• 한국디지털건축인테리어학회논문집
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• 제10권3호
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• pp.63-71
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• 2010

The Ottoman dynasty destroyed the Byzantine Empire by occupying Constantinople established the Ottoman Empire and renamed to Istanbul in 1453. Contrary to Islam, the research about Byzantine architecture have an abundant data. Because of the indifference to Islam, there is need today for this sort of study. Islam believe the Biblical Old Testament, I should like to know what is reason for resemblance of the Christian Aya sopia, what is difference in the floor plan between Islam and Judaism. This research applies to the Courtyard type Mosques of SINAN aesthetically completed the Mosque Architecture as a respected architect in 15th century. This study is to investigate the relationship of Orthodox Eastern Church and Islam Mosque within the limit of Istanbul that access is easy and have Christian religion by substratum culture among the many countries that Islam does by diplomatic relations.

• 한국실내디자인학회논문집
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• 제13권4호
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• pp.156-163
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• 2004

The Caravanserai, which can be discovered in the Islamic States in the regions of the Northern Africa and the Middle Asia, still maintains its profound influence to the Islamic World as one of significant edifices in the Islamic World. The majority of the Islamic people at the time of the foundation of Islamic State around AD. 7th century was the nomads, and a trade by means of caravan with their neighboring people was their critical activity for obtaining the necessities of life. With its political and social condition of the Islamic State stabilized and economy developed, the scope of commerce began to grow and the scale of trading with foreign countries started to expand. Along with this economic expansion, the caravanserai began to take a shape as a channel through which not only could the commercial commodities be traded but also religious Islamic ideas and important information could be spread into and shared with the people of neighboring countries. The significance of the caravanserai comes from such observation that it did play major roles in consolidating the solidarity of Islamic states and keeping a religious unity among them. The caravanserai, heading far beyond being a mere commercial center, ultimately functioned as a seedbed of life and spirit of the Islam. Starting from the understanding of social and political significance of the caravanserai, I set the first objective of this article to read into the architecture and interior design of the caravanserai and understand the general characteristics of the Islamic architecture and interior design.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.13-21
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• 2010

Early mosque architecture is time that islam attempts fixing since hjira by Muhammad. Before Umayyad dynasty is established a country since islam occurrence, islamic influence was not extended much and stayed in Mecca area. Of course, when is Patriarchal Caliphate period, although there was part territorial expansion, was in existing islam influence still. Regular territorial expansion to Umayyad dynasty several influences and religious conflict happen. Change about islamic architecture occurred much fatally. Therefore, can find islamic archetype about islamic architecture until Prophet Muhammad period and Patriarchal Caliphate period. Also, Muhammad that is Islamic originator participated to mosque architecture directly in life. Can understand philosophy about islamic architecture that Muhammad seeks in mosque architecture. Was age that seek Muhammad's philosophy department religious succession strongly to Patriarchal Caliphate period. Therefore, can understand role of religion, mosque architecture's meaning and role that seek in Islam. It was just before that early mosque architecture receives effect of conquest area or the surrounding country. Therefore, characteristic of mosque received much effect of Prophet Muhammad and qur'an. Do construction according to qur'an's notice based on Prophet's house's function to early mosque. qur'an is no direct delineation as form or architecture element. qur'an refers thing about spiritual aspect or function about special quality of mosque, role etc..

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2002년도 춘계학술발표대회 논문집
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• pp.159-162
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• 2002

In the middle of 1940s, Hassan Fathy, a great Islamic contemporary architect, built cheap multifamily houses, schools, mosques and public market in the village of Gourna, near Luxor, Egypt for the poor Egyptian. At that time the western style houses made of concrete materials were so expensive for the Egyptian people in the rural area, that Hassan Fathy, a young architect, challenged to build the houses for them. He considered seriously the expenses that the lower-class Egyptians in the rural area could pay for building houses. He built up gorges arch-style building and done-style building by using traditional materials, which consisted of reeds, roues and mud brick for adobe. He made the design of houses cool in summer and warm in winter. The houses in the Gourna village were, afterwards, highly evaluated, in the sense that they represented the Islamic uniqueness of architecture and its beauty. As a result, the Gourna village made him receive many of awards including the Aga Khan Award. This study tries to focus on the reviewing of modern Islamic architecture by analyzing Hassan Fathy's architectural art, on the investigation of traditional materials used for building the Gourna village, and finally on the contribution for the research of Islamic architecture

