• 한국도서관정보학회지
• /
• 제36권1호
• /
• pp.329-351
• /
• 2005

이 연구의 목적은 우리의 근대 도서관사에 있어 자료조직에 대한 지적 토대가 어떻게 형성$\cdot$발전되어 왔으며, 이 과정에서 우리는 그동안 우리 고유의 지식문화와 정보행태를 대변하는 '토착적' 가치를 지닌 자료조직이론을 정립하기 위해 얼마나 노력해 왔는지를 역사적 관점에서 엄격하게 성찰해 보는데 있다. 이를 위해, 지난 반세기동안 도서관계 혹은 문헌정보학계에서 생산된 자료조직 연구물들을 수집하여 이들이 어떠한 토대와 근거를 바탕으로 생산되었으며. 어떠한 내용으로 이루어졌는지를 정성적 관점에서 살펴보았다.

• 건축역사연구
• /
• 제28권6호
• /
• pp.67-76
• /
• 2019

The purpose of this study is to identify the context of enactment and the application to the design of in 1916. The characteristics of the composition are as follows; First, One-third are general rules of common application, Second, regulations related to cold resistance are set up separately, last, each of the 21 articles was equally divided for schools, hospitals and prisons. The standard reflect the times of the mid-1910s. The Trend of using of the Western Building System in the 1910s, The need for building construction against cold weather, and Actual conditions of renovation, extension and new plans by facility. Furthermore, the fact that various regulations concerning standard design were enacted and used in various Japanese institutions around the 1910s may have influenced the establishment of the standard. Meanwhile, after checking the status of the reflection of the standard on the planning drawings of the government facilities around 1916, it was also found that the plan was carried out in compliance with the provisions of the standard, and that the items already applied before the enactment had been organized into architectural standards.

• 복식
• /
• 제64권6호
• /
• pp.176-191
• /
• 2014

This article focuses on the late 19th to early 20th century gat, the Korean top hat for men, to understand the diverse meanings behind the hat. During the late 19th to early 20th century, the Joseon Dynasty (1392~1910) was plunged into confusion and turmoil as it was nearing its end. It was a period of drastic changes in regards to philosophy and ideology. To that end, the hats of society mirrored such changing times, as well as the differences in the awareness of Joseon's internal subject entities and external observers. Based on the analyses of the relevant documents, this study takes a multi-faceted approach to the process in which traditional Korean hats, which were once a symbol of the Joseon civilization, became reduced to an outdated object, as well as observing the awareness and attitudes of the entities involved in such a pivotal process.

• 건축역사연구
• /
• 제24권2호
• /
• pp.27-34
• /
• 2015

The tasks of writing history is to reconstruct the past in order to understand the present condition and to envision the future. Modern architectural histories in the west have assumed this role, from Winckelmann to Giedion. Likewise, history of Korean modern architecture has to serve this purpose. However, existing histories of Korean modern architecture simply list up stylistic changes from western eclectic architecture to modernism without any historical narratives explaining the transition from Korean traditional architecture to modern architecture. History of Korean modern architecture has simply been understood as a unilateral process of transplantation of western architecture into Korea. This paper points out two major problems underlying this kind of historiography of Korean modern architecture. The one is formalistic approach which sees history of modern architecture mainly as a process of formal and stylistic changes. The other is humanistic approach which sees modern architects as agents of history. This paper argues that this kind of history writings has limitations since modernity of Korean architecture is fundamentally different from that of the west. and that specific tasks that Korean modern architectural history has to address are then two folds;(re)connecting the past architectural tradition to the present and forming self-identity of Korean architecture.

• 한국실내디자인학회논문집
• /
• 제20권5호
• /
• pp.188-196
• /
• 2011

The objective of this study was to identify the design characteristics of space components observed in Malaysian hotel lobbies. For this study, we conducted a case study on the facades and indoor space components of 15 hotel lobbies in Langkawi and Penang, and drew conclusions as follows. First, designs found in the facades and indoor space components of Malaysian hotel lobbies reflected all of traditional and colonial styles, religious styles including Islamic, and contemporary styles. Second, traditional designs showed rather the modernization of traditions than the preservation of traditions. Particularly in ceilings, walls and windows/doors, conservative or progressive modemization was observed frequently. Third, contemporary designs were mostly formative modernization, and materials and colors still adhered to traditions and nature. Fourth, in applied furniture, traditional wood sculptures were mixed or traditional material rattarn(stems of climbing palms) was utilized actively. Fourth, a large number of designs symbolized the Malaysian first religion Islam. Summing up these results, the common point of designs observed in the facades and indoor space components of Malaysian hotel lobbies was that they were transformed into Malaysian style regardless of whether they were traditional or colonial.

