• Korean Journal of Heritage: History & Science
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• v.4
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• pp.80-95
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• 1969

• Sijohaknonchong
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• v.23
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• pp.241-260
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• 2005

This study is about literature of Gosan Yn Sun-do(孤山 尹善道) and his life that haunted Gang-ho(江湖) natures and political realities repeatedly, Especially, it considers what aspect of cognition he had about two realities, Gang-ho(江湖) and the Imperial Court(朝廷) and how it throws image on his works. And through these, it is examined what his viewpoint of literature is. First of all, through a memorial to the Throne that put him in first political trial, we can know that he was so strict that he didn't compromise with political realities and at the same time, he has a strong political inclination hidden behind his character. These two aspects are reflected on his works as his confrontation will and his agony between the two realities two realities. And through analysing the contents of <金鎖洞記> tt recollect landscapes of 金鎖洞 where Yun Sun-do mostly stayed, it can be found that his total viewpoints of nature is complacency. This complacency including the satisfaction of Gang-ho life and his ethics is intactly reflected on his works. Finally, it is clearly revealed that he tried to embody the principle of nature and ethics in his literary works and his reference to the literary as well.

• Conservation Science in Museum
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• v.7
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• pp.63-68
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• 2006

Gwangju National Museum performed conservation treatment of clogs excavated from the remains related to Yun Sundo in Bogildo, Wando Island; the remains had been excavated and surveyed by Jeonnam Cultural property Research Center. The tree type used for the clogs was identified as Pinus sp. (hard pine); it was treated with PEG-vacuum freeze-drying after the t-butanol replacement.

• Conservation Science in Museum
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• v.7
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• pp.69-73
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• 2006

This study is the investigation of the tree type of six waterlogged archaeological wood excavated from the remains related to Yun Sundo in Bogildo, Wando Island; the remains had been excavated and surveyed by Jeonnam Cultural property Research Center. The identification result was four Pinus sp. (hard pine), one loquat and one Symplocaceae. All the identified tree types are subtropical ones and they are common in Bogildo, Wando Island.

• The Korean Publising Journal, Monthly
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• s.133
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• pp.4-5
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• 1993

• Journal of architectural history
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• v.19 no.1
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• pp.7-26
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• 2010

This study is on Yun Seon Do's site located at Bogildo, Wando-gun, Jeonnam, compares the relics found through excavation to literature records and examines the character of relics and architectural features of the site. The results of this study are summarized as follows. First, bridge and pond including Goksudang and Seojae mentioned in related literatures were found around Goksudang. In the spatial composition, the area was divided into three using the stream from the valley and pond including buildings was built at each area. Each area was connected through Honggyo, Yueuigyo, and Ilsamgyo bridges and intentionally lengthened movement was considered as the space production technique to see the valley, and upper and lower pond. Second, 11 building relics, pond and fence were confirmed around Nakseojae. The transformative process of these relics could be divided into three periods. The 1st of these period was when Yun Seon Do lived there and Mumindang, pond and waterway were arranged as straight axis. Third, Dongcheonseoksil consisted of building relics (1) for preparing for and drinking tea and pavilion (building relics(2)) and pond, and these were static with nature and used as contemplative space for viewing.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.33 no.2
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• pp.12-20
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• 2015

Sujeong-Dong garden heritage is a unique, valuable villa garden constructed by Gosan Yoon Sun-Do during middle Joseon period. However, the site has been faced on damage risk because of the development of near quarry. The purpose of the study is to suggest careful maintenance plan for the valuable Korean traditional garden heritage. For the plan, the study conducts the interview of residents and experts, literature review, the investigation of historical materials, site survey, and the analysis of aerial photography. The results are following: Firstly, the paper divides the site into three types of an excavation area: core, recommend and investigation. Secondly, of remained Gosan's one and remains of unknown contents, it has the plan of vegetation maintenance, safety facilities, pathway maintenance, and service area. Thirdly, it also suggests pathway plan for authentic garden promenade according to the literature of Sanjungsingok(山中新曲), site survey, and interviews with residents and experts. The study has a special meaning for an insightful approach based on the accurate site survey, research, and the consideration of practical use.

