• Proceedings of the Korea Contents Association Conference
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• 2013.05a
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• pp.5-6
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• 2013

오늘날 디스플레이 기술의 진화는 건축물의 외벽은 물론 조형물에 영상을 구현할 수 있게 되었다. 프로젝션 맵핑은 입체감 있는 가상영상을 실내외는 물론 조형물에 덧입힘으로서 새로운 공간으로 탈바꿈시키는 영상표현 방법의 하나이다. 본 연구에서는 프로젝션 맵핑 제작과정에 있어서 색보정이 영상의 입체감에 영향이 미치는지 실험을 통해 검증하고 이를 통하여 프로젝션 맵핑제작에 있어서 효과적인 프로세서에 대한 정보를 제공 하고 확립하는 것이 본 연구의 목적이다. 프로젝션 맵핑은 예술뿐만 아니라 산업전반에 영향력을 주고 있다. 이처럼 새로운 디지털 기술에의한 미디어의 발달과 미디어의 발달에 따른 새로운 표현양식의 등장은 앞으로도 계속될 것이다. 본 연구를 토대로 프로젝션 맵핑 제작에 있어서 유익한 연구의 기초로 활용되었으면 한다.

• Proceedings of the Korea Information Processing Society Conference
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• 2015.04a
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• pp.862-863
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• 2015

본 연구에서는 조영증강 초음파 진단에서 혈류의 패턴을 효과적으로 판단할 수 있게 하기 위하여 조영제의 확산패턴을 영상으로 표현하는 방법론을 제안한다. 초음파 영상에서 조영제의 전이 시간에 대한 파라미터의 가시화 기법과, 단계별 전이패턴을 단일 영상으로 표현하는 방법을 제시함으로써, 병변의 진단 및 분석과정에서 대상 영역 내 혈류의 형태와 속도를 효과적으로 판별할 수 있게 한다. 분석과정의 필요에 따라 영상에서 정밀도를 선택적으로 적용할 수 있도록 하였으며, 노이즈 제거를 위한 필터링 과정과 단계별 전이 시점의 위치에 대한 영역 분할 과정을 거쳐 영상 생성결과를 개선할 수 있도록 하였다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2012.11a
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• pp.1-4
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• 2012

영상 매칭 기술은 컴퓨터 비전 분야에서 다양하게 응용될 수 있는 기초적인 기술 중에 하나이다. 대표적인 영상 매칭 기술인 SIFT나 SURF는 강인한 영상 매칭 성능을 나타내지만 계산량이 방대하여 실시간 기술에 사용될 수 없는 문제점을 가진다. 최근에 ORB나 BRISK는 FAST 특징점 검출기와 BRIEF 특징점 표현자를 조합하여 실시간 영상 매칭을 가능하게 하면서 기존의 영상 매칭 기술과 견줄만한 성능을 나타내었다. 본 논문에서는 FAST와 BRIEF를 수정하여 영상 왜곡에 강인하면서 실시간으로 매칭을 수행할 수 있는 영상 매칭 알고리즘을 제안한다. 노이즈에 강인하면서 스케일 변화를 고려하기 위하여 특징점 후보 영역을 제한하고 스케일 공간을 생성하여 특징점을 검출한다. 또한 영상의 회전 변화에 강인한 영상 매칭을 가능하게 하기 위하여 주변 픽셀 패턴의 Gradient로 특징점 방향을 결정하여 픽셀 밝기 값 비교로 이진 특징점 표현자를 생성한다. 제안하는 영상 매칭 알고리즘은 적은 계산량으로 기존의 알고리즘보다 우수한 영상 매칭 성능을 나타낸다. 특별히 노이즈가 존재하는 영상의 매칭에서 노이즈의 영향에 강인한 매칭 성능을 보여준다.

• The Journal of the Korea Contents Association
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• v.16 no.1
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• pp.521-529
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• 2016

This paper presents the historical development process and expressive style of motion graphics which are intended to artistic expression, and discusses the value of artistic expressions in motion graphics through the works and activities of F5 and Semi-Permanent which are the representative organization of that. Commercial use of digital motion graphics has been rapidly widespread and used in most of the picture contents by changes in the digital video production environment with the development of the computer. Motion graphics begins with a graphic design applied to the motion graphic content and is transferred from the abstract representation of the animation at the same time. Since then motion graphics have been developed as an independent genre on the basis of graphic design and animation, and take the important position for the understanding and development of the contemporary design and content industry. Moreover, the motion graphics which present the experiment of various techniques and the aspect of mixed genres contribute to the development and diversification of the visual image. This paper is covered on not only F5 and Semi-Permanent that have published experimental artistic motion graphics but also the analysis of the developed ways and expressive patters to produce experimental motion graphics of their works. Furthermore, it discusses the experimental artistic value of these works.

