• Journal of Korea Entertainment Industry Association
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• v.13 no.7
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• pp.183-192
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• 2019

This study studied five major films from the 1980s to the 2000s when Philip Glass's minimal music was used, and studied the aesthetic and functional meaning of the minimal music. Minimal music has a repetitive rhythm and is understood to be aesthetically monotonous, to avoid a particular purpose, or as an expression of moveless. On the one hand, it can mean infinite persistence by repetitive rhythms, or sometimes repetition with subtle changes. The functions of film music were applied as the function of film music common to many theorists. As a result of the analysis of the music in five films, the aesthetic meaning of Philip Glass's minimal music was most relevant to the characteristics of the film story, and the functional meaning of the film music was determined by the structure, form, and genre of the film. Therefore, the theme of the film and the contents of the story played an important role in the aesthetic interpretation of film music with repetitive rhythm characteristics. And the elements of the plot such as the structure, form, and genre of the film are thought to have had a significant effect on the functional interpretation of the film music. The aesthetic value of the film music is closely related to the story of the film, and the functional meaning of the film music is interpreted as determined by the formal elements of the film.

• Proceedings of the KAIS Fall Conference
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• 2010.11b
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• pp.521-522
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• 2010

2000년대에 들어와서 대한민국의 대중음악은 소위 '퓨전(fusion)', '월드뮤직(world music)', '크로스오버(cross over)' 등등의 이름으로 여러 가지의 악기와 장르를 혼합하여 만들어지는 작품이 무수히 많이 쏟아져 나오고 있다. 그중에서도 특히 두드러지게 많이 눈이 띠는 작품은 역시 한국의 국악과 서양의 대중음악과의 혼합 이다. 서로의 음악이 혼합하여 너무 잘 어우러 질수 있다는 발견이라기 보단, 자칫 소재의 빈곤으로 그 음악이 그 음악이라는 현대 대중음악의 한계에서 탈출과, 우리만의 독창성을 표현하고자 하는데서 그 원인을 찾을 수 있겠다. 본 논문은 그러한 맥락에서 탄생한 퓨전 록 밴드 "고스트윈드(GOSTWIND)"의 첫 번째 앨범 <10,000 Years Ago> 의 대표곡 "Fire Bird(불새)"를 연구, 분석하여 한국최초의 국악과 록음악의 혼합을 고찰해본다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2008.06a
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• pp.343-350
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• 2008

사람들은 다양한 매체를 통하여 음악을 청취하고 있으며, 느낌별, 장르별, 연령별, 날씨별, 시간별, 장소별, 상황별, 직업별, 악기별, 템포별 등으로 다양한 분류 방법으로 음악을 제공받고 있다. 이는 음악을 분류하는 방법들이 음악 자체에 대한 분석이나 음악을 듣는 환경에 대한 분류로만 제공되고 있기 때문이다. 같은 상황, 환경이라도 개인에 따라서 같은 음악을 듣더라도 다른 감정의 상태를 나타내기 때문에, 개인을 고려한 분류 방법이 요구된다. 본 논문에서는 인간의 성격을 통해 감정의 표현 방식에 차이가 있다는 면을 초점으로 접근하였다. 감정이 미치는 심전도에 미치는 영향과 음악이 신체와 감정에 미치는 영향들을 통해 심전도를 이용하여 개인의 성향에 따른 음원자극에 대한 반응 차이를 통해 개인의 성향이 반영된 분류 방법을 제시하고자 했다.

• Proceedings of the Korea Society for Industrial Systems Conference
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• 2006.05a
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• pp.201-204
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• 2006

최근에 내용기반 음악 정보 검색시스템과 관련하여 많은 연구들이 수행되고 있다. 이러한 노력의 결과로 자연스러운 음악 정보 검색을 위한 오디오 데이터를 이용한 내용기반 검색 방법에 대한 연구가 활발히 진행되고 있으며, 이러한 시스템에서는 대량의 음악특징 계수를 검색에 사용하고 있다. 하지만, 대량의 연속된 특징 계수를 저장 및 검색하는 방법으로 제안된 TIP-인덱스 화일을 이용한 연구는 부족한 실정이다. 본 논문에서는 연속 특징 계수를 효율적으로 인덱싱하는 기법의 하나인 TIP-인덱스 화일을 이용한 음악정보 검색 방법을 제안하고, 다양한 장르의 음악 오디오 화일에서 특징 계수를 추출하여 TIP-인덱스를 구축하여 실험하였으며, 실험 결과를 통하여 제안한 방법이 음악 정보 검색에서 좋은 성능을 보일 수 있음을 제시하였다.

• Journal of Korea Entertainment Industry Association
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• v.13 no.8
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• pp.107-115
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• 2019

The roots of modern popular music have evolved from blues and jazz music. But now, due to various multimedia developments and the expansion of the online industry, these traditional music is gradually being shunned by the public. When measuring a nation's cultural scale, it does not value only a few genres of popular music. In many advanced countries, music, which has basic artistic value, is trying to support and grow more base expansion in government and businesses, and to meet the needs of consumers. At this time, local jazz and jazz clubs are gradually losing ground, out of dance, rock and ballad music. Everyone should recognize that it is not just a genre of music that is alienated from the trend of the times, but an important part of cultural art that we should develop and nurture systematically. And it should be handled by more media and recognized by the public. Although it is a small market, this paper analyzes the development of jazz music in Korea and various factors that jazz clubs can establish as part of the music industry through analysis of Korean jazz clubs. The artistry and popularity of jazz music, the development of music education programs, the revitalization of government-led performances and the operation of concert halls differentiated from those of broadcasting media will eventually lead to the development of jazz clubs due to the rise of many jazz music lovers. It is also hoped that through the direction of development, we will be able to succeed as a major part of pop culture.

