• 한국실내디자인학회논문집
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• 제18호
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• pp.51-58
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• 1999

The aim of this study is to discover the organic expression principles of the 20C. Architecture. As a result, first, the organic expression principles was organised in six categories, a. naturalism b. neo-naturalism, c. realism, d. abstractionism, e. regionalism, f. functionalism. Second, among the organic expression principles, the naturalism, the neo-naturalism and the abstractionism were the most dominant organic expression principles of the 20C. Architecture. Third, from 1960, the functionalism have become one of the most dominant organic expression of the 20C. Architecture.

• 토지주택연구
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• 제13권1호
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• pp.131-140
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• 2022

스마트 윈도우는 건물의 에너지 절감을 실현할 수 있는 신소재 건축 자재이며, 상황에 따라 가시광선 투과율(Visible Light Transmittance), 일사획득계수(Solar Heat Gain Coefficient, g-value)를 자유롭게 조절할 수 있는 특징을 가진다. Electrochromic(EC), Suspended Particle Device(SPD), Polymer Dispersed Liquid Crystal(PDLC) 등이 스마트 윈도우에 해당되며 현재 실용화 단계에 있다. 최근 스마트 윈도우의 VLT 및 g-value 조절 기능을 통해 건축물의 에너지를 절감하는 방법에 대한 연구가 활발하게 진행되고 있으며, 일부 유의미한 결과가 도출되고 있다. 하지만, 건축물의 에너지 절감에 대해서 연구의 영역이 제한되어 있고, 실내 환경에 대한 연구는 다소 부족한 실정이다. 에너지 절감에만 초점을 맞춘 실내 공간은 충분한 쾌적성이 확보되지 않기 때문에 실내 환경에 대한 고려가 요구된다. 따라서 이 연구에서는 사무공간을 기준으로 채광성능(Daylight Performance) 분석이 수행되었다. 세계 각 국의 친환경 건축인증제도인 LEED, BREEAM, CASBEE, G-SEED의 기준을 통해 스마트 윈도우의 VLT 조절에 따른 채광성능 검토가 이루어졌으며, 쾌적한 실내 채광환경을 유지할 수 있는 스마트 윈도우의 VLT 범위에 대한 고찰이 이루어졌다. 분석을 위해 사용된 스마트 윈도우는 VLT 조절 범위가 가장 넓은 EC가 사용되었다. 분석 결과 한국의 친환경 건축인증제도인 G-SEED의 평균주광률을 충족하기 위한 스마트 윈도우의 최소 VLT는 25% 이상으로 나타났으며, 스마트 윈도우의 VLT 조절은 균제도에 유의한 영향을 미치지 않는 것으로 나타났다. 또한, LEED의 실내 최소조도의 기준을 적용할 시 적용되어야 하는 계절 및 향에 대한 스마트 윈도우의 VLT 조절 범위 값이 도출되었다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.166-169
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• 2003

This study on the Environmental kindergarden from the Original Method as a Frobel and a Montessori. For the purpose of this story, in the motive by the interior design for architectural childhood is understanding prepared Environmental of PEDAGOGIA Montessori. The Montessori's opinion has The Material through the culture concept From childrens toys. And there are concept house $\ulcorner$CASA DEI BAMBINI$\lrcorner$ in Mantova 1920. This Environmental has original idea from the old Italian culture.

• 한국실내디자인학회논문집
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• 제41호
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• pp.36-44
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• 2003

This study is arranged the principles of the preservation and restoration in pre-modern architecture, presented guideline of the interior restoration in there, and attempted relative-analysis by cases of Japan in wall and ceiling. The method of Original-restorations and Repairs must be preserved in materials and technologies in order to hand over the future generations. The process and method of restorations are the important Cultural Properties as Architecture's itself.

• 한국대기환경학회:학술대회논문집
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• 한국대기환경학회 2000년도 추계학술대회 논문집
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• pp.439-440
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• 2000

알데히드류는 실내의 다양한 오염원에서 발생되어 하루의 대부분을 실내에서 보내고 있는 현대인들에게 건강상 영향을 미치는 것으로 알려져 관심의 대상이 되어왔으며, 특히, 포름알데히드는 발암성 물질로 알려진 대표적인 실내 환경 오염 물질이기도 하다(Zhang junfeng et al., 1999). 포름알데히드는 urea 또는 phenol-formaldehyde 수지를 합성하는 주요 물질이며, 건축물 단열재, 가구의 염료 및 광택제, 접착제, 합판, particle board, 악취 제거제, 제지, 가스 스토브, 담배연기, 화장용품, 세제등 생활 용품에서 공업용품에 이르기까지 광범위하게 사용되며, 그 사용량도 증가되고 있다(Thomas J. Kelly et al., 1999). (중략)

