• Bulletin of the Society of Naval Architects of Korea
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• v.30 no.4
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• pp.33-36
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• 1993

본 과제는 의장설계 분야의 기본설계, 기능설계, 상세설계 및 생산설계 단계를 전산화하여 설계 생산성을 향상시키고 우수한 품질의 생산정보 및 생산관리 기초정보를 적기에 제공할 수 있는 의장설계일관시스템(Fig. 8.1)의 구축을 최종 목표로 하고 있으며, 다음과 같이 3개의 세부과제로 분담, 수행되었다. .CSDP-의장설계시스템 개발 : KRISO의장설계 일관시스템의 설계 및 관련 요소시스템의 통합 화를 위한 기반시스템의 개발'5' .CSDP-의장CAD응용기술 개발 : 현대중공업 범용 CAD시스템의 조선 전용화를 위한 의장설계 각 분야별 요구기능의 분석 및 정의'12' .CSDP-배관배치모델링기법 개발 : 대우조선 범용 CAD시스템을 토대로 한 배관설계시스템의 초기 계? 단계의 배치모델링 기법 개발'15' 본 고에서는 의장설계 일관시스템의 기본개념, 범용 CAD시스템을 중심으로한 분야별 일관시스 템의 구축을 위한 기능분석 및 기법 개발, 시스템 통합환경 구축, 그리고 향후 조선CIMS를 목 표로한 제품모델 개념의 생산지향 의장시스템 모델에 관한 개념설계 결과를 중심으로 서술하 였다.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.19 no.12
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• pp.2987-2992
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• 2015

In this paper, we propose the framework under a standardized task configuration to improve data accuracy and to provide unified system for the outfitting production design in shipyards. Due to the mismatching engineering data, the wrong designs or drawings were produced. With these wrong information, the production process can be broken and faced a big problem during production stage. In this study, we propose novel framework and its components which can offer better supporting for the design task and its process to improve productivity and efficiency with knowledge based engineering support system.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2005.05a
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• pp.116-121
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• 2005

This research against the method of applying a traditional design elements to modern interior space is classified and analyzed by direct expression method, a transfigure expression method, a metaphor expression method and a symbol expression method. The direct expression method means the modernizing the traditional design elements by expressing traditional material and structural formative style as they are, and the transfigure expression method is the design method of re-organizing the elements by simplifying and transfiguring the traditional design elements. Metaphor expression method includes the method of expressing visually the formative concept which does not known concretely, and the symbol expression method exchanges the rising concepts into concrete elements and expresses by new design.

• Journal of the Korean Institute of Rural Architecture
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• v.2 no.3
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• pp.49-56
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• 2000

Korean modern houses should admit modern requirement, Korean climate and way of living. These elements should be expressed through not only plan but also form and design. The aim of this thesis is to understand the expression tendency of the traditional design elements in idyllic houses. For this purpose, I investigated following things : 1) The culture and social theory about the tradition and the design elements. 2) The concept of Korean traditional design elements and factors as the design elements sources. 3) The methods of Korean traditional design elements expressed in idyllic houses. As a result, the methods of traditional reception can be classified as copying, eclecticism and abstraction.

• Journal of the Korean Society of Marine Environment & Safety
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• v.29 no.7
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• pp.950-957
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• 2023

For safe mooring and towing between the ship and port, the equipment must be designed in accordance with the relevant international regulations. However, some small shipyards and engineering companies often do not fully comprehend the core contents. Therefore, the international regulations regarding towing and mooring equipment are reviewed and the bollard and chock are newly developed based on the Mooring Equipment Guideline 4 (MEG4) standards. A bollard is a mooring equipment used to fix a mooring rope to the hull. It has two columns and is mostly used in a figure eight pattern knots under the mooring condition. The chock, which is used to change the mooring rope direction coming into the ship from outside, is manufactured using a casting with curvature. The two mooring equipment are widely used in the stern, bow, and mid-side. Owing to the increase in the size of container vessels and LNG ships, the mooring rope load has increased and the safe working load of the mooring equipment must be revised. This study summarizes and examines the results of the allowable stress method obtained using finite element analysis modelling. To consider the mesh size effect, a reasonable criteria was suggested by referring the existing class guidance. Additionally, the safe working load was verified through nonlinear collapse analysis, and the elastic region against load increments was confirmed. Furthermore, the proposed evaluation method can be used to develop similar equipment in the near future.