• Journal of the Korea Computer Graphics Society
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• v.6 no.1
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• pp.1-9
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• 2000

This paper proposes a novel 3D representation of a plenoptic function that uses cylindrical maps placed on a circle. The proposed representation has an advantage over the previous one, concentric mosaics, in that it can render an object looking inward as well as looking outward of an environment. We also present an effective rendering technique for the representation that fully utilizes the depth information estimated or given for the cylindrical maps. This technique allows us to render more accurate images with novel views than point sampling or bilinear interpolation, which has been used for concentric mosaics.

• Journal of the Korean Institute of Intelligent Systems
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• v.11 no.6
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• pp.454-458
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• 2001

Based on a fuzzy system representation of gray scale images, we derive and edge detection algorithm whose convolution kernel is different from the known kernels such as those of Robert's Prewitt's or Sobel's gradient. Our fuzzy system representation is an exact representation of the bicubic spline function which represents the gray scale image approximately. Hence the fuzzy system is a continuous function and it provides a natural way to define the gradient and the Laplacian operator. We show that the gradient at grid points can be evaluated by taking the convolution of the image with a 3$\times$3 kernel. We also that our gradient coupled with the approximate value of the continuous function generates an edge detection method which creates edge images clearer than those by other methods. A few examples of applying our methods are included.

• Journal of Broadcast Engineering
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• v.23 no.6
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• pp.747-759
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• 2018

In this paper, we implement viewport dependent tile partitioning for high quality 360 video transmission and rendering method to present a HMD (Head Mounted Display) screen for 360 video quality evaluation. As a method for high-quality video transmission based on a user's viewport, this paper introduces MCTS (Motion Constrained Tile Sets) technique for solving the motion reference problem and EIS (Extraction Information Sets) SEI including pre-configured tile information, and extractor that extracts tiles. In addition, it explains tile extraction method based on user's viewport and implementation contents of the method of expressing on an HMD. Therefore, if 360 video is transferred by the proposed implementation which only transfers video from the user viewport area, it is possible to express higher quality video with lower bandwidth while avoiding unnecessary image transmission.

• Proceedings of the Korea Contents Association Conference
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• 2009.05a
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• pp.921-926
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• 2009

After the scientific development of human history, numerous images have been developed and expanded in digital media as a communication tools. Image digital media make communication closer between sender and receptor. The image digital media which has been developed with the change of technology and media transformation have shortened visual information transportation and the time as well by combining the sense of visual and audio. Motion graphic field has been emerged as the type of image digital media development. The development of motion graphic make possible for the expressive effect and dynamic image technique which is impossible by the existing media type. Especially, it is applied to various field such as the title of movie, TV program, and advertise or music video etc. These image expression techniques are stimulating acceptor's emotion to take a role of emotion communication function also. This study aims to find the characteristics motion graphic of which how influence as an effective communication tool as important role to the receptors, and the examine the effect and application of motion graphic to the receptors as a emotion communication tool by case study.

• The Journal of the Korea Contents Association
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• v.14 no.9
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• pp.93-101
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• 2014

My artwork, '1000 years', in the form of an animation film has been exhibited in the '2011 Haein Art project' of a special exhibition at the Haeinsa monastery compound. The '1000 years' represents the marvels of sacredness and Buddhist symbols using the surrealist expression of computer animation. This paper would argue how Buddhist idea can be explored by the surrealist expression of 3D computer animation. In the light of this, animation and surrealist expression will be reviewed by the epistemological approach and based on this, I would attempt to reveal how this computer animation film represents the meaning of Buddhist symbols which exist in the monastery compound. This research is processed by the case study related to my artwork as the form of art practice based research.

• Journal of the Korea Society of Computer and Information
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• v.19 no.2
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• pp.57-65
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• 2014

The role of sound in producing 3D animation clip is one of the important factor to maximize the immersive effects of the scene. Especially interaction between video and sound makes the scene expressions more apparent, which is diversely applied in video production. One of these interaction techniques, the out-focussing technique is frequently used in both real video and 3D animation field. But in 3D animation, out-focussing is not easily implemented as in music videos or explosion scenes in real video shots. This paper analyzes the sound data to synchronize the depth of field with it. The novel out-focussing technique is proposed, where the object's field of depth is controlled by beat rhythm in the sound data.