• 한국정보과학회:학술대회논문집
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• 한국정보과학회 2001년도 봄 학술발표논문집 Vol.28 No.1 (B)
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• pp.595-597
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• 2001

본 논문에서는 가속도 센서에 의해 사고를 검지하고 사고 전후의 영상정보를 저장하는 차량용 사고분석장치를 설계하였으며 이를 위한 사고 분석 시뮬레이터를 윈도우 기반에서 OpenGL 3차원 그래픽 라이브러리를 사용하여 구현하였다. 이는 알고리즘부와 디스플레이부로 구성되며, 알고리즘부에서는 도로 영상에 대한 영상처리를 수행한다. 여기서 개선된 역우너 근법에 의해 전처리된 영상을 필터링하여 차선을 검지하고, 검지된 차선을 이용하여 차선 파라미터들을 추출하며, 디스플레이부에서 추출된 파라미터들을 입력받아서 OpenGL 라이브러리 함수를 사용하여 사고를 3차원으로 재현한다.

• 복식
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• 제64권3호
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• pp.1-12
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• 2014

The purpose of this study is to investigate the Depaysement techniques in a new perspective, which are applicable to fashion window display. It was investigated by studying the case of Depaysement expressed in contemporary fashion window display. The analysis object of this study was limited to window displays shown at the world's most famous department stores in the last five years. The data was collected through related specialty publications and each department store's websites. The framework for analysis of this study is established by relevant precedent studies. The results of this study were drawn form comparative quantitative analysis from an expert group. Through the study, the characteristics of Depaysement in the contemporary fashion window display were classified into 'Change of forms and materials', 'Heterogeneous combination of objects', 'Location change of an object', 'Conversion of recognition on an object' and 'Change of spatial awareness'. The expression approaches were 'Change of scale', 'Change of materials', 'Combination of heterogeneous objects', 'Heterogeneous combination', 'Arrangement of object in a strange space', 'Change of display method', 'Overlapped object', 'Paradoxical image', 'Variable awareness of boundary' and 'Reorganization of interior space and change of materials'.

• 복식
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• 제63권1호
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• pp.120-134
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• 2013

This study was intended to investigate the designs that are displayed on fashion windows, specifically the originality of its designs, from here on noted as "design originality", and the effects it has on the attitudes of consumers toward fashion brands and their purchasing intentions depending on their level of clothing involvement. For the purpose of this study, 10 pictures of creative fashion window display designs from Fifth Avenue in New York were selected and they were shown to 200 college students in Busan in order to collect data for the analysis. The results are as follows: 1) Factor analysis identified four factors that impacted how consumers judged design originality, uniqueness, humor, favorable impression and advanced design. 2) The four factors of design originality in fashion window display significantly affected consumer's evaluation on usefulness of information provided by the window display, attitudes toward fashion brands and purchase intention. 3) The respondents were separated into two groups depending on their level of clothing involvement. Consumers with high level of clothing involvement showed that they were influenced more by the design originality when making purchase decisions. Especially, the uniqueness factor and advanced design factor had more effect on brand attitudes and purchase intention in high level of clothing involvement group. The results revealed that creative fashion window display design are important marketing strategic tools that affect attitudes of consumers toward brands and their purchasing intentions.

• 복식문화연구
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• 제26권3호
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• pp.327-345
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• 2018

This study analyzes characteristics related to Kineticism found in different kinds of displays and arts in order to contemplate modern window displays. The standard of analysis is based on kinetic arts pioneer George Rickey's six display factors. Projection features and movements were categorized into "Direct movements," "Indirect movements," and "Relative movements." Results were obtained through analysis of different examples of each category. First, the most observed form of Kineticism was direct movements on the window display. Along with the development of science and techniques, a variety of divergent motional methods has arisen. After that followed indirect movement, which uses visual media and lights for presentation. The third was relative movements, which provides communication in practical experience; users' motion is used to provide modification in vision. Fourth, we observed that direct movements and indirect movements can express fluidity depending on materials, inducing a sense of tension within the window display through visual stimuli together with dynamism from mechanical exposure. Fifth, when direct movements pair with relative movements, it triggers customer participation; though it does not deliberately induce participation, the effects are beyond expectation. Sixth, if indirect movements meet relative movements, the motion of lights offers a major stimulation to the customers along with various expressions, thus achieving an interactive domain.

• 한국실내디자인학회논문집
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• 제17권2호
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• pp.140-149
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• 2008

The purpose of this study is to consider the present situation and cases of culture marketing as brand identity shown in Window Display Area, focusing on department store and fashion brand, one of the recent cultural trends. Display in windows of existing department store and fashion brand has represented ultimate goal of sales by coordination of products, seasons and themes based on profits. However, display has recently become brand identity which department store and fashion brand create by correlating art and commercialism since the era of various lifestyles and emotional consumption. Through identity in department store and fashion brand, cultural marketing shown in show window display space cooperates with customers, corporations, artists and culture and art foundations. The result of this research is the following : First, corporations result in improvement in their image and brand perception with a distinctive marketing strategy. Second, as an agent of art customers form a positive relation with corporations and can feel emotional values and enjoy culture through cultural marketing contents, which are shown by department store and brand. Third, we can expect that artists, culture and art foundations form the best partnership by creative activities with department store and brand and cultural marketing activities make a great contribution towards society.