• Journal of architectural history
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• v.13 no.3
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• pp.21-36
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• 2004

Most of the studies on Confucian Architecture dealt with the administrative system and typification. The study was about the outline buildings of the Architecture. However, specific view of personal architecture is limited. The aim of this study is to clarify the idea of Seonbi, Confucian Scholars in Choson Dynasty, in building the second house, Byul-Seo Architecture. The Byul-Seo was used to Jang-Su(藏修) for training oneself and teaching his students, and You-Sik(遊息) for strolling the surrounding of nature. The Byel-Seo in Bogil-do by Gosan Yoon, Sun-Do is influenced not only by the idea of Confucianism which is 'knowing through by approaching to object(格物致知)', but also by Feng-shui and Taoism. From the idea of Gosan Yoon, Sun-Do in Byul-Seo Architecture, ecology and spirit of the times must applied to our modern architecture.

• Sijohaknonchong
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• v.43
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• pp.41-66
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• 2015

A study on rhythm of a sijo was mostly conducted based on rhythm theory. As it is considered to define the rhythm of a formal sijo based on three verses, its significance has been recognized. However, if rhythm is understood to be superior to cadence or versification, it seems necessary to examine the rhythm of a sijo as a verse with a fixed form as well as a highly individual rhythm of each and every lyric poet, which is informal rhythm, in order to fully understand them. In this case, prosodie analysis by H. Meschonnic (1932~ 2009) can be a significant methodology. As this study gropes for a possibility to examine the rhythm of a sijo from a new perspective instead of existing rhythm theory through the application of H. Meschonnic's prosodie analysis, it can be regarded as an essay. Prosodie newly suggested by Meschonnic is referred to as linguistic organization of consonants and vowels and indication of their paradigm, and it conflicts the perspective that traditionally separates linguistic sound from meaning for dichotomous understanding. It is due to the fact that the organization of consonants and vowels is a unit that constitutes a complicated layer of significant sound and meaning. Accordingly, prosodie analysis that is irregularly and aperiodically distributed within poetic text can be considered as methodology aimed at explaining how a poem is integrated in terms of sound and semantics. The core of prosodie analysis is to examine how the phonologic system stands against the theme of a poem. It ultimately has the same way of establishing literary style of a poet as it is to explain a unique aesthetic structure that individual poems have and show distinct characteristics of linguistic use by a poet. Prior to application of the prosodie analysis to sijo in general, the study preparatorily conducted prosodie analysis on < Ouga > by Gosan Seon-do Yun.

• Sijohaknonchong
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• v.20
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• pp.97-111
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• 2004

It is extremely crucial in academic researches to clarify exact spellings and original contents of the works under analysis. In the case of Sijo, the works in different collections of poems with the same title prove to have been transformed in its spellings and expressions through the long period. Therefore it has been a very important step which should be taken prior to a research of Sijo that spellings and expressions of those works be compared and checked. In this point of view, I believe the book titled A Full Collection of Sijo. Yokdae Sijojunseo, written by me can be of great help to identify the expressions and contents. Moreover this book enables us to check authors and melodies of the works. This is a study on the aspects and phases of transformation of an original work by examining 'Eobusasisa'. The findings are the following: first of all, the number of collections including 'Eobusasisa' is unexpectedly small; secondly, how the original work was transformed and modified in various collections. A representative collection including 'Eobusasisa' as a transformed style into Sijo is Haedonggayo, where 38 poems out of 40 of 'Eobusasisa' are collected. All the modifications and changes have been checked in this study. To sum up, it is very important to compare the variations of a Sijo work with each other. It enables us to check up and to identify the writers, spellings, expressions, and melodies.