• Journal of the Korean Institute of Landscape Architecture
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• v.38 no.5
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• pp.102-112
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• 2010

The purpose of this study is to identify the architectural design elements of secondary shrines in traditional Buddhist temples in Korea. For this study, a survey of six kinds of secondary shrines (Myemgbujem, Yeongsanjeon, Eungjinjem, Yaksajeoun, Gwaneumjeon, Mireukjeon), according to specified design elements(building sizes, roof styles, Gongpo, Dancheong, shape of Datjip), was conducted. The results of this study are summarized as follows; Myeongbujem is built in every temples(25 examples), most having simila1ities in sizes and architectural elements(roof, Gongpo structure, Dancheong, Datjip). The majority of Yemgsanjeon(l4 examples) and Eungjinjem shrines(l5 examples) are mostly 3-Gan sized buildings, having a Matbaejibung and Ikkmg structural system. Gwaneumjeon, on the other hands, has 1he most elaborate architectural elements. Among 12 cases, 8 buildings have Paljakjibung, 9 buildings have Silk-Dancheong in innerspace, and Datjip are included in six buildings. Yaksajeon shrines are small in mnnber, but most of these shrines have a Dapo structure, and, despite of their size, are designated as cultural properties.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2005.10a
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• pp.65-70
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• 2005

The human scale of the interior space of a korean traditional residence is normally user-friendly. And this aspect is reinterpreted and implemented in the modern structure. While our conscious awareness has become greatly westernized through the east-west exchanges, the interior of the traditional Korean residence has always reflected the people and their daily lives of the time. In this study, an attempt has been made to identify the aesthetic characteristics of the inner space elements through the analysis of visual perception inside a Korean traditional upper class residence, kangreung Sunkyojang, designated as the 5th Cultural Information Material with regards to the inherent philosophy and human scale that influenced the emotions of the Korean people. The different parts of the interior space of Anchae, and the Symmetrical of Formal, Balance of the walls give a sense of calmness, and the ornaments are used to give gaiety. The ceiling of Yeolwhadang hall give an energetic feeling and pillare are used to enhance spaciousness. In Whalejeong, by making use of similar and continuous lines, the light and darkness was controlled and the link with nature has been emphasized. Different decorations used reflect scholarly spirit.

• Journal of Korea Fair Competition Federation
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• no.102
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• pp.2-16
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• 2004

지적재산권법은 발명, 저작물, 상표, 의장 등에 대한 독점을 허용하는 점에서 독점을 금지하는 독접규제법과 대립되는 것처럼 보인다. 그러나 지적재산권법이 인정하는 독점은 무조건적인 것이 아니라 내용과 기간에 있어서 제한적인 것이다. 또한 경쟁자에 의한 부당한 모방행위를 금지시켜 궁극적으로는 경쟁질서를 유지하게 된다는 점에서 지적재산권법과 독접규제법이 양립불가의 것이라고 할 수는 없다. 오히려 양 법영역은 모두 국민경제와 국가산업발전을 목적으로 한다는 점에서 공통되므로 양자를 모순 없이 공존케 하는 것이 중요하다. 이 둘은 법 형식적으로 충돌하는 것처럼 보이지만 실제로 거시적인 목적에서는 상호 보완관계에 있으므로 조화롭게 운용하는 것이 앞으로의 경쟁정책수립에 꼭 필요한 요소이다.

• TTA Journal
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• s.101
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• pp.16-21
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• 2005

로봇 산업은 향후 IT, BT에 버금가는 시장을 형성할 잠재력이 있다. 또한 로봇산업은 지능화와 시스템화 기술로서 타분야에 미치는 기술적 파급효과가 크다. 기계, 전자 등 부품·소재기술부터, S/W 기술, 문화콘텐츠까지를 망라하는 통합기술의 결정체라 할만 하다. 정보통신부는‘지능형 서비스 로봇’을“인간과 상호작용을 통해 인간의 명령 및 감정을 이해하고 반응하며, 정보통신기술을 바탕으로 인간에게 다양한 서비스를 제공하는 로봇”이라고 정의하고 있다. 이번 호는 우리 기업들이 도전하고 개척해야 하는 거대 시장인‘지능형 서비스 로봇’산업 선점을 위한 핵심 요소인 표준화 및 시장동향을 국내 표준화를 선도하는‘TTA 지능형 서비스 로봇 프로젝트그룹’의장으로부터 들어본다

• Korean Institute of Interior Design Journal
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• v.19 no.3
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• pp.111-118
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• 2010

The Buddhist reliquaries of these 6 Reliquaries(松林寺, 感恩寺, 法門寺, 慶山寺, 唐招提寺, 法隆寺 玉蟲廚子), when compared with those of China, Japan and Korea in the same period, they worshiped the Buddhist reliquary as a Buddhist God itself and put them as a part of the architectural decoration, being installed in the construction forms. In the form and the composition of the architecture, we can see those having been designed with very detailed and brightly decorated form. The Buddhist reliquaries in the Song-Lim-Sa, Kam-Eun-Sa, Famensi, Qingshansi, Toshodaiji, and the Horyuji Tamamushi Zushi, the most important ones in this research, were in the precious tent and the inner and outer Coffins shapes having completely the altar part, interior space part, and the ceiling part, which inform us the whole structure of the architecture in details. After all these researches, we conclude that the Buddhist reliquaries in form of the Treasure-architecture represented the architectural style of the same period as a form of industrial arts and we can see that they tried to use all of their highly skilled and talented methods to describe the Buddhist Pure Land.