• 한국의류산업학회지
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• 제17권4호
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• pp.501-512
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• 2015

This study was to consider and analyze of fashion window display design at Printemps department store in Paris, France which has tried continuously space presentations through the sensibility and differentiated strategy. The framework for analysis of this study was established by related precedent studies. Data collection was done by searching related specialty publications and website of Printemps department store, and the results of this study were drawn through qualitative analysis of experts' group. The results are as follows. Printemps department store set up presentation types of fashion window display design's themes that have been developed by the method of display presentation such as symbolic, ambience, surrealistic, realistic, and information. The most frequently used presentation development techniques applied in windows' VP of Printemps were the 'transferal of daily space', 'transferal of unexpected space', 'exaggeration of animal & plant', and 'descriptive narrative scene.' In addition, the display theme components such as the materials that can be easily accessible in everyday life, unique directing props, the memory or childhood, the image of animal or plant, and lighting etc. We found that the major colors of window display design at Printemps department store were purple, blue and black during the period from 2009 to 2014.

• 한국컴퓨터산업학회논문지
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• 제6권5호
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• pp.697-714
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• 2005

본 논문에서는 레이저 포인터 마우스를 이용한 윈도우 기반 인터랙티브 프리젠테이션 시스템을 구성하였다. 시스템은 발표자가 레이져 포인터를 사용하여 인터랙티브하게 프리젠테이션을 할 수 있도록 제공한다. 발표동안 디스플레이용 PC는 비트맵으로 포현되는 한 국부의 포인트 위치를 검출하고, 이 점은 프로젝터로 전달되어 디스플레이 된다. 디스플레이된 프리젠테이션 자료는 또한, 스크린에 있는 레이져 스폿을 모니터링하며 제어된다. 프로세싱 단에서는 미리 알고 있는 공간상의 패턴과 레이져 스폿을 일치 시키게 되며, 이에 따라 디스플레이 명령이 세팅된다. 이때, 디스플레이에 대한 명령은 컴퓨터로 전달되며 마우스 기능과 같은 동작을 얻을 수 있게 된다.

• 디지털융복합연구
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• 제14권1호
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• pp.399-405
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• 2016

헤드업 디스플레이(Head-Up Display)는 차량내 정보 제공 디스플레이로서 운전자에게 운행시 필요한 정보들을 차량 윈도우를 통해 제공하여 시야를 확보하는 동시에 주행에 필요한 정보를 습득할 수 있는 장치이다. 초기 헤드업 디스플레이는 수입차량 위주로 장착되었지만 점차 국산 중대형차량에도 장착되어 운전자에게 운행정보에 대한 편의성을 확보한 운전이 가능하도록 제공되어 지고 있다. 현재 출시되는 자동차들의 각 브랜드별 헤드업 디스플레이는 정보표시요소의 일관성 및 인터페이스가 한정적으로 표현되고 있으며 기술형식으로는 도트 반사형 방식으로 적용되어 GUI의 적용방식의 한계점을 드러내고 있다. 이에 본 연구에서는 사례조사 및 분석을 통해 주행 중에 필요한 실시간 정보표시요소들을 도출하고, POI(Point of Interest) 관심정보의 우선순위를 파악하여 분석된 결과를 바탕으로 최근 개발되어지는 투명디스플레이 기술을 통하여 사용자에게 새로운 GUI가이드라인을 제공을 연구 목적으로 둔다.

• 한국진공학회:학술대회논문집
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• 한국진공학회 2011년도 제40회 동계학술대회 초록집
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• pp.295-295
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• 2011

전하 저장 층으로 사용된 산화막-실리콘-산화막의 경우 낮은 전압에서 큰 메모리 윈도우를 가짐으로써 비휘발성 메모리에의 가능성을 확인시켜줬다. 하지만, 나쁜 전하지속시간 특성으로 인한 문제점이 있다. 따라서 이를 개선시키기 위하여 터널링 층의 두께를 증가시키고 산화막-실리콘-산화막-실리콘-산화막의 다층 구조를 이용하여 메모리 윈도우 특성의 향상 뿐만 아니라, 전하지속시간 역시 향상 시켰다. 이를 통해 산화막-실리콘-산화막-실리콘-산화막 구조의 비휘발성 메모리를 SOP 디스플레이에 적용할 수 있을 것으로 기대한다.

• 방송공학회논문지
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• 제20권6호
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• pp.928-937
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• 2015

기존의 헤드업 디스플레이는 작은 허상 크기로 인하여 운전자가 영상 정보를 쉽게 인식할 수 없는 어려움을 가지고 있기 때문에, 본 연구에서는 수평 방향으로 영상을 넓히는 다중 화면 구조와 컴바이너 렌즈를 사용하여 영상 확대와 다채널 윈도우 구조의 헤드업 디스플레이를 연구하였다. 0.47inch 크기의 LCD를 사용하여 투과와 반사 기능의 허상 영상을 사람의 눈에서 3m 위치에 구현하는 기술을 연구하여 근거리와 원거리의 물체에 대한 운전자의 인지 시간을 짧게 하였다. 허상 영상의 콘텐츠로는 스마트 폰을 이용하여 다양한 내비게이션 정보 등을 디스플레이 할 수 있도록 하여 안전과 정보를 동시에 제공할 수 있도록 하였다.