• Title/Summary/Keyword: 어도비 일러스트레이터

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PR페이지 - 어도비, 크리에이티브 클라우드 2014 릴리스 발표

  • 대한인쇄문화협회
    • 프린팅코리아
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    • v.14 no.7
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    • pp.106-106
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    • 2014
  • 어도비(www.adobe.com/kr)는 지난 6월 19일 크리에이티브 클라우드의 14개 데스크톱 애플리케이션의 새 버전을 발표했다. 이번 대규모 업데이트는 어도비 포토삽 CC, 어도비 일러스트레이터 CC, 어도비 드림위버 CC, 어도비 프리미어 프로 CC 등이 포함돼 있다.

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어도비 CC 2014 신기능 3> 일러스트레이터 CC

  • 대한인쇄문화협회
    • 프린팅코리아
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    • v.13 no.11
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    • pp.108-109
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    • 2014
  • 어도비는 최근 크리에이티브 클라우드의 14개 데스크톱 애플리케이션의 새 버전을 발표했다. 이번 대규모 업데이트는 CS6 이래 가장 큰 규모로, 4가지 새로운 모바일 앱 및 크리에이티브 클라우드 서비스의 업데이트가 포함됐다. 일러스트레이터 CC에는 콘트롤과 정밀도, 시간절약 측면에서 기능이 보다 강화돼 작품을 빠르게 완성할 수 있다. 동시에 작품 콘트롤과 유연성을 강화해 초심자의 접근성을 높였다.

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비즈니스 인사이드 - 어도비, 크리에이티브 클라우드 2015 릴리스 발표

  • 대한인쇄문화협회
    • 프린팅코리아
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    • v.14 no.7
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    • pp.100-101
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    • 2015
  • 어도비(www.adobe.com/kr)는 지난 6월 17일 어도비 크리에이티브 클라우드의 대표 툴 및 서비스에 대한 대규모 업데이트를 발표했다. 이번 크리에이티브 클라우드 2015 릴리스를 통해 포토샵 CC, 일러스트레이터 CC, 프리미어 프로 CC, 인디자인 CC 등 어도비 데스크톱 툴의 주요 업데이트와 iOS 및 안드로이드용 신규 모바일 앱을 선보였다.

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A Study of Fashion Cultural Products Based on the Motif of Traditional Beoseon Socks (전통버선의 형태를 모티브로 한 패션문화상품 디자인 연구)

  • Kim, Sun-Young
    • The Research Journal of the Costume Culture
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    • v.19 no.6
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    • pp.1334-1346
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    • 2011
  • This study focused on the beoseon, traditional Korean socks that are a fashion item showcasing the beauty of the round hanbok shape. The study utilized the beoseon as an influential design motif and suggested 24 cultural fashion items to which the beoseon can be applied, including neckties, scarves, and T-shirts. For the purposes of this study, Adobe Illustrator CS3 and Adobe Photoshop CS3 were used for the motif design as well as the literature review on traditional beoseon socks. For the basic design motif, two basic forms were taken from the collection of the National Folk Museum of Korea. The key point of the motif development is that it maintains the basic shape of the beoseon but highlights the attractiveness of the Korean image by using repetition, rotation, symmetry and overlap into a new image pattern so that modern and chic images were taken into consideration for each cultural product. For the necktie, the mixed or repeated patterns for each motif were used as is. Alternatively, an oblique line pattern was adopted to express a stable and stylish image. For the T-shirt, a round-neck sleeveless type was designed. T-shirts were unified in the white color to highlight the image from the pattern. For the scarf, two shapes were displayed, square and rectangle. Through mixture of two repeated variation unit patterns for each motif, a splendid and stylish image was revealed along with various layouts.