• 한국수학교육학회지시리즈C:초등수학교육
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• 제20권3호
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• pp.237-252
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• 2017

4차 산업혁명시대는 수학교육의 방향도 크게 흔들어 놓고 있다. 특히 수학이 다양한 영역에 어떻게 적용되고, 활용될 수 있는지 인식하는 융합 역량이 중요한 시점이다. 이에 본 연구에서는 융합에 대한 관점을 고찰하고, 수학교실에서 활용 가능한 융합 프로그램의 개발을 위한 수학적 탐색을 연구 목적으로 한다. 구체적으로 고대 이슬람 건축물에 사용된 기리 타일을 수학적 관점에서 분석하고, 이를 바탕으로 수학과 다자인 융합 교육을 위한 수학적 탐색을 실시한다. Roger Penrose 보다 500년이나 앞서 만든 기리 타일링의 수학적 분석을 통해 디자인에 대한 이해 및 수학의 활용성과 수학을 통한 타학문의 융합 가능성에 대한 이해의 폭이 넓어지기를 기대한다.

• 만화애니메이션 연구
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• 통권43호
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• pp.185-209
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• 2016

문양이란 비어있는 표면을 단독적으로, 혹은 반복되어 장식하는 형상을 말한다. 문양은 회화, 건축, 공예 등 시각예술이 쓰이는 영역이라면 어디든 사용 될 수 있다. 현대에도 문양은 전통 문양을 그대로 사용하거나 현대적으로 변형하여 사용한다. 또한 문양은 단순히 여백을 채우는 것 이상의 의미를 갖고 있는데, 특정 지역권의 문화나 사상 등이 반영하고 있기 때문에 어떤 문양을 사용하느냐에 따라서 특정한 정체성을 부여할 수 있다. 이는 애니메이션에 있어서도 예외가 아니다. 애니메이션에서 문양은 배경이나 캐릭터의 의상, 소품 등의 표면을 꾸미는 역할을 한다. 그리고 캐릭터와 배경, 이야기의 시대적, 공간적 배경 등의 환경을 설명하는 데에도 효과적이다. 아일랜드의 애니메이션 스튜디오 에 소속된 애니메이션 감독 톰 무어(Tomm Moore)는 주로 전통설화나 신화를 토대로 한 애니메이션을 제작하였는데, 그 소재와 연관된 문화, 예술적 요소를 작품 연출에 활용한다. 그 중 한 예로 문양을 들 수 있다. 애니메이션의 서사와 배경과 밀접한 연관성이 있는 문양은 배경과 소품에 삽입되어 이를 통해 더욱 깊이 있는 화면이 탄생한다. 톰 무어는 <켈스의 비밀>(Secret of Kells, 2009)과 <바다의 노래>(Song of Sea, 2014)에서는 아일랜드 켈트 문양을, <칼릴 지브란의 예언자>(Kahlil Gibran's The Prophet, 2014)에 삽입된 단편 애니메이션 <사랑에 대하여>(On Love)에는 이슬람의 기하문양과 식물 문양을 사용했다. 본 논문에서는 톰 무어가 감독 및 연출로 참여한 두 편의 애니메이션 <바다의 노래>(Song of Sea, 2014), 그리고 <칼릴 지브란의 예언자-사랑에 대하여>(Kahlil Gibran's The Prophet- On Love, 2014) 의 서사와 그 바탕에 깔린 역사, 문화적 배경을 파악하고 그것과 맞물리는 전통문양에 대하여 알아본다. 또한 이런 전통문양들이 애니메이션에서는 어떻게 사용되었는지 분석하고 있다.