• Product Safety
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• s.2
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• pp.36-40
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• 1992

• Venture DIGEST
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• s.40
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• pp.3-3
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• 2003

• Venture DIGEST
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• s.25
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• pp.12-16
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• 2003

• Venture DIGEST
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• s.6
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• pp.1-1
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• 2002

• The Korean Publising Journal, Monthly
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• s.269
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• pp.63-63
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• 1999

• 대한두경부종양학회:학술대회논문집
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• 1995.11a
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• pp.205.1-205.1
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• 1995

• KOREAN POULTRY JOURNAL
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• v.54 no.8
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• pp.122-125
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• 2022

최근 기상이변으로 폭염과 장마가 계속되고 있다. 기후변화로 인해 큰 영향을 받는 양계산업은 폭서기에 더욱 대비를 철저히 해야함은 강조해도 지나치지 않는다. 이 와중에도 기상 변화에 대응하면서 높은 성적을 내는 농가가 있어 경기도 파주시에 육계 4만수를 운영 중인 청원농장의 오형근 대표를 찾았다.

• The Journal of the Korea Contents Association
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• v.14 no.12
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• pp.618-628
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• 2014

A photograph used in a film poster summarizes the story of the film that lasts for around two hours. The image must contain a picture that represents the story and text including the title, with various design elements composed in a harmonious way. However, given that a photograph is the most noticeable element in a film poster, this study aims to examine the function, role, and types of a film poster and analyze poster photographs. Currently, there are companies specialized in photography for film posters, but sometimes recognized photographers are commissioned to take a photograph that will be used for a film poster. Hein-kuhn Oh actively produced such photographs in the early and mid-2000s, and this study deals with 'how the photographs recreate the content of the films' focused on three selected photographs taken by him. Also, There were commonalities found between the tree photographs and Oh's personal portrait photographs, which were then analyzed from the photographic aesthetic point of view. The three selected works are: , , and .

• The Journal of the Korea Contents Association
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• v.14 no.3
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• pp.103-112
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• 2014

Oh, hein-kuhn is a representative portrait photographer in Korea. His works, , , , which treated portraits of women are a bit different from those of the past that described the appearance of characters. The artist expressed the figure of inner side that conflicts and feels uneasy between 'family and society' and 'child and woman' along with the look of character. That is, he included specific aura which the whole of aunts and girls' group radiates by showing similar photos repeatedly, that we can be aware of 'aunt' and 'girl' by seeing them. The important technique of Oh, hein-kuhn's Portrait Photograph is 'repetition' of image. The artist delivers the meaning of the photo by looking at the character upright in the front and showing photos with similar frame repeatedly. Such form and content of the work as this might feel a bit boring, since it's very simple just like identification picture. However, the photos in the frames which do not move in the fixed position can deliver the meaning of work more clearly rather than the image which expresses flowing time and moving space, we can grasp the message that the artist intends to deliver rather quickly. In the environment of photograph production mainly with image transformation, Oh, hein-kuhn's works of authentic original work method definitely stand forth. Through the portraits of aunts and girls, the artist tells an aspect of our society and we reconfirm the reality through the portraits made by him.

• Venture DIGEST
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• s.66
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• pp.14-15
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• 2005

산업사회가 지식사회로 바뀌면서 기업으로서는 빠르게 변하는 시장의 요구에 부응하는 일이 엄청난 위험요소로 다가오고 있다. 오늘날 모든 기업들이 바로 이를 극복하기 위해 전력을 다한다고 해도 과언이 아니다. 하지만 기업이 시장의 요구를 모두 감내할 재간은 없다. 그러므로 누군가 시행착오를 겪으며 새로운 아이디어나 기술개발을 해주어야 한다. 이러한 시대적 요구에 부응해 탄생한 기업군이 바로 다산다사(多産多死)의 특성을 지닌 벤처기업이다.