• 한국의상디자인학회지
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• 제22권3호
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• pp.1-17
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• 2020

The Peking Opera is one of the most representative cultural aspects of China. It includes China's traditional specialties, such as stage performance, stage background, and costumes. The purpose of this study is to investigate the characters and the costume characteristics of the Peking Opera to present fashion design. This research is meaningful for spreading the Peking Opera to the world by applying China's traditional costumes to fashion design. Based on the cultural background of the Peking Opera and the analysis of the opera costume, four sets of women's clothes were made by using the traditional Chinese elements. The conclusions are as follows. First, traditional features such as patterns, colors, and styles from Peking Opera costumes were used in fashion design. The colors and patterns use Chinese traditional aesthetics to carry out contemporary fashion design and apply creative materials. Second, the neoprene used to create the items is a material suitable for the modern design of the traditional Peking Opera costumes. Neoprene has good elasticity and can be cut and sewn in a variety of ways. It can also satisfy the three-dimensional atmosphere and rich morphological changes found in Peking Opera costumes. In addition, a combination of thin chiffon and mesh materials is also suitable for the development of modern designs. Finally, in order to show the effects of traditional works, the patterns were finished by hand-painting. The hand-painted works were then scanned and printed on the material by the digital printing techniques. At the conclusion, the traditional features and feelings of the contemporary designs were presented.

• 한국의상디자인학회지
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• 제5권1호
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• pp.73-83
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• 2003

Out of a total of 437 subjects surveyed, 83.3 put on motocycle suits when they drive. Though the suits are not comfortable, many motocycle riders put them on for safty reasons. To protect a driver's body, motocycle suits should be patched with protective bands or safty pads in various areas like part of waist, backbone, pelvis and knees. The ratio of dissatisfaction with the preceding motocycle suits was great owing to inconvenience in washing and in posture, especially heavy suits. Their favorite suits were found to be linking or coupled types among two piece styles. Leather was shown to be the preferable material and they wanted designs which the protective bands, or pads can be attatched on each portion for needs of safty against impact but designed for comfort and ease of movenment.

• 한국의상디자인학회지
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• 제2권2호
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• pp.95-111
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• 2000

본 연구에서는 20세기 대표적인 디자이너인 샤넬의 작품활동을 통해 패션산업에 미친 영향에 대해 살펴보고자 한다. 연구를 위해 여러 문헌과 패션잡지를 통한 자료분석으로 문헌적 연구를 했다. 본 논문의 결론을 요약하면 다음과 같다. 첫째, 샤넬은 소재의 혁신을 가져왔다. 둘째, 영 스포츠캐주얼 웨어를 디자인하여 제시함으로서 여성에게 젊음과 여유로운 생활을 유도한다. 셋째, 패션의 현대화로 디자인뿐만 아니라 기능적이고 실용적인 심플한 실루엣을 제시하여 하나의 모드를 생성시킨다. 넷째, 패션의 댄디즘으로 여성 해방운동가의 입장에서 패션을 해석하려했다. 다섯째, 클래식한 슈트의 다양한 악세사리를 코디네이션하여 디자인의 변화를 가져왔다. 여섯째, 일부 계층만의 패션이 아니라 20세기 패션의 대중화에 앞장을 선 디자이너 중의 한 사람이었다.

• 한국의상디자인학회지
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• 제25권1호
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• pp.133-152
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• 2023

The purpose of this study is to provide basic data to assist students and designers in the fashion industry by examining the trend of designing women's wear using the SCAMPER method. In the research, five SCAMPER methods for fashion design were classified based on the previous studies. From 2018 S/S to 2022 F/W, data from 3,512 photographs were collected and checked for overlapping and were then classified by SCAMPER method. Data analysis was performed using SPSS 26 for frequency analysis. As a result, the most common application of the SCAMPER method was in 2022. First, the most used SCAMPER method for design was the "modify" method, changing details into various forms. The second method was the "adapt" method in which parts of the design or details were added and connected. The third mehtod was the "magnify" method of enlarging the length of the jacket. The fourth method was the "eliminate" method, removing parts of the jacket bodice, collar, or sleeves.

• 한국의상디자인학회지
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• 제18권3호
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• pp.145-163
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• 2016

This paper analyses Wassily Kandinsky's abstract paintings. this paper aims to discuss phases of Kandinsky's works as well as their formative characteristic theory. Practically, with formative characteristics in Kandinsky's paintings such as point, line, plane, form and color, this paper presents four sets of costumes. Among which, geometric patterns are intensively collaged as the formative characteristic of "point" calls for; crossed necklines and waistlines are applied as the characteristic of "lines" represents; plane and solid patterns are adopted as the main parts and ornaments as both the characteristic of "plane" and that of "form" claim; three primary colors - red, blue and yellow - are introduced as the characteristic of "color" depicts. Artificial leathers are used as the main fabric, patchwork and draping as so in technology. Therefore, with the theoretical and practical efforts, this paper aims to seek the interdisciplinary possibilities between paintings and fashion arts, and in order to develop several fashion designs representing modern aesthetics with their unique characteristics.

