• Title/Summary/Keyword: 이별

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A Design and Implementation of Smartphone App for Preventing Bust up Crime (이별범죄 방지를 위한 스마트폰 앱의 설계 및 구현)

  • Lee, Sanghun;Lee, Jaehoon;Cho, Eokbeak;Nam, Minhyeon;Lee, Ilsang;Yoon, Hyunjin;Lim, Yangwon;Im, Han-Gyu
    • Proceedings of the Korea Contents Association Conference
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    • 2014.11a
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    • pp.23-24
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    • 2014

  • 대한민국에는 수많은 커플들이 있다. 하지만 만남이 있다면 이별도 있는 법이다. 최근 많은 커플들의 이별로 인해 사건 사고들이 많이 발생하고 있다. 본 논문에서는 커플들의 이별의 원인인 사소한 오해를 방지하며, 커플만의 공간을 만들어 추억을 남기는 스마트 폰 앱을 설계하고 개발한다. 이를 통해 커플들의 이별을 최소화하여 사건 사고를 줄일 수 있을 것으로 예상한다.

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Parting Lyrics Emotion Classification using Word2Vec and LSTM (Word2Vec과 LSTM을 활용한 이별 가사 감정 분류)

  • Lim, Myung Jin;Park, Won Ho;Shin, Ju Hyun
    • Smart Media Journal
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    • v.9 no.3
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    • pp.90-97
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    • 2020

  • With the development of the Internet and smartphones, digital sound sources are easily accessible, and accordingly, interest in music search and recommendation is increasing. As a method of recommending music, research using melodies such as pitch, tempo, and beat to classify genres or emotions is being conducted. However, since lyrics are becoming one of the means of expressing human emotions in music, the role of the lyrics is increasing, so a study of emotion classification based on lyrics is needed. Therefore, in this thesis, we analyze the emotions of the farewell lyrics in order to subdivide the farewell emotions based on the lyrics. After constructing an emotion dictionary by vectoriziong the similarity between words appearing in the parting lyrics through Word2Vec learning, we propose a method of classifying parting lyrics emotions using Word2Vec and LSTM, which classify lyrics by similar emotions by learning lyrics using LSTM.

  • https://doi.org/10.30693/SMJ.2020.9.3.90 인용 PDF KSCI

Figuration of farewell and aspect of confrontation expressed in the poem of Hwang Jin I (황진이(黃眞伊) 시조(時調)의 이별(離別) 형상화(形象化)와 대응양상(對應樣相))

  • Kim, Seong-Moon
    • Sijohaknonchong
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    • v.30
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    • pp.319-332
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    • 2009

  • The research on the poem work of Hwang Jin I may have been discussed relatively profoundly compared to the number of works left by her. On the prolongation of such result that has been made thus far, the author tried to investigate aspect of confrontation of figuration and situation of farewell revealed in the poem work of Hwang Jin I through this dissertation. The 6 poems of Hwang Jin I are works which are directly or indirectly related to the situation of farewell. Thus, the author began to discuss dissertation, thinking that the difference in aspect of confrontation in the farewell situation of Hwang Jin I projected in the work can be confirmed by analyzing the poem work of Hwang Jin I. First, with respect to the figuration of farewell in the poem of Hwang Jin I, it cannot be said that she left many poems. However, it could be confirmed that the universal human emotion felt in the situation of farewell was effective converted to figuration by personality of the author through the delicate symbol and simile felt in each work and diverse poetic devices. Then, the aspect of confrontation of farewell situation revealed in the poem of Hwang Jin I was investigated in 3 large divided aspects. First, it is the nature-compliant aspect of confrontation that does not artificially reject or disobey but accepts the moment of farewell by relying on the providence of nature with respect to the situation of farewell. Four works pertain to this category, namely, <니 언지 무언(無言)하여$\sim$>, <어뎌 니 일이여$\sim$>, <산(山)은 넷 산(山)이로디$\sim$> and <청산(靑山)은 내 뜻이요$\sim$>. Next, it may be challenge to the nature, that is, to cut time and space at own intention against the providence of nature. The work, <동지인(冬至人)달 기나긴 밤을$\sim$> pertains to this category. Finally, it is mixed aspect of confrontation in which the above-mentioned compliant aspect of confrontation is mixed with challenging aspect of confrontation. The work, <청산리(靑山裡) 벽계수(碧溪水)ㅣ야$\sim$> may pertain to this category. As explained above, the aspect of confrontation revealed differently in the situation of farewell may be due to the peculiarity of her status as official kisaeng. Furthermore, her magnanimous and affectionate character may be also quite influential on this matter. The matters to be supplemented to make the above discussion successful need to be studied in the subsequent research.

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JANG-YOOK-DANG's and Irreverence by casting upon the world (장육당(藏六堂)의 육가(六歌)와 완세불공(玩世不恭))

  • Yoon, Yoeng-Ok
    • Sijohaknonchong
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    • v.25
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    • pp.101-127
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    • 2006

  • JANG-YOOK-DANG(장육당) is the pen-name of Lee, Byeol(이별). His elder brother is Lee, won(이원). He was putted to death by the king Yeon-san(연산군). So abandoning the way of the world, JANG-YOOK-DANG hided himself at mountain valley in Peong-san of Hwng-haedo(황해도 평산). Here he angled for fish and with the persons over sixty years old drunk, sang the songs. Then he composed the poem . This poem spreaded abroad, and came to the ears of Lee, Hwang(이황). He criticized this poem to have irreverence by casting upon the world, not to have gentleness and affability. But imitating the poem he composed intended to be sung. For that gentleness and affability are the instruction of the Poetry, he filled the poems with contents of the gentleness and the affability. But the livings of the two persons were different, and then their poems was intended to be sung were different. In these different contents, we can not say that this or that is right. JANG-YOOK-DANG would do to express his bitter sentiments by his song.

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