• Title/Summary/Keyword: 시창.청음

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실용음악 전공자의 시창청음 프로그램 개발 방향

  • Sin, Hye-Seung
    • Proceedings of the KAIS Fall Conference
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    • 2010.05b
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    • pp.677-680
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    • 2010
  • 본 논문에서는 실용음악 전공자의 시창청음 교육을 위한 프로그램 방향을 제시하였다. 실용음악 전공학생들을 대상으로 한 설문을 통한 내부 환경 및 기존 교재에 관한 분석을 바탕으로 통합교과적 학습을 지향하는 시창청음 프로그램 개발 방향을 제시하였다. 시창과 청음 수업의 연계가 가능한 워크북 개념의 통합 교재로 문제의 방향을 설정하였으며 다양한 악곡의 활용을 통한 동기 유발과 학습 효과의 증대를 지향하였다. 교과 내용의 단순성을 지양하고 섹션별 학습을 추구하며 문제지와 답지를 교재 내에 포함시킬 것과 청음 워크북의 정답 부분을 음원 녹음한 오디오 CD를 제작하여 반복적 자기주도 학습이 가능하도록 하는 것이 주요 개발 방향이다.

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A Study of Teaching and Learning Strategies for a Creative Sight-singing and Ear-trainig Program (창의적인 시창·청음 프로그램을 위한 교수·학습 전략 연구)

  • Park, Young Joo
    • The Journal of the Convergence on Culture Technology
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    • v.8 no.3
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    • pp.359-365
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    • 2022
  • This study was to provide teaching and learning strategies to develop a creative sight-singing and ear-training program that aims to design student-centered education. Therefore, the characteristics of the sight-singing and ear-training as well as teaching and learning methods were analyzed through the literature review, and the following meaningful strategies were derived. First, a student-centered teaching environment was promoted by diversifying the teaching environment through small group activities and establishing a sustainable learning environment using MyEarTraining and Musescore applications. Second, teaching and learning strategies were proposed to improve sight-singing and ear-training skills by applying for various teaching and learning methods and cultivating the qualities of a pre-service teacher. This study is expected to be used as meaningful fundamental data in developing specific teaching and learning processes for a creative sight-singing and ear-training program.

The Study of Sight-Singing and Ear-training Program for Applied Music-Major Students (실용음악 전공자를 위한 시창청음 교육 프로그램 연구)

  • Shin, Hye-Seung
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.11 no.10
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    • pp.3673-3679
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    • 2010
  • This study is prepared to suggest how to develop sight-singing and ear-training program for applied music-major students. Starting from analysing the internal environment and currently existing materials, based on the questions collected for applied music-major students, integrated program for sight-singing and ear-training was considered. The use of the various kinds of classical and popular music literature, the examples of improvisation in rhythm and harmony, based on the music theories, are focal points of this program recommended here with.