• 기호학연구
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• v.60
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• pp.81-103
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• 2019

The purpose of this study is to establish the direction and direction of the establishment of a free verse as the concept of the unit of rhythm and writing(律文一致) in the process of forming a modern free verse and to argue about it. In general, it was free verse under the influence of symbolism that our poetry was chosen from the threshold of modern times as a new poetic form of modern times. However, in the reality of Joseon, language has not yet been organized. Although the language of poetry has a distinction from the customs of ordinary languages, the analysis and understanding of poetry has been forced to presuppose an understanding of the language text. For the same reason, literary officials who sought the modern era of Joseon had to think about the rhythm of being referred to as the phonetic level. For this reason, in the phase of seeking a new prototype through the acceptance of modern early Western literature, the question of the universal nature of poetry was mainly directed through the theoretical question of "what is poetry?" But as the perception of the Korean language expanded, it focused on the agony of the Joseon Dynasty amid the special context of 'What is Joseon Dynasty?' In particular, Kim Eok's theory of poetry is an example of whether to understand the rhythm, which correspond to the phonetic stratum of language, at the formal level. This is the process of eventually passing on the fundamental question of "What is poetry?" to the special question of "What is Joseon poetry?" and could result in the question of how to match Joseon's writing and phonetic structure. 「格調詩形論小考」 is an example of this concern.