• 한국대기환경학회:학술대회논문집
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• 한국대기환경학회 2001년도 추계학술대회 논문집
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• pp.163-164
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• 2001

휘발성유기화합물(VOCs)과 포름알데히드(HCHO)의 발생원은 매우 다양할 뿐만아니라 주변환경과 인체에 미치는 영향이 매우 크다. VOCs와 포름알데히드의 발생원으로는 크게 인위적인 발생원, 자연적인 발생원, 실내에서의 발생원으로 구분할 수 있다. 현대인들의 하루생활 중 80%이상이 실내에서 이루어지고 있어 실내에서의 발생되는 오염물질에 대한 특성파악과 적절한 제어방안이 요구된다. VOCs와 포름알데히드의 발생원중에서 실내에서의 발생원으로는 여러 가지가 있으나, 신축건물과 리모델링에 사용되는 건축자재에서의 방출은 매우 크다고 할 수 있다. (중략)

• 한국실내디자인학회논문집
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• 제13권2호
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• pp.20-28
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• 2004

This paper aims at researching the characteristics in Bruno Taut of architecture and its influence In Japanese modern architecture. We also can study how to harmonize Japanese traditional architecture with western architecture through activities of Bruno Taut in Japan. Especially, Japanese architectural society had a dispute on their national architectural style in 1910. During the 1930's, however, the rationalist architects denied this 'Jaegwan' style architecture, and insisted a different new Japanese architectural style. Thus Japanese modem architecture adapted two axis of Western and Japan, it had been developed with their conflict and harmony by turns. This activities of Bruno Taut in Japan deeply and freshly influenced on the contemporary Japanese Architectural situation.

• 한국실내디자인학회논문집
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• 제34호
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• pp.140-148
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• 2002

This Study is concerned with the present condition and prospect of architectural stained glass in Korea. Stained glass had been architectural art from the origin. But it had declined since the Renaissance era, and began to revive in the early 20th century. The stained glass inflowed with church architecture occasionally by the western missionaries. And it has been developed actively since 1980' with the boom in church building. There are about 30 studios which are making stained glass in Korea, but very few studio work true architectural stained glass. Stained glass is still treated as simple decoration or 2-dimensional mosaic. Architect and interior designer even have little understanding of architectural character of stained glass.I have considered the problems and prospected architectural stained glass which inspire modern architecture with human sensitivity in Korea.

• 한국실내디자인학회논문집
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• 제25호
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• pp.3-10
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• 2000

In a word, Behnischs architecture can be said to be the architecture of humanism based on an interpretation of the human being. The architecture of Behnisch in which it is not space but people that becomes the subject in architecture is newness or novelty, which is proceeding to position itself as one architectural style representing the times. He refrain from the environment that is defensive and oppressive, and destructive and disruptive in composing his architecture and instead is directed towards the continuos, creative and open environment. With such an architectural language, he is pursuing a minimum of the best rather than quantity based on trust and respecting for man and nature as his unchanged theme. That is, he is seeking for the purpose of architecture that does not disregard individuality such as consumers wants and needs. As can be seen from it, his architectural work has aroused freshness and stimulus to the architectural environment that can not be boring, allowed us to look back on the architectural world and triggered our interest. His architecture has the human energy that moves us.

• 한국실내디자인학회논문집
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• 제22권3호
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• pp.3-10
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• 2013

The purpose of this study is to analyze environmental-friendly design features in landscape architecture. The process of the study first started theoretical research of 'Environmental-friendly' and 'Landscape', then extracted primary conceptual elements that based on ecological background, and analyze 20 cases, from 1990 to now, based on elements that extracted. Summarizing about environment-friendly feature in landscape architecture of Form, Space, Energy Management is as following. First, In the formal aspect, Landscape architecture tend to harmonize with surrounding environment through horizontal, vertical continuity that is realized to transform artificial plate. Second, In the spatial aspect, Landscape architectural space has flexible feature. It is expression through methods blur boundary between outside and inside, lead to change and experience by time, indeterminacy of program. Third, In the energy management aspect, the introduction of effective energy system increase environmental features in space through technical application and environmental-friendly materials.