Design Development for Fashion-Cultural Products Incorporating Traditional Lattice Patterns (전통창살문양을 응용한 패션문화상품디자인 개발)

  • Kim, Sun-Young
    • Journal of the Korean Society of Costume
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    • v.60 no.9
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    • pp.16-25
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    • 2010
  • This study reinterpreted the formative design elements of traditional grate patterns to create new lattice patterns and come up with a design concept for fashion-cultural products that highlight the uniqueness of traditional Korean culture and its characteristic features. Methodologically, the computer design software programs Adobe Illustrator CS2 and Adobe Photoshop were used to make grate patterns motifs. and they were applied to scarves and again to blouses using a three-dimensional simulation technique. In this study, three basic motifs for a new formative image were set using graphical functions such as omitting, simplifying, overlapping, repeating and reducing shapes based on the images of traditional 亞-shaped, arched and floral lattices, and each motif was expanded to have two variations with different colors applied to them. The direction of basic motif design was set to fit for each of fashion-cultural items such as scarves and blouses. Basic colors for motifs were arranged to create a colorful and modern but staid image in pink, blue, purple, green, yellow and brown tones. Based on a developed motif, changes were made in blouse design with lattice patterns through a variety of effects such as repetition, rotation, cross-arrangement, and oblique arrangement, and three-dimensional simulation was used to bring the design to life. Scarf design employed and applied the existing motifs in an appropriate manner for design purposes and reconstructed them through such effects as repetition, rotation, compositional variation and gradation to express a gorgeous and refined image.

Cloud Connection Methods of Smart Contents using Flask and Robust Housing (플라스크와 견고한 하우징을 사용한 스마트콘텐츠의 클라우드 접속)

  • Kim, Kyungshin;Lee, Hojun
    • Proceedings of the Korean Society of Computer Information Conference
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    • 2019.07a
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    • pp.45-48
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    • 2019
  • 파이썬 플라스크와 MySQL데이터베이스를 이용한 스마트콘텐츠에서의 효율적인 클라우드 접속기술에 관한 효율적인 방법을 제시한다. 또한 스마트콘텐츠 제작단계에서 와이파이 혹은 블루투스를 이용한 클라우드 인터넷 접속시의 오류최소화를 위한 견고한 하우징제작을 위해 어도비 일러스트레이터를 이용한 표준화된 레이져커팅 방법도 제시한다. 이는 향후 4차 산업혁명시기에 필수적인 지능적이고 다이너믹한 특성을 갖는 스마트콘텐츠 제작과정에서의 시행착오를 줄여줄 것이며, 이를 통해 다양한 아이디어의 스마트콘텐츠가 양산될 수 있는 계기가 될 것으로 생각한다. 제시한 방안의 타당성을 검증하기 위해 실제로 구축한 가장 효율적인 스마트콘텐츠의 제각과정과 그 결과를 보인다.

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A Study on the Design Contents of Fashion Cultural Products with a Camellia Flower Motif (동백꽃을 모티브로 한 패션문화상품 디자인 콘텐츠 연구)

  • Kim, Sun-Young
    • Journal of the Korean Society of Clothing and Textiles
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    • v.35 no.3
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    • pp.304-311
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    • 2011
  • This study selects camellia flowers as a material for design development and created patterns by simplifying the image of camellia flowers and combining it with a geometrical motif. It it applied them to various fields to develop design content for fashion cultural products that were Korean, modern, and competitive. For this purpose, this paper used Adobe Illustrator CS2 to turn the camellia flower into a motif and develop it into a pattern. Based on the realistic form of camellia flower, this paper set 3 basic motifs of new formative images, using graphic elements, such as omission of a form, simplification, overlapping, repetition, and reduction, and it also developed two transformed motifs by applying a different color to each motif. This paper repetitively arranged each motif in the background of a diamond shape, a square, and a circle, and it combined each motif with the patterns of marcel, stairs, and stripes, through which it expressed the combination of the geometrical patterns and the flower patterns. Through the application of repetitive and combined patterns of each motif, the enlargement and reduction of motifs, the repetition of motifs, the combined use of motifs, and the change in colors and layout, this paper used the motifs of various fashion cultural products, such as scarves, neckties, and T-shirts.