• 한국염색가공학회:학술대회논문집
• /
• 한국염색가공학회 2011년도 제45차 학술발표회
• /
• pp.23-23
• /
• 2011

신라는 유잠국을 거쳐 새로운 비단이라는 신라(新羅)로 국호를 변경한다. 신라 뽕나무와 비단의 행방을 �O는다면 실크로드의 출발점이 한반도의 신라의 땅이라는 추정에 의거하여 1995년부터 조사를 하였다. 특히 삼국사기의 내용을 기초로 하여 한반도의 지명을 방문하여 조사하는 과정에서 삼국사기의 내용이 전혀 한반도에는 정확하게 일치하지 않는다는 사실을 확인하였다. 1. 신라는 한반도에 없었다. 최근 한학자이신 이중재님이 발표한 논문과 책자를 기초로 조사 검정을 하는 중에 고구려, 신라 백제가 한반도에 없었다는 사실을 확인 하였다. 2. 중국고금지명대사전(1931)을 중국 청도에서 섬유공장장으로 근무하는 정윤화친구의 도움으로 구입하여 이중재의 책의 내용을 검정하였다. 그러므로 신라의 비단과 양잠을 한반도에서 확인하는 것은 잘못된 사실이라는 것을 확인하였다. 3. 삼국사기의 내용을 중국고금지명사전을 이용하여 확인한 결과 그동안 의문으로 되어 있는 임라설, 가야설, 고구려 신라 백제의 강역, 문익점 선생의 최초의 목화에 대한 사실 등 모든 사실을 잘못된 내용이라는 것을 확인 검정하였고, 현재의 한반도의 역사는 식민주의 역사학자들이 한반도의 역사를 왜곡한 사실을 확인하였다. 4. 한반도에서는 고려시대 이전에는 나라 형태의 국가는 없었고, 조선시대부터 국가의 형태가 성립되었다.

• 한국국방경영분석학회지
• /
• 제33권1호
• /
• pp.43-58
• /
• 2007

해마다 반복되는 일본수상의 야수꾸니신사 참배는 한국정부의 심리를 자극하기에 더없이 적합한 외교소식이다. 아시아의 정상이라고 할 수 있는 두 나라 사이의 적대감은 단순히 60년이 지난 식민지시대의 역사로만 보기는 힘들다. 두 나라의 관계는 한국은 물론 일본의 경제성장을 위하여 고의적으로 소외시킨 식민지시대 후 외교수립의 영향을 보여주고 있다. 이 논문의 목적은 빈번히 무시되지만 명백하게 두 나라의 관계를 구체화한 한일기본조약의 역사를 밝히기 위해서이다.

• 미술이론과 현장
• /
• 제8호
• /
• pp.185-215
• /
• 2009

In Malaysia, figurative painting has increasingly become a means for artists to pose questions about presumptions of power and assumptions of history. The body, its potentially breached boundaries and defenses, forms an integral component of the battle for political influence. The degree of control over one's own and other people's bodies has become a measuring stick to determine the power of potential political leaders. Anxiety about boundaries and access to powerful bodies is intertwined with the questions of who has the right to hold power; the relevance of moral bodies and of what comprises an ideal self or selves. These questions are raised in intriguing ways in contemporary Malaysian art. While eschewing a direct take on current politics, Malaysian artists have increasingly turned to the body to address issues in Malaysian history, culture and the distribution of power. This paper will explore some works by three artists in particular, Wong Hoy Cheong, Nadiah Bamadhaj and Ahmad Fuad Osman use the figure to problematise dominant narratives in Malaysian history. Their work variously challenge political, racial and gender hierarchies and in so doing, reveal them as social constructions.

• 건축역사연구
• /
• 제28권2호
• /
• pp.19-30
• /
• 2019

The former administration office building of Kyeong-seong-bu(京城府) was a building converted from the Japanese residency-general's of Kyeong-seong(京城理事廳) which was originally built as the Japanese consulate in Joseon(日本領事館). It was too worn and too small as a Kyeong-seong-bu administration office even with several annexes. Kyeong-seong-bu tried to build a new big administration office building at the vacant north side of the same site, which was closely faced to the rotary in front of the Bank of Joseon(朝鮮銀行前廣場). But this trial was ended in vain due to insufficient budget. Therefore Kyeong-seong-bu built a new administration office building in another site and moved to it in 1926 with debts. For paying for the debts Kyeong-seong-bu sold the former site after partitioning with new roads through it. As a result the nature of the former site and its surroundings was changed. This study traces the changes and inquires how the authorities in the colonial Joseon and various commercial powers of Kyeong-seong-bu behaved for their own interests in the meantime. It makes use of the historical records and documentary literatures between early 1910s and early 1930s.

• 영어영문학
• /
• 제57권2호
• /
• pp.285-314
• /
• 2011

The purpose of this paper is to analyse the mother-daughter structure presented in Annie John, Kincaid's autobiographical novel as a metaphor for the relationship between the powerful colonizer and the powerless colonized. The representation of the mother in Annie John is ambiguous and ambivalent. On the one hand, the mother in the childhood, in its association with the African-rooted Caribbean world before Antigua was colonized, is represented as a person who nurtures the daughter, and embodies a paradisiacal pre-oedipal union with the daughter. On the other hand, the mother at the adolescent stage, placed in the specific colonial context of the Caribbean, is represented as a scornful person/colonizer who dominates and controls the daughter's behavior to keep her as a dependent and subjugated subject. Therefore, the two conflicting worlds, the African and the European, coexist in the contradictory figure of the mother. The theoretical basis of my argument is a mixture of Chodorow's and Kristeva's feministic psychoanalysis and Bhabha's notion of "mimicry" and "ambivalence." Kristeva's work on "abjection" is especially useful and helpful for contextualizing Annie's individuation and separation from the mother who is represented as enigmatic.