• The Journal of the Korea Contents Association
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• v.13 no.11
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• pp.87-95
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• 2013

"Gone with the wind"(1939, Directed by Victor Fleming) was produced in the stylistic conventions of the classical hollywood cinema, and thus the musical employment also followed the norms of the style, such as late Romantic musical style, serving the narrative, signifier of emotion, and giving continuity and unity. But, at the same time, the statement of the classical theory that the music hides and tailors itself to support the drama - invisibility, inaudibility, narrative cuing and so on - does not seem to explain the musical employment of "Gone with the wind." On the contrary, it hires music to put itself forward, and often times it stops the narrative to show musical spectacles for which the image is tailored to fit the music. These are more of music theatre or music drama features rather than the conventional underscore of the films in that period. In this study analysed the musical employment of "Gone with the wind" to see how it took full advantage of music to lead the narrative in a more active way and to make musical spectacles, by borrowing the technique and style of music theatre, such as, overture and entr'acte, similarities with film musicals, Wagnerism influence, and the use of songs.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.99-100
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• 2014

본 연구에서는 대중음악의 음악적 구성요소와 편안한 감성과의 상관관계를 밝히고 창작자의 입장에서 감성으로 접근하기 위한 방법을 모색하기 위하여 엠넷의 편안한 감성 테마에서 선정된 200곡의 가사와 음악적 특징을 분석하였다. 이 때 가사의 분석으로 감정적 단어의 사용 및 전체적 가사의 내용을 알아보고 음악적 분석으로 장르, 템포, 조성, 악기구성 및 화성진행 등에 대하여 분석하였다. 이러한 분석을 통하여 편안한 감성의 음악의 특징 점을 발견하고 정리하여 편안한 감성의 곡을 쓰고자 할 때 보다 쉽고 빠르게 접근할 수 있는 방법을 제시하였다.

• Journal of Information Technology and Architecture
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• v.10 no.2
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• pp.251-261
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• 2013

The appearance of various mobile Internet environment access to existing networks of mobile devices is easier to tell. In addition, mobile device users to use the wireless environment than a wired environment, user profile information is readily available features. Mobile devices have features that use alone. These characteristics of mobile devices to apply the personalization service is the best system. This paper proposes for mobile device users a personalized mobile music content recommendation service. This service propose to utilizes the user's access history information using time-weighting and collaborative filtering. Access history information can find out information of user interest. Using this information, consider the preference of music genre and time-weighted based on the recommendations makes the music. This method the problem of the traditional music recommendation system, point user's favorite music genre is changing over time do not consider that to solve the problem.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.21 no.3
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• pp.237-245
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• 2020

Tropicália, which marked the beginning of Brazilian Popular Music (MPB), is a musical genre that originated in the Brazilian cultural movement and this arose in the late 1960s. The musicians who participated in this cultural movement delivered radical innovation by embracing the international music trend of the 60s, such as the Beatles phenomenon and the experimental and creative music of the electronic age. The music derived from this era incorporated the cannibalism of the Brazilian modernism cultural movement in the 1920s, and it presented a cultural consilience while maintaining the traditional Brazilian culture. In particular, the convergence of Tropicália with rock was especially prominent. As rock grew into the culture of resistance in both Britain and the United States, the convergent characteristic of Tropicália reflected the critical sociocultural view toward Brazil at that time. This paper focuses on the element of fusion of traditional Brazilian music and the rock music present in Tropicália. To present a case study, this paper selected music pieces by Caetano Veloso, the essential pillar of Tropicália, and examined each element through specific music analysis. This study aims to establish an academic foundation for third-world music and contributes to the development and creation of fusion music.

• Korean Journal of Culture and Social Issue
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• v.26 no.3
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• pp.221-257
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• 2020

This study examined whether popular music lyrics, the new research topic, reflect changes in Koreans' cultural orientation and whether individuals' cultural orientation is related to the genre of popular music that they prefer. In Study 1, we content analyzed popular music lyrics from 1980 to 2018 to see if Koreans' cultural orientations changed over time. The analysis showed that as the release dates approached the 2010s, the lyrics expressed the ideal attitudes of individualist cultures more frequently than those of collectivist cultures; this suggests that Koreans have gradually become more individualistic over time. In Study 2, we examined the relationships between individuals' cultural orientations, preferences for various genres of popular music, and functions of music. The analysis showed that people with more collectivistic attitudes tended to prefer mid- and low-arousal music, such as Ballads and Rap/Hiphop, while those with less collectivistic attitudes preferred high-arousal music, such as Rock/Metal. This result is partly consistent with the hypothesis that collectivistic people would prefer lower to higher arousal music. In addition, our analysis showed the strongest positive relationship between collectivism and the social function of music; this result can be interpreted as indicating that collectivistic people use music to maintain good interpersonal relationships. This paper concludes by discussing the implications of these findings, the limitations of this study, and directions for further research.