the prince crown based on the Hyomyeong Crown Prince's School Entrance in 1817.

Study of King Gojong's Costumes in His Excursion on a Royal Carriage -Focused on the "Dongga Painting of the Korean Empire (大韓帝國動駕圖)"- (고종의 동가(動駕)시 복식에 대한 연구 -「대한제국동가도(大韓帝國動駕圖)」를 중심으로-)

  • Gu, Young Mi;Hong, Na Young
    • Journal of the Korean Society of Clothing and Textiles
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    • v.44 no.3
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    • pp.441-451
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    • 2020
  • This study examined the characteristics of the royal progress and regulations on costumes in the king's excursion by a royal carriage and then investigates King Gojong's costumes in "Dongga Painting of the Korean Empire". To examine the regulations on costumes in the king's excursion by a royal carriage, there are unique costumes, 'Ikseongwan and Gangsapo' for the great memorial service for ancestors during the Korean Empire period. 'Ikseongwan and Gangsapo' are not provided in the code during the Joseon Dynasty period. Thus, it was not provided in the regulations, in the actual execution of the ritual, the king put on 'Ikseongwan and Gangsapo,' so entering the Korean Empire period, it was legislated as 'Ikseon-gwanbok' in Daehan-yejeon. There is a scene in the "Dongga Painting of the Korean Empire" in which the king pays a visit on Yeon, holding 'Gyu' in 'Ikseongwan and Gonryongpo'. However, holding 'Gyu' on Yeon in 'Ikseongwan and Gonryongpo' can be seen in King Gojong's royal procession to hold Jongmyo Chunhyangdaeje in the year of Gabo (1894). This study showed that there was a compromise for the ritual despite not being regulated by law.

Reflective LIquid Crystal Television Display (액체결정을 사용한 텔레비젼 디스푸레이)

  • 김영웅
    • Journal of the Korean Institute of Telematics and Electronics
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    • v.5 no.4
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    • pp.36-40
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    • 1968
  • 새로운 반사형 텔레비젼 디스푸레이를 소개한다. 이 방법에서는 선상의 액체결정의 다이나믹 스캣터링 모오드(Dynamic Scattering Mode, DSM)를 이용하며 주위가 밝은 곳에서도 볼 수 있다. 6∼12μm 두께의 액체결정은 뜯을 수 있는 음극선관 위에 와이어-모자의 훼이스 프레이트를 사용하는 전자속으로 실시간에 번지선택된다. 두가지 종류의 액체결정물질-Anasyliden Para-Amino Phenyl Acetate(APAPA)와 RCA 특유의 실온액체결정-을 시험했는데 동작온도(APAPA는 82°∼110℃이고 다른 것은 실온)를 제외하고는 비슷한 결과가 나왔다. 사방 3.1cm의 디스푸레이에서는 해상도가 적용 텔레비젼에 필요한 150line 보다 약간 떨여졌는데 그 원인은 액정결정 때문이 아니고 모자익의 구조에 의한 제한 때문이다. 더 나은 해상도를 얻으려면 디스푸레이를 좀더 크게하면 된다. 콘트라스트는 최적화(7.5:1)하지 않았다. 그러나 이 값을 정적인 디스푸레이에서 본 바와 같이 15∼20대 1로 개선하기 위해서는 몇가지의 기술을 사용할 수 있다. 이 디스푸레이 방법의 매력으로는 적당한 외부조명하에서는 약 ±45°의 넓은 관람각을 갖는데 있다고 하겠다. 액체결정내에서 DSM이 일어나도록 하는데 필요한 전류, 전압치들을 보면 평평한 텔레비젼 화면에 적합한 완전한 번지선택법에의 근사방법이 발견될 수 있으리라는 희망을 갖일 수 있다.

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Study on the morning ritual costumes of the members of the Ming dynasty imperial family (명대(明代) 황실 구성원의 조회의례(朝會儀禮) 복식(服飾) 연구)

  • Wen, Shaohua;Choi, Yeonwoo
    • The Research Journal of the Costume Culture
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    • v.29 no.2
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    • pp.204-221
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    • 2021
  • The morning ritual was a rite whereby a morning audience with the emperor was held for feudal lords sovereigns and subjects living in the precincts, monarchs or foreign envoys of the outskirts of the capital, and other ethnic group. Distinction between the main and subordinate rituals, changes in the ceremony according to the times, and the position or rank of those participating in the rite, were factors that directly affected the costumes worn for ritual. Accordingly, in this paper, the costumes worn by members of the Ming dynasty (emperor, prince imperial, prince) were examined in terms of the period and detailed ceremonies with a focus on the morning ritual and costume systems presented in the official historical records. Through this study, only Mian-fu (冕服) and Pi-bian-fu (皮弁服) were defined by the costume system ase costumes worn in the morning ritual. However, through comparative analysis with the morning ritual system, it was confirmed that Tongtian-guan-fu (通天冠服), Yishan-guan-fu (翼善冠服), and Bianfu (便服: slightly casual wear) were also worn. It is worth noting that the color of Gunlong-pao (袞龍袍) was differentiated according to status; the Emperor wore yellow, the Prince Imperial and lower levels wore red, which was the traditional perception of academia. However, following confirmation of the custom costume for the morning ritual, it was confirmed that the color of this differentiation appeared during the 3rd year of Emperor Yongle of Ming (1305). Previously five traditional colors (blue, red, yellow, white, and black) were used for the season.

The Fiduciary Duties of Doctor in Clinical Trials (임상시험에서 의사의 선량한 관리자의 주의의무)

  • Lee, Jiyoun
    • The Korean Society of Law and Medicine
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    • v.21 no.2
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    • pp.163-207
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    • 2020
  • Korea has been positioned as the leading country in the industry of clinical trials as the clinical trail of Korea has developed for the recent 10 years. Clinical trial has plays a significant role in the development of medicine and the increase of curability. However, it has inevitable risk as the purpose of the clinical trial is to prove the safety and effectiveness of new drugs. Therefore, the clinical trial should be controlled properly to protect the health of the subjects of clinical trial and to ensure that they exercise a right of self-determination. In this context, the fiduciary duties of doctors who conduct clinical trials is especially important. The Pharmaceutical Affairs Act and the relevant regulations define several duties of doctors who conduct clinical trials. In particular, the duty to protection of subjects and the duty to provide information constitute the main fiduciary duties to the subjects. Those are essentially similar to the fiduciary duties of doctors in usual treatment from the perspective of the values promoted by the law and the content of the law. Nonetheless, clinical trials put more emphasis on the duties to provide explanation than in usual treatment. Further research and study are required to establish the concrete standard for the duty of care. However, if the blind pursuit of higher standards for the duty of care or to pass the burden of proof to doctors may result in disrupting the development of clinical trials, limiting the accessibility of patients to new treatment and even violating the principle of sharing damage equally and properly. In addition to these duties, the laws of clinical trials define several duties of doctors. Any decision on whether the violation of the law constitutes the violation of the fiduciary duty and justifies the demand for compensation of damages should be based on whether relevant law aims to protect the safety and benefit of subjects, even if in an incidental way, the degree to which such violation breaches the values promoted by the law and the concrete of violation of benefit of law, the detailed acts of such violation. The legal interests of the subjects can be protected effectively by guaranteeing compliance with those duties and establishing judicial and administrative controls to ensure that the benefit of subjects are protected properly in individual cases.