• 한국노년학
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• v.31 no.3
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• pp.489-503
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• 2011

The purpose of this paper is to explore the actual condition of the old women prostitutes serving the old men (so-called 'Bacchus Azumma') in qualitative research and to suggest the elderly counseling process for the old women prostitutes. For this, 10 old women prostitutes, aged 53~71, were interviewed as research participants. The data obtained through the depth interviews were analyzed using a qualitative analytic method. As a result, four types of the old women prostitutes according to prostitution inducing forms and motives are found: Inducing-Living type, Re-inducing-Living type, Re-inducing-Playing type, Re-inducing-Forced type. It is essential for each traumatized prostitute to be treated according the degrees of their trauma(PTSD) in the elderly counseling.

• 가정의 벗
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• v.33 no.7 s.383
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• pp.5-5
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• 2000

• 식품문화 한맛한얼
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• v.1 no.1
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• pp.55-57
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• 2008

• 환경사랑
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• s.26
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• pp.11-11
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• 2001

• 한국노년학
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• v.32 no.2
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• pp.501-512
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• 2012

This is the second research to explore the actual condition of the old women prostitutes serving the old men (so-called 'Bacchus Azumma') in qualitative method. For this, 14 old women prostitutes, aged 38~73, were interviewed as research participants: 9 are korean and 4 are korean-chinese and 1 is chinese. The data obtained through the depth interviews were analyzed using a qualitative analytic method. As a result, three types according to the purpose of approach (heavy petting-intent type, intercourse-intent type, and criminal-intent type) and two types according to occupation or not (full-time type and part-time type) are found. The social concerns and measures on Bacchus Azumma are needed.

• The Journal of the Korea Contents Association
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• v.14 no.3
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• pp.103-112
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• 2014

Oh, hein-kuhn is a representative portrait photographer in Korea. His works, , , , which treated portraits of women are a bit different from those of the past that described the appearance of characters. The artist expressed the figure of inner side that conflicts and feels uneasy between 'family and society' and 'child and woman' along with the look of character. That is, he included specific aura which the whole of aunts and girls' group radiates by showing similar photos repeatedly, that we can be aware of 'aunt' and 'girl' by seeing them. The important technique of Oh, hein-kuhn's Portrait Photograph is 'repetition' of image. The artist delivers the meaning of the photo by looking at the character upright in the front and showing photos with similar frame repeatedly. Such form and content of the work as this might feel a bit boring, since it's very simple just like identification picture. However, the photos in the frames which do not move in the fixed position can deliver the meaning of work more clearly rather than the image which expresses flowing time and moving space, we can grasp the message that the artist intends to deliver rather quickly. In the environment of photograph production mainly with image transformation, Oh, hein-kuhn's works of authentic original work method definitely stand forth. Through the portraits of aunts and girls, the artist tells an aspect of our society and we reconfirm the reality through the portraits made by him.

• The Korean Publising Journal, Monthly
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• s.346
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• pp.80-83
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• 2004

• Proceedings of the Korean Family Resource Management Association Conference
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• 2001.11a
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• pp.9-17
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• 2001

• Monthly Duck's Village
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• s.76
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• pp.77-80
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• 2009

• Journal of the Korea Academia-Industrial cooperation Society
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• v.16 no.3
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• pp.1773-1784
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• 2015

This study aims to explore the meaning of marital life from the point of women marriage immigrants through the phenomenological qualitative methodology by Giorgi. Results showed that the meaning of marriage life were 'love, the attraction of various colors','husband, really good person', 'the reality', 'child: stability, pleasure and hardship','husband demanding Korean women's life', 'difficult and good in-laws', 'marriage is my power', 'community beyond marriage life'. The meaning that participants experienced was living like Korean woman with really good husband in unfamiliar and afraid society. This meaning was beyond the objectified negative typification of women marriage immigrant.