Design Development for Fashion Cultural Products by Use of Traditional Floral Wall Patterns (전통 꽃담 문양을 이용한 패션 문화 상품 디자인 개발)

  • Kim, Sun-Young
    • The Research Journal of the Costume Culture
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    • v.18 no.4
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    • pp.731-740
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    • 2010
  • This study attempted to understand the value of traditional floral wall patterns reflecting the distinct aesthetic consciousness of Korean people and reinterpret the images of floral wall patterns in simplified forms. In addition, the study created new floral patterns to apply them to the design of neckties and scarves. In a methodological aspect, the computer design software programs Adobe Illustrator CS2 and Adobe Photoshop CS2 were used to make the traditional floral wall patterns motifs. Four basic motifs for a new formative image were set using graphical functions such as omitting, simplifying, overlapping, repeating, and/or reducing shapes based on floral wall patterns, and each motif was developed in two variations with different colors applied to them. Each of the set motifs was expressed in a repeated arrangement and in a modified pattern of 45 degrees. Necktie design with a floral wall pattern made use of the motifs developed through a variety of effects such as simplification, repetition, size variation, and gradation and the pattern modified at a $45^{\circ}$ for application. Scarf design employed and applied the existing motifs in an appropriate manner for design purposes and reconstructed and expressed them through such effects as repetition, rotation, compositional variation and gradation.

A Study on Hampyeong Butterfly Festival Cultural Products Design Contents using CAD - Focus on Adobe illustrator CS2 - (CAD를 활용한 함평나비축제 문화상품 디자인 콘텐츠 연구 - Adobe Illustrator CS2를 중심으로 -)

  • Lee, Sang-Phil;Kim, Seon-Hong
    • The Research Journal of the Costume Culture
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    • v.15 no.5
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    • pp.760-769
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    • 2007
  • Cultural commodity is a tourism souvenir for tourists with a high added value in terms of economy. When it excellently represents the region and is based upon its tradition, the positive images of the place can be originated. In this way, the formation of benevolent images has economically considerable effects that can promote the competitive power of the area. The purpose of this study is to develop the pattern design of cultural commodity related to Hampyeong Butterfly Festival. The software to be used is Adobe illustrator CS2, which is a Vector Graphic software, and by utilizing the program, the pattern for the cultural goods will be produced. The forms of the pattern are All over Pattern, which is one of the arrangement methods used the most in a necktie field, and Stripe Pattern. After designing with those two patterns, the design is applied on neckties. Like this, by designing through the Vector Graphic software which we can easily get an access to, the concept of design is visualized; therefore, we can prevent the commodity development that can be conducted out of the concept. By making it possible to visualize the examination by various forms or color mixture, the time is shortened, and throughout reproduction of the object, adjustment of the size, colorway, and reusing or remanufacturing the image, we can check the result of design before hand to reduce the time and expenses required.

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Creating Expressive and Experimental Typography and Typeface by Utilizing Scriptographer: Focused on Rush Type and Celestial Type (스크립토그래퍼를 활용한 표현적 실험 타이포그래피 및 활자체의 창작: <질주하는 활자>와 <천상의 활자>를 중심으로)

  • Kim, Namoo
    • The Journal of the Korea Contents Association
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    • v.15 no.6
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    • pp.203-214
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    • 2015
  • Before the digital age, the main tools used for printing out letters were pen and brush. Therefore, forms and styles of the languages modelled out during the age also revolved around the pen and brush. However, new tools and techniques introduced in the digital age to express typography put this limit in the shade. In other words, the user can make expressive and experimental typography and typefaces quickly and easily, by learning and utilizing new tools efficiently. As such, this study is to explore those cases, to understand characters and meanings of expressive and experimental typography within the context of typography history, to introduce a new tool, 'Scriptographer' developed by means of the open-source scripting plug-in for Adobe Illustrator, and to discuss the advantages, disadvantages and applicability of this tool. Further on, through case analysis of successful preceding projects, the researcher arranges a practical foundation, and estimates the practicality of this research through experimental typography series, Rush Type and Celestial Type, created by using Scriptographer.