• 예술인문사회 융합 멀티미디어 논문지
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• 제9권2호
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• pp.481-491
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• 2019

고대에서 중세에 이르기까지 동서양의 문화가 교차하던 실크로드의 중심에 위치한 우즈베키스탄 사마르칸트에서 아프라시압 궁전지벽화가 1960년대 발굴되어 학계의 주목을 받아왔다. 특히, 7C 소그디아나 왕국 바르후만 왕의 즉위식이 그려진 서벽에서 고대 한국인으로 추정되는'조우관'을 쓴 두 인물이 발견되어 당시 국제적 정세와 문화적 특징을 살필 수 있는 중요한 사료로 활용되고 있다. 현재 아프라시압 역사박물관에 소장되어 있는 이 벽화는 사방으로 각기 다른 내용의 그림이 그려져 있고, 그것만이 가진 문화적 특성과 요소들이 내재되어 있음에도 불구하고 이를 활용한 스토리텔링과 문화콘텐츠의 개발은 없었다. 따라서 본 연구의 목적은 고대 한국인이 그려진 아프라시압 궁전지 벽화의 서벽 그림을 기반으로 한 문화콘텐츠와 캐릭터 개발과 활용방안을 모색하고자 한다. 이를 위하여 직접 현장을 방문하여 조사한 자료는 물론이며 기타 관련 학술자료들을 수집하였다.

• 복식
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• 제60권7호
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• pp.117-130
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• 2010

The four walls of mural paintings in Afrasiab, Samarkand, have discovered: the indian-concept east wall, the west with the paintings of envoys from a number of countries bringing in King's letters or gifts, the south describing traditional ceremony celebrating the new year, the north with a picture of a Chinese princess on board beside hunting scenes. Overall, Sogdians in Afrasiab mural paintings of 7th century had following costume codes: a very short haircut or the Turkic queue, a rather-narrow-sleeved caftan with round-neck, a belt and boots. The west wall showed various costume style of a set of envoys from countries. First, a Turkic envoy had 3-6 rows of long plaits, wearing a caftan with two lapels and a belt - interestingly, Sogdian and Turkic nobles didn't wear pochettes. Second, a Chaganiyan had a hairband on his short hair, and his colorful round-neck caftan is decorated with animal-patterned medallions and a golden belt. Third, a Chach wore a jewelled hairband, putting gaiters on his pants. Forth, a Chinese was in putou with a round-neck caftan, and with a belt and sword around his waist. Lastly, also appeared a Koguryo envoy in white putou with a double-bird-feathered crown on top, wearing a long-sleeved yellow v-neck top, a belt, narrow-cuffed pants and boots. Identical to the Sogdian statues excavated in various regions of China are the appearance of big eyes and nose -similar to the warrior stone in Korea- a hairband, and a pochette down from the waist line. During this period, white and red were considered as prevailing colors for clothing: red and yellow among Turks. The costumes of characters in Afrasiab mural paintings were preferably made with the animal-patterned, sophiscated samite Zandanachi of Sogdiana.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2018년도 춘계 종합학술대회 논문집
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• pp.157-158
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• 2018

최근 세계적인 VR의 트렌드에 힘입어 가상현실 기술을 이용한 Digital Heritage VR콘텐츠가 속속 등장했다. 그러나 HMD 가상현실 콘텐츠의 단점들이 지적되고 있는데, VR기기가 1대당 1사람만 체험할 수 밖에 없다는 것이다. 이런 HMD VR 체험 인원에 대한 한계성때문에 점차 다수(多數)가 체험할 수 있는 가상현실에 대한 니즈(Needs)가 발생하고 있다. 본 고에서는 기존 HMD VR을 이용한 가상현실 콘텐츠가 아닌 다수(多數) 체험형이 가능한 가상현실 기법을 제시해 향후 박물관 전시관 테마파크등에 적용할 수 있는 보다 대중이 향후할 수 있는 가상현실 기법에 대한 가능성을 제시하고자 한다.

• 한국의상디자인학회지
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• 제8권2호
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• pp.183-199
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• 2006

This study aims to estimate the nationality of two envoys by examining their dresses and appearances depicted on the wall painting of Afrasiab's Palace in Samarkand with the concentration on the history of the international exchange between three states and the countries in Central Asia. The international exchange between three states and the countries in Central Asia are examined with the concentration on the literature review. And what are related to the dresses during the period of the three states are examined with the concentration on the literature review and the wall painting of Goguryeo tomb. The followings results were identified. The dresses of envoys were comprised of Jowugwan, the soft hat shaped like a peaked hat, the upper garment reaching a hip line with Jikryeong Gyoim and Tongsu, narrow trousers, black belt with a hook, front-pointed shoes and big sword with a round ring. The items of dressing are very similar to those during the Goguryeo period as observed on the wall paintings and excavated articles from the tombs from the Goguryeo period and literature. The next examination is estimated that Goguryeo had the official relationship with the countries in Central Asia before the invasion of Tang in mid-7 century when the wall painting, in our estimation, was produced, and to this end, Goguryeo sent the envoys to those countries. The envoys on the wall painting were estimated to be from Goguryeo as discussed above.