• 한국의상디자인학회지
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• 제7권3호
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• pp.53-61
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• 2005

With the acceptance of western culture, our traditional culture is in the crisis of disappearing. This is especially evident in the clothing and textile field. Therefore it seems essential to apply the traditional Korean aesthetics to our clothing. The purpose of this study is to reconstruct the types of design and analyse the characteristics of patterns expressed in traditional roof-tile. This study attempted to use the roof-tile patterns as motive for all tapestry and fashion design work to realize a creative expression of formative world through on-screen restructuring. The traditional roof-tile patterns were selected for this study because they must be the products created with our ordinary aesthetic values and techniques, and thus may represent our people's unique culture. After all, the expression for a work should be based not on simple representations of a given object but on restructuring of diverse unique forms according to worker's subjective senses. A piece of clothing with the expression of traditional and formative must combine traditional aesthetics of tradition and form. The application of traditional and formative value of Korean pattern in clothing made to be adaptable for wear in our everyday lives. Today there various attempts to combine traditional aesthetics with modem design. Also, the development of unique Korean design aesthetics within the clothing will allow for a distinct elegance that can be recognized by the world know about the Korean culture through the high standards of our clothing.

• 복식문화연구
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• 제14권1호
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• pp.108-127
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• 2006

The purpose of this study is to examine the principles of clothing design and the way of design approach in Lamanova. She caused a revolution in the art of dress and created the foundation for costume design theory. She Addressed Art in everyday life to self-taught dressmakers. The distinguishing feature of the design is simplicity and functionality. In an article "The Russian Style", Lamanova raised the question of the new Soviet costume and traditional costume. In "On Contemporary Costume" she classified the new forms of clothes into everyday and holiday attire, showed the principles of costume, and analyzed in detail the necessity of constructing a costume to suit the individual figure. In "On the Rationality of Costume", she found a basis theory for clothing design which is for whom, from what, and for what purpose. Lamanova's theory was made public in full in 1928 and was presented at the exhibition of Handmade Textiles and Embroidery in Women's Contemporary Costume. The main contents are the costume's purpose, it's material, the figure of its wearer, and its form. She argued that the new costume could be in line with the new life and her theory could be the creed of clothing designers. The principles of Lamanova's theory can still be applied today, not only in Russian traditional and contemporary costume, but in contemporary world fashion.

• 한국의상디자인학회:학술대회논문집
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• 한국의상디자인학회 2004년도 한국의상디자인학회:학술대회논문집*Proceedings of the Korea Fashion
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• pp.53-55
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• 2004

문학은 사회의 표현이라 하여, 문학과 사회와의 밀접한 관계를 말해 주는 것으로서, 시대적 상황, 사회상, 사상적인 특성을 문학을 통해 연구 분석할 수 있는 자료로서의 가치성을 말해주고 있다고 본다. 특히 이중에서도 판소리 문학을 보자면 조선후기 정치, 경제, 사회, 문화 등 전반적인 사회구조의 변혁과 궤를 같이 하여 대두된 서민문학의 하나로서, 17세기 말경에 형성되어 전승, 변모 되어 오며 일반서민들의 애호를 받아왔다.(중략)

• 한국의상디자인학회:학술대회논문집
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• 한국의상디자인학회 2004년도 한국의상디자인학회:학술대회논문집*Proceedings of the Korea Fashion
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• pp.65-67
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• 2004

해외 거주 한국인은 동일한 한민족임에도 불구하고 사회 문화적 환경, 생활여건, 경제 수준아 다름에 따라 서로 다른 신체적 특성이 나타날 것이다. 본 연구는 해외 거주 한국인 중 가장 많은 수를 차지하고 있는 중국 연변과 하얼빈에 거주하는 조선족 20대와 40대 여성의 체형 분석을 목적으로 한다. (중략)

• 한국의상디자인학회:학술대회논문집
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• 한국의상디자인학회 2004년도 한국의상디자인학회:학술대회논문집*Proceedings of the Korea Fashion
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• pp.77-80
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• 2004

요선오자란 의(衣)와 상(裳)으로 구성되어 있고 허리에 여러 줄의 요선(腰線)이 장식되어 있는 독특한 형태의 포(袍를)를 지칭한다. 이러한 특징적인 형태를 지닌 요선오자는 원대(元代) 문헌부터 그 명칭이 등장하고 각종 회화자료에서도 몽골인들이 착용한 모습을 볼 수 있으며 복식유물도 이 시기부터 출토되어 중세 몽골인에 의해 착용되기 시작한 것으로 알려져 있다.(중략)