• Korean Architects
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• s.633
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• pp.34-37
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• 2022

'건축공간연구원(auri)'은 2007년 대통령 지시로 설립된 최초의 건축·도시 분야 정부 출연 연구기관(건축도시공간연구소)으로 출발, 2020년 국무총리실 산하 국토연구원 부설기관에서 독립법인화를 거쳐 '건축공간연구원(이하 아우리)'으로 새롭게 출범했다. 우리나라 건축·도시분야 정책 현안과 중장기 비전 수립 연구 역할을 하고 있으며, 그런 까닭에 국내 모든 건축, 도시정책 배경에 아우리의 연구활동이 뒷받침돼 있다 해도 과언이 아니다. 아우리는 앞으로 건축 도시공간분야 대표 국책연구기관으로서의 체질 개선과 역할에 대한 중장기 계획을 마련하고, 그에 따른 정책연구 방향 수립 및 연구원 구성원 참여에 기반한 연구관리와 경영체계 모니터링을 지속 실행하겠다는 계획이다. 월간 <건축사>가 지난 2021년 12월 13일 이영범 도시건축공간연구원장을 직접 만나 이야기를 나눴다.

• Journal of Conservation Science
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• v.37 no.5
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• pp.545-556
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• 2021

In this study, we aimed to elucidate the materialistic characteristics of 11 pieces of earthenware belonging to the Neolithic and Bronze Age excavated from Jeongseon Auraji, South Korea. As a result, the chemical composition of earthenwares belonging to the early Bronze Age was distributed in the intermediate area between the Neolithic and Bronze Age earthenwares, but no significant difference was confirmed based on their manufacturing period. Upon comparison, the earthenwares excavated from Jeongseon Auraji site were found to comprise less acidic components than those excavated from Yeongdong, and are characterized by the alkaline components depending on the excavated site. In the rare earth elements distribution pattern, all the analyzed earthenwares exhibited similar pattern, confirming that the raw materials present in the clay were the same. As a result of microstructure analysis, the clay particles and voids were found to be irregularly distributed in the analyzed earthenwares. Neolithic earthenwares exhibited many irregular voids, and an arrangement of aluminosilicate, including feldspar, was observed along with the clay substrate. Furthermore, we confirmed that the empty space in early Bronze Age earthenwares was filled with fine particles and cube crystals. Moreover, the main mineral phase of earthenwares excavated from Jeongseon Auraji exhibited similar composition, and therefore, there was no significant difference in the firing temperature of these earthenwares. The firing temperature of the earthenwares ranged from 750 to 850℃.

• RED RIBBON
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• s.77
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• pp.13-15
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• 2007

지난 8월 18일-19일 이틀간 한강시민공원 청소년광장에서는 새로운 영화제가 열렸다. 야외극장을 개설해 영화제를 찾는 시민 누구나 영화를 관람하고 부대 행사에 참여할 수 있도록 배려한 이 영화제는 바로 <제2회 청소년 국제 영상 페스티벌-아우라>. 기존의 청소년 관련 영화제 및 각종 영상 페스티벌과 차별화 된 '열린 교육과 참여를 통한 깨달음 / 소외된 청소년들에게 성교육과 에이즈 예방과 감염인에 대한 차별과 편견 타파에 대한 교육, 영상문화체험의 기회제공' 을 목적으로 하는 새로운 개념의 문화축제여서 더더욱 돋보였다

• RED RIBBON
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• s.74
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• pp.11-13
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• 2007

2006년 11월 30일 광진 청소년시립수련관 '시끌' 대극장에서 개최되었던 <제1회 청소년국제영상페스티벌 '아우라'>는 기존의 영화제들과 확연히 구별되는 특별한 문화 축제였다. 청소년의 시각에서 바라본 '성'에 관한 다양한 소재와 주제를 담은 작품들을 선정해 상영한 세계 최초의 '성' 영화제로, 우리 청소년들의 생각과 현주소를 재발견할 수 있는 좋은 계기가 되었다.

• 열린충남
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• s.46
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• pp.120-125
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• 2009

• 열린충남
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• s.67
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• pp.90-95
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• 2014

• Korean Architects
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• s.639
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• pp.76-81
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• 2022

• Korean Architects
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• s.657
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• pp.78-83
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• 2023

• Journal of the Korean Society of Costume
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• v.67 no.3
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• pp.115-132
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• 2017

This study recognizes the importance of the social network platform as a new fashion media, and analyzes the significance of various digital fashion images, based on the 'Aura' theory of Walter Benjamin. The concept of "Disappearance of Artistic Aura" can be summarized into three discussions: 1) the change in the way of artistic perception, which is changes in value from worship to exhibition. 2) the change in the way of artistic acceptance, from personal to mass. 3) the emergence of new artistic concepts such as camera and film. By reviewing characteristics of the $21^{st}$ digital replication era, the study tried to discover and evaluate the expanded significance of the 'Aura' represented on digital fashion images, which are infinitely generated, modified, reproduced, transmitted, and shared in social network environments. The 'Burberry Instagram' was chosen as the subject of the study. The study reviewed around 2,500 images, which were uploaded from February 2011 to July 2016, and selected 200 images deemed the most representative of Burberry, and categorized and analyzed by the extended concept of 'Aura'. The study results as follows: First, the 'Aura' in digital fashion image appearing on social network platforms signifies the expansion of product value in fashion, and it also represents inherited traditions and modernization of images. Second, it also signifies the democratization and globalization of fashion through the open replication and sharing as well as the interaction of criticism and acceptance. Third, it signifies the personalized taste and fashion as everyday lifestyle, through personalized services, securing playful space, and real-time updates.

• Trans-
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• v.6
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• pp.79-95
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• 2019

The advent of the handheld camera has dramatically transformed film production and consumption in countless ways. French director and theorist, Alexandre Astruc focuses on the development of 16mm camera and foretell film will be used as a tool to realize the personal vision of the author like other art. As proof of his claim French New Wave and Cinéma vérité create the film with handheld camera on the real location to capture new reality. Their films are distinguished itself from other films made by conventional Hollywood studios. Similarly, John Cassavetes in the United States began to focus on the handheld camera. Since then the handheld camera has become one of the popular shooting methods. Especially, handheld camera are noted for their agile movement and mobility as a way to capture various realities. However, with the advances in technology, lighter cameras and higher resolution have changed in different ways. The technology is neutral, one shooting method does not serve for one philosophy or ism. At one time, handheld shooting is now used as not only a means to capture the real world but also a tool to mimic a